Showing posts with label hardcore. Show all posts
Showing posts with label hardcore. Show all posts

Saturday, January 10, 2026

Gridfailure/Sixth Mass-Extinction Skulduggery III/Nefarious Industries/2025 Full Length Review

 


  New  York's  Gridfailure  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  mixture  of  experimental,  dark  ambient,  noise,  drone,  industrial  and  dark  hardcore  with  elements  of  avant  jazz,  Americana,  classical,  techno,  folk  and  black  metal  and  this  is  a  review  of  their  2025  album  "Sixth  mass-Extinction  Skulduggery  III{'  which  was  released  by  Nefarious  Industries.


  Field  recordings  start  off  the  album  along  with  some  spoken  word  samples  and  dark  ambient  style  synths  a  few  seconds  later.  A  lot  of  the  music  also  captures  a  post  apocalyptic  atmosphere  while  clean  plating  is  also  utilized  quite  a  bit  throughout  the  recording  and  black  metal  screams  are  also  added  on  a  couple  of  tracks.


  Each  song  also  sounds  very  different  from  each  other  while  the  acoustic  guitars  also  add  in  touches  of  folk  music  and  Americana  when  they  are  utilized.  Industrial  style  shouts  are  also  used  quite  a  bit  throughout  the  album  along  with  the  electric  guitars  also  enhancing  the  extreme  metal  and  dark  hardcore  style  of  the  recording  when  they  are used.


  Programmed  beats  which  add  in  touches  of  industrial  and  techno  and  jazz  style  instrumentation  are  also  introduced  on  a  few  tracks  along  with clear  vocals  also  being  used  at  times.  A  couple  of  the  songs  are  also  very  long  and  epic  in  length  as  well  as  some  death  metal  growls  also  being  utilized  briefly.  Drones  and  electronic  noises  are  also  added  into  certain  sections  of  the  album  which  also  gives  the  music  more  of  an  experimental  approach  and  when  pianos  are  introduced  they  add  in  classical  music  influences  while  the  production  also  sounds  very  dark.


  In  my  opinion  this  is  another  great  sounding  album  from  Gridfailure  and  if  you  are  a  fan  of  experimental,  drone,  ambient,  noise,  industrial  and  dark  hardcore,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Extermination  Level  Eventuality"  "Drunk  on  The  Blood  Of my  Neighbor"  "Maria"  and  "Transmissions  Cease".  8  out  of  10.


  https://linktr.ee/gridfailure

https://www.gridfailure.bandcamp.com

https://www.youtube.com/@gridfailure

https://www.instagram.com/gridfailure

https://www.facebook.com/gridfailure

https://x.com/GRIDFAILURE   


     

Monday, September 6, 2021

Pornostroika Dadaifa/ΕΞΟΥΣΙΑΖΟΜΕΝΟΙ ΑΠΟ ΤΟΝ ΦΟΒΟ/2021 Full Length Review

 


  Greece's  Pornostroika  Dadaifa  have  returned  with  a  new  recording  which  shows  the  music  going  for  a  mixture  of  industrial,  cyberpunk,  hardcore  and  metal  and  this  is  a  review  of  their  self  released  2021  album  "ΕΞΟΥΣΙΑΖΟΜΕΝΟΙ  ΑΠΟ  ΤΟΝ  ΦΟΒΟ".


  Spoken  word  parts  and  movie  samples  start  off  the  album  before  going  into  a  harder  musical  direction.  Elements  of  industrial  can  also  be  heard  quite  a  bit  throughout  the  recording  while  the  songs  also  add  in  a  great  amount  of  programmed  beats  and  all  of  the  musical instruments  also  have  a very  powerful  sound  to  them.


  At  times  the  music  also  captures  the  raw  energy  of  punk  while  synths  are  also  added  on  some  of  the  tracks.  All  of  the  songs  also  sound  very  different  from  each  other  along  with  the  guitar  riffs  also  adding  in  the  heaviness  of  hardcore  and  metal  when  they  are  utilized  as  well  as  the  solos  and  leads  also  being  done  in  a  very  melodic  style.


A  later  track  also  shows  an  influence  of  reggae  and  dub  and  when  the  music  finally  speeds  up  a  small  amount  of  blast  beats  can  also  be  heard.  There  is  also  some  session  work  from  members  of  Pre-Emptive  Strike,  Hail  Spirit  Noir,  Degenerated  Sequences,  and  Kai  Phopyx  as  well  as  the  closing  track  also  adding  in  some  black  metal  vocals.  The  production  sounds  very  dark  while  the  lyrics  are  written  in  Greek  and  cover  Dadaism  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Pornostroika  Dadaifi  and  if  you  are  a  fan  of  industrial,  cyberpunk,  metal  and  hardcore,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "ΔIEΘΝΗΣ  ΕΠΑΝΕΚΤΕΛΕΣΗ.  Μ. ΜΠΡΕΧΤ"  "ΕΜΕΙΣ(ΣΥΜΜΕΤΕΧΕΙ  Ο  PHOPYX).  ΒΑΣΙΣΜΕΝΟ  ΣΤΟ  ΟΜΩΝΥΜΟ   ΕΡΓΟ  ΤΟΥ ΖΑΜΙΑΤΙΝ"  and  "ΣΥΡΙΖΟΠΑΣΟΚΙΑ  ΒΡΩΜΟΙ  ΕΠΑΝΕΚΤΕΛΕΣΗ".  8  out  of  10.


PORNOSTROIKA DADAIFI 2021 - ΕΞΟΥΣΙΑΖΟΜΕΝΟΙ ΑΠΟ ΤΟΝ ΦΟΒΟ - YouTube   


        

Sunday, December 27, 2020

Czern/Zgliszcza/Selfmadegod Records/2020 CD Review

 


 Czern  are  a  band  from  Poland  that  plays  a  mixture  of  sludge,  post  metal  and  hardcore  punk  with  some  elements  of  black  and  death  metal   and  this  is  a  review  of  their  2020  album  "Zgliszcza"  which  was  released  by  Selfmadegod  Records.


  A  very  dark  and  heavy  sound  starts  off  the  album  while  elements  of  sludge  metal  can  also  be  heard  in  the  slower  sections  of  the  music.  A  great  portion  of  the  tracks  are  very  long  and  epic  in  length  along  with  the  vocals  being  done  in  a  growling  style  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  faster  sections  of  the  songs  also  brings  in  blast  beats  and  elements  of  black  metal.  One  of  the  tracks  also  introduces  atmospheric  soundscapes  onto  the  recording  along  with  some  post  metal  style  melodies  also  being  added  into  some  of  the  guitar  riffing  as  well  as  the  music  also  capturing  the  raw  energy  of  hardcore  punk  at  times,  tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  and  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.


  Czern  plays  a  musical  style  that  takes  sludge,  post  metal  and  hardcore  punk  and  mixes  them  together  with  some  elements  of  black  and  death  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Polish  and  cover  veganism,  anti  fascism  and  anti  chauvinism  themes.


  In  my  opinion  Czern  are  a  very  great  sounding  mixture  of  sludge,  post  metal  and  hardcore  punk  with  some  elements  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Strach"  and  "Krzyk".  8  out  of  10.


 https://czern.bandcamp.com

https://www.facebook.com/wszystekczern

Tuesday, August 4, 2020

Gridfailure/Sixth Mass-Extinction Skulduggery II/Nefarious Industries/2020 Full Length Review


  New  York's  solo  project  Gridfailure  has  returned  with  a  new  recording  which  shows  the  music  going  for  a  mixture  of  experimental,  harsh  noise  and  dark  hardcore  and  this  is  a  review  of  his  2020  album  "Sixth  Mass-Extinction  Skulduggery  II"  which  was  released  by  Nefarious  Industries.

  Harsh  noises  and  power  electronics  start  off  the  album  along  with  some  acoustic  guitars  a  few  seconds  alter.  At  times  the  music  also  gets  very  experimental  and  avant  garde  sounding  along  with  the  songs  also  mixing  in  a  great  amount  of  dark  soundscapes    and  percussion's  are  also  utilized  quite  a  bit  throughout  the  recording.

  Voices  can  also  be  heard  in  the  background  at  times  while  the  songs  also  mix  in  a  great  amount  of  field  recordings.  When  theremin's  are  utilized  they  also  give  the  songs  more  of  a  haunting  atmosphere  along  with  some  demonic  vocals  and  screams  also  being  added  into  some  parts  of  the  songs.

  When  bass  guitars  are  utilized  they  also  give  the  music  more  brutality  along  with  the  music  also  showing  some  influences  of  death  metal,  grind  and  hardcore.  Synths  and  keyboards  are  also  added  one  some  of  the  tracks  along  with  all  of  the  songs  also  sounding  very  different  from  each  other.

  One  track  also  introduces  programmed  beats  onto  the  recording  which  also  brings  in  elements  of  industrial  as  well  as  a  couple  of  the  tracks  also  being  very  long  and  epic  in  length.  Some  of  the percussion's  also  bring  in  shamanistic  and  tribal  beats  into  the  music  and  as  the  album  progresses electric  guitars,  harmonica's,  didgeriddo's,  ukule's.  accordion's  and  trumpets  can  also  be heard  in  certain  sections  of  the  recording.  The  production  sounds  very  dark  while  the  songs  themes  revolve  around  murder,  outbreak,  dystopian  governments,  warfare,  depletion  of  sources  and  survival  by  any  means  necessary.

  In  my  opinion  this  is  another  great  sounding  recording  from  Gridfailure  and  if  you  are  a  fan  of  experimental  and  noise,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Stoking  The  Embers"  "Invocate  Collapse"  "Proven  Finite"  and  "Irma".  8 out  of  10.

https://www.youtube.com/channel/UCRbk4oQvuhLgZmUZ1hyceog     

          

Thursday, November 28, 2019

Gridfailure/Psychological Badlands: Henchpersons Instrumentals/2019 Full Length Review


  New  York's  Gridfailure  has  returned  with  a  new  recording  which  continues  his  mixture  of  experimental,  ambient,  noise,  industrial  and  dark  hardcore  and  this  is  a  review  of  his  self  released  2019  album  "Psychological  Badlands"  Henchpersons  Instrumentals".

  Field  recordings,  homemade  instruments  and  electronic  music  sounds  start  off  the  album  while  also  mixing  in  some  elements  of  harsh  noise  and  instrumental.  Bass  guitars  also  have  a  very  dominant  sounding  presence  on  the  recording  as  well  as  the  music  also  getting  very  experimental  and  avant  garde  sounding  at  times.

  The  songs  also  capture  the  atmosphere  of  a  horror  movie soundtrack  or horror  induced  nightmare  at  times.  All  of  the  tracks  also  sound  very  different  from  each  other  while  a  couple  of  tracks  also  adds  in  a  brief  use  of  spoken  word  samples  and  the  music  also  mixes  in  a  great  amount  of  programmed  beats.

  One  track  also  introduces  acoustic  guitars  onto  the  recording  as  well  as  a  few  later  songs  also  adding  in  some  electric  guitars  which  also  adds  more  of  a  metal  and  hardcore  influence  and  also  capturing  an  improv  atmosphere  and  as  the  album  progresses  a  brief  use  of  psychedelic  sounds  and  harmonica's  can  also  be  heard,  clean  playing  can  also  be  heard  briefly  and  a  later  song  is  very  long  and  epic  in  length  while  the  production  also  sounds  very  dark..

  In  my  opinion  this  is  another  great  sounding  album  from  Gridfailure  and  if  you  are  a  fan  of  experimental,  ambient,  noise,  industrial  and  dark  hardcore,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Fluid  Explosive  Tectonics"  "Stalking  through  The  Ceiling"  "Subduction  Becoming"  and  "Cadaver  Angels".  8  out  of  10.

https://www.youtube.com/channel/UCRbk4oQvuhLgZmUZ1hyceog       

Saturday, August 17, 2019

Gridfailure/Feel Happiness/2019 Split EP Review


  This  is  a  review  of  a  split  ep between  New  York's  Gridfailure  and  Texas's  Feel  Happiness  which  will  be  self  released  in  September  of  2019  and  we  will  start  off  the  review  with  Gridfailure  a  solo  project  who  returns  with  an  instrumental  mixture  of  dark  hardcore,  dark  ambient  and  harsh  noise.

  His  side  of  the  split  starts  out  with  some  field  recordings  along  with  a  powerful  sounding  bass  guitar  a  few  seconds  later.  police  sirens  can  also  be  heard  briefly,  Elements  of  harsh  noise  can  also  be  heard  quite  a  bit  throughout  his  side  of  the  recording  as  well  as  some  touches  of  dark  ambient  and  drone  also  being  used  at  times.

  Guitar  noises  are  also  brought  into  the  music  briefly  along  with  all  of  the  tracks  being  instrumentals.  At  times  the  music  also  captures  the  atmosphere  of  a  horror  movie  soundtrack  as  well  as  all  of  the  songs  sounding  very  different  from  each  other,  influences  of  dark  hardcore  can  also  be  heard  at  times  and  the  production  also  sounds  very  dark.

  In  my  opinion  this  is  another  great  sounding  recording  from  Gridfailure  and  if  you  are  a  fan  of  hardcore,  dark  ambient  and  harsh  noise,  you  should  check  out  his  side  of  the  split.  RECOMMENDED  TRACKS  INCLUDE  "This  Liquefaction"  and  "Wetworkers  Local  845".

  Next  up  is  Feel  Happiness  a  solo  artist  that  plays  a  mixture  of  experimental,  drone  and  doom  metal.

  His  side  of  the  split  starts  out  with some  drones  while  spoken  word  samples  can  also  be  heard  briefly.  Clean  playing  is  also  brought  in  some  parts  of  the  music  along  with  the  bass  guitars  also  bringing  in  elements  of  sludge  and  doom  metal  and  the  riffs  also  add  in  a  small  amount  of  melody.

  At  times  the  music  also  gets  very  experimental  and  avant  garde  sounding  along  with  most  of  the  music  being  instrumental.  All  of  the  songs  also  stick  to  a  very  slow  musical  direction  as  well  as  all  of  the  tracks  sounding  very  different  from  each  other,  ambient  style  synths  are  added  onto  the  closing  track  and  the  production  sounds  very  dark.

  In  my  opinion  Feel  happiness  is  a  very  great  sounding  mixture  of  experimental,  drone  and  doom  metal  and  if  you  are  a  fan  of those  musical  genres,  you  should  check  out t his  solo  project.  RECOMMENDED  TRACK  "God  Bless  you  All  On  The  Earth".

  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  would  recommend  it  to  all  fans  of  noise,  experimental,  ambient,  drone  and  doom  metal.  8  out  of  10.

https://twitter.com/xFEELHAPPINESSx       

Wednesday, May 16, 2018

Barren Heir Interview

1. For those that have never heard of you before, can you tell us a little bit about the band?

Bleak sludge metal, with lots of left turns. Bluesy, atmospheric guitar work and the occasional prog section.



2. How would you describe the musical sound that has been presented on the recordings you have released so far?

Like a big angry sea monster coming out of the water. But then it crashes back against the ocean super hard and it’s not even pissed any more, it’s just bummed.



3. What are some of the lyrical topics and subjects the band explores with the music?

Self-reflection. Observations on life and those around you. Dead ends.



4. What is the meaning and inspiration behind the name 'Barren Heir’?

It’s sort of twofold. The three of us were in a previous band that had a lot of lineup changes. We struggled to find an identity because of it, and after a while we just had enough. We knew we were capable of doing something good together. So when we started this band, it was clear in our minds that it was always just going to be the three of us. This band only exists because we’re very close friends, and meeting up to jam every week has been a regular part of our lives for 10+ years at this point. If any one of us were out of the equation, then there’s no more Barren Heir. It also just kind of nailed the vibe of our music and is sort of an ambiguous word pairing, which I’m all about.



5. What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Last year we got to play a super nice venue here in Chicago called Lincoln Hall. I never thought we would have an opportunity to play a place like that. It was the record release show for a band from here called Outrun the Sunlight. They put the show together and were nice enough to bring us on. All the bands (Outrun the Sunlight, Sioum and REZN) did great and sounded massive in that setting. It was just a totally new and very memorable experience playing a venue like that.



People often say our live shows feel improvised at times. After we’ve been playing a song for a while it changes a bit so I think our live shows have something a little bit extra than the recording. I would consider us more of a “live band”, meaning I’d rather have people be introduced to our music in a live setting.



6. Do you have any touring or show plans for the future?

We’re heading south for a week over Memorial Day weekend, and currently booking something a little more extensive for late August. No specific plans just yet beyond that, but we’re steadily going to begin touring more. And definitely a release show with Cokegoat once we have these vinyls in hand.



7. Recently you where a part of a split with 'Cokegoat', what are your thoughts on the other band that had participated on the recording?

They're great! We loved their band before this and were immediately on board when Jeff initially brought up this idea. We owe them a lot of “thanks” for spearheading this and keeping it on track. Before this, we never worked with any sort of time constraints. It was just, when it's done, we’ll record it. So we learned a lot, we worked under pressure and that really kept us on our toes. If they didn’t say, “hey, be ready to enter the studio in October”, there’s no way would have been studio ready with new music by then. Typically things move a lot slower with us. It’s not laziness, it’s just a slow process letting everything take shape. I over scrutinize little things until there’s nothing left. And of course that drags things on endlessly. Sometimes you just need that push, or need someone to light the fire under you.



8. Currently you are unsigned, are you looking for a label or have received any interest?

Not actively seeking something out. I’m open to the idea of if it, but it’d essentially have to be a perfect pairing.



9. On a worldwide level how has the feedback been to your music by fans of sludge, doom and post metal?

From the little we’ve seen it’s been positive. With Tired Turns (our debut / only other release), we sold a very modest number of copies online, yet the majority of those were international orders. That was unexpected. I was surprised and excited that anyone outside the US bought it.



10. Where do you see the band heading into musically during the future?

Hard to say. I would guess that we won’t ever make the same record. I hope at the end of the day we’ll have released a lot of records and covered a lot of territory, musically.



11. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Rage Against the Machine and Tool were two of the earliest bands I became obsessed with after I started playing bass in grade school. Thanks to my Mom, Ænima from Tool opened up a whole new world of music around that time that I had previously closed myself off from. Shortly after that my cousin gave me a burned CD of the first Mars Volta record and that similarly blew my mind. Jon Theodore’s drumming on that is one of my all-time favorites. Another thing that sticks out was seeing Russian Circles when I was 16, and it was shortly after they released the Enter EP. They played the Arlington Heights Knights of Columbus in front of a small crowd and it was like nothing I’d seen at that point.



Nowadays I’m always hoping around and always trying to find something new to listen to. For work I do graphic design, so I sit at a computer and I’m free to listen to music the whole time. Recent heavy rotation albums: Amenra (Mass VI), Deem Spenser (We Think We Alone), Yussef Kamaal (Black Focus), Portal (Ion), Brother/Ghost (Buried), Frank Ocean (Endless).



12. What are some of your non musical interests?

All three of us love Basketball.



13. Before we wrap up this interview, do you have any final words or thoughts?

Thanks for taking the time.

Bandcamp
Facebook

Thursday, April 19, 2018

Nequient Interview


1.Can you give us an update on what has been going on with the band since the recording of the new album?

We've played local gigs and did some light touring while continuing to write new material. Though we've taken a while to put out a proper full-length, now that we've settled on a stable lineup and a sound we're happy with, we don't plan to have any long waits between our future releases.

2.You have a new album coming out in May, how would you describe the musical sound that is presented on the recording and also how does it differ from from previous demo's and ep?

A big change was setting aside the buzzsaw-style HM-2 distortion in favor of a cleaner guitar sound where you can pick out individual notes more easily. Our guitarist, Patrick, was the primary composer for this album, so his style guided the songwriting and choices of tones. The riffs have become more complex and varied than on the band's previous releases. I think our d-beat and sludge roots are still readily apparent, but we're also digging deeper into influences from other metal subgenres. There are some rhythmic left turns along the way that allow our drummer, Chris, to show off his chops even more than in the past. Keenan, our bass player, is the most recent addition to the band, and I think he brings a unique melodic sensibility to the low end that adds some really interesting layers to a lot of sections.

3.What are some of the lyrical topics and subjects the band explores with the newer music?

The biggest lyrical inspiration is the current political state of the world, which I find endlessly horrifying and infuriating. The Trump presidency, Brexit, the Flint water crisis, mass shootings, and Middle East turmoil all come up somewhere along the way. I do also find space to address some more personal situations, reference several of my favorite authors, pay tribute to some of the great artists who have died in recent years, and make fun of overly self-important metal guys.

4.What is the meaning and inspiration behind the name 'Nequient'?

It's an archaic term that means "not being able." That gives the name both a certain punk rock snarkiness and the benefit of being good for search engine optimization. We have one of those curious situations where the guitarist and bass player who orginally decided to call the band "Nequient" have since departed at different points over the years, but our sound evolved in an organic enough way that we never felt any need to change it.

5.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

We've opened for a lot of great bands, but I think we particularly liked playing in a direct support slot for Zeal & Ardor on one of their first U.S. shows late last year. There were some technical hiccups, but it was great playing in a room where people were all so excited to see this band for the first time. On tour, we tend to have the best times in smaller cities, where crowds are a little more enthusiastic and we always seem to make new friends. Places like Bloomington, Indiana and the Quad Cities have been particularly excellent in that way. Also, there was the time we played at an arcade bar here in Chicago with Big Trouble in Little China projected behind us - that was pretty cool.

6.Do you have any touring or show plans once the new album is released?

Yes, we'll be celebrating the album release on May 18th with a weekend of shows in DeKalb, Illinois, Minneapolis, and Chicago. Then, in July, we'll be headed toward the East Coast for several dates that we'll be announcing shortly.

7.The new album is coming out on 'Nefarious Industries', how did you get in contact with this label?

Several bands we knew, like Mine Collapse and Jar'd Loose from Chicago and Tovarish from Rhode Island, had worked with Nefarious in the past, so I dropped them a line. We share in the same DIY ethos, so we've been enjoying working together.

8.On a worldwide level how has the feedback been to your music by fans of extreme metal and hardcore?

It's too early to say, but we've never been the sort of band to worry too much about catering to a particular market or set of tastes. We just try to make music that we're all excited to play.

9.Where do you see the band heading into musically during the future?

The next album will probably have some more collaborative songwriting with both Keenan and Chris contributing more riffs. I think for the most part we'll continue to write fast, heavy hardcore songs with influences from various forms of extreme metal. However, I could definitely see possibilities for some experiments with longer, more conceptual  pieces, as well as some increasingly technically demanding sections.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

The band started from a desire to play crust inspired by bands like Amebix, Disfear, Disrupt, and Skitsystem, along with some Eyehategod-style sludge. Influences from metallic hardcore groups such as Converge, Botch, and Coalesce have definitely come into play on some of the more recent material. We also borrow ideas from old school death metal like Death, Morbid Angel, and Obituary, as well as classic black metal bands like Darkthrone.

So far this year, I've been most enjoying the new albums from Antigama, Rivers of Nihil, Lychgate, and Judas Priest. Probably my most anticipated release for the year is Janelle Monáe, though, so we'll see how I feel in a couple weeks.

11.What are some of your non musical interests?

I do a lot of reading and writing. I'm particularly into 19th-century British poetry, science fiction, and comic books.

12.Before we wrap up this interview, do you have any final words or thoughts?

Thanks for helping us to get the word out about the record. We can't wait to get on the road and play for some new people.

https://www.facebook.com/nequientband/

Saturday, April 14, 2018

Nequient/Wolves At The Door/Nefarious Industries/2018 CD Review


  Nequient  are  a  band  from  Chicago,  Illinois  that  plays  a  mixture  of  death  metal,  crust,  grind  and  hardcore  with  some  elements  of  sludge  and  black  metal  an  this  is  a  review  of  their  2018  album  "Wolves  At  The  Door"  which  will  be  released  in  May  by  Nefarious  Industries.

  A  very  fast  and  brutal  grindcore  sound  starts  off  the  album  along  with  a  great  amount  of  blast  beats  while  the  vocals  also  bring  in  a  mixture  of  high  pitched  screams,  death  metal  growls  and  hardcore  style  shouts  while  the  guitar  solos  and  leads  are  done  in  a  very  melodic  fashion.

  All  of  the  musical  instruments  on  the  recording  have  a  very  powerful  sound  to  them  while  the  riffs  also  bring  in  a  decent  amount  of  melody  along  with  the  songs  also  incorporating  elements  of  d  beat  as  well  as  the  slower  sections  adding  in  touches  of  sludge,  when  tremolo  picking  is utilized  during  the  faster  sections  of  the  songs  you  can  also  hear  a  small  amount  of  black  metal  influences  and  a  couple  of  the  tracks  are  very  long  and  epic  in  length.

  Nequient  plays  a  musical  style  that takes  death  metal,  crust,  grind,  hardcore,  sludge  and  black  metal  and  mixes  them  together  to  create  a  very  heavy  sounding  recording,  the  production  sounds  very  professional  while  the  lyrics  cover  dark,  violent,  occult  and  drug  themes.

  In  my  opinion  Nequient  are  a  very  great  sounding  mixture  of  crust,  grind,  hardcore,  sludge,  death  and  black  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Scorcher'  "Mammon  And  Moloch"  "Blast  Beats  And  Cocaine"  and  "The  Devil's  party".  8  out  of  10.

https://www.facebook.com/nequientband     

Saturday, February 24, 2018

Cave Bastard/The Bleak Shall Devour The Earth/Accident Prone Records/2018 CD Review


  Cave  Bastard  are  a  band  from  San  Diego,  California  that  plays  a  mixture  of  sludge,  hardcore  and  death  metal  and  on  this  recording  also  introduces  black  metal  influences  and  this  is  a  review  of  their  2018  album  "The  Bleak  Shall  Devour  The  Earth"  which  will  be  released  in  March  by  Accident  Prone  Records.

  Atmospheric  drones  start  off  the  album  before  going  into  more  of  a  heavier  sludge  metal  direction  while  the  solos  and  leads  are  done  in  a  very  dark  yet  melodic  fashion  along  with  some  spoken  word  parts  also  being  used  briefly  along  with  the  faster  sections  of  the  songs  bringing  in  a  great  amount  of  blast  beats.

  Vocals  are  mostly  death  metal  growls  that  also  have  a  touch  of  hardcore  to  them  while  the  riffs  also  bring  in  a  decent  amount  of  dark  sounding  melodies  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them  and  the  music  also adds  in  elements  of  grindcore  and  black  metal  and  throughout  the  recording  you  can  also  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  as  the  album  progresses  a  brief  use  of  crust  elements  can  be  heard.

  On  this  recording  Cave  Bastard  expand  on  their  mixture  of  sludge,  hardcore  and  death  metal  by  adding  in  elements  of  crust,  grindcore  and  black  metal,  the  production  sounds  very  professional  while  the  lyrics  cover atrocities,  inhumanities  and  corruption  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Cave  Bastard  and  if  you  are  a  fan  of  sludge,  hardcore,  crust,  grind,  death  and  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Throes  Of  The  Devourer"  "massacre  Reaction"  and  "Liar  Betrayed".  8  out  of  10.

https://www.facebook.com/cavebastard
https://cavebastard.bandcamp.com

  

Friday, February 16, 2018

Phantom Winter/Into Dark Silence/Golden Antenna Records/2018 CD Review


  Phantom  Winter  are  a  band  from  Germany  that  has  been  featured  before  in  this  zine  and  plays  a  mixture  of  sludge  and  doom  metal  with  some  elements  of  hardcore,  black  and  post  metal  and  this  is  a  review  of  their  2018  album  "Into  Dark  Silence"  which  was  released  by  Golden  Antenna  Records.

  Avant  garde  sounds  start  off  the  album  along  with  some  grim  whispers  a  few  seconds  later  before  going  into  a  heavier  doom  metal  direction  which  also  captures  the  heaviness  of  sludge  along  with  the  vocals  being  mostly high  pitched  screams  which  also  adds  in  a  touch  of  black  metal.

  Clean  playing  along  with  some  spoken  word  parts  can  also  be  heard  in  certain  sections  of  the  recording  while  most  of  the  tracks  are  very long  and  epic  in  length  along  with  the  music  also  mixing  in  elements  of  hardcore  and  post  metal,  growls  can  also  be  heard  at  times  as  well  as  some  clean  playing  also  being  added  into  certain  sections  of  the  recording  and  when  the  music  speeds  up  a  small  amount  of  tremolo  picking  and  blast  beats  can  be  heard  and  when  guitar  leads a r e utilized  they  are  done  in  a  very  melodic  fashion.

  On  this  recording  Phantom  Winter  remain  true  to  their  mixture  of  sludge  and  post  metal  while  also  expanding  on  the  hardcore,  black  and  post  metal  elements  this  time  around,  the  production  sounds  very  professional  while  the  lyrics  are  based  upon  the  writings  of  Slyvia  Path  and  Mary  Shelley.

  In  my  opinion  this  is  another  great  sounding  recording  from  Phantom Winter  and  if  you  are  a  fan  of  doom,  sludge,  post,  black  metal  and  hardcore,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Ripping  Halos  From  Angels"  and  "Into  Dark  Silence".  8  out  of  10.


    

Friday, December 29, 2017

Philip H. Anselmo & The Illegals/Choosing Mental Illness As A Virtue/Housecore Records/2018 CD Review


 Philip  H.  Anselmo  &  The  Illegals  are  a  band  from  new  Orleans,  Louisiana  that  plays  a  mixture  of  sludge  and  groove  metal  with  touches  of  black  and  death  metal  and  this  is  a  review  of  their  album  "Choosing  Mental  Illness  As  A  Virtue"  which  will  be  released  in  2018  by  Housecore  Records.

  A  very  heavy  and  aggressive  sound  starts  off  the  album  while  the  faster  sections  of  the  songs  also  bring  in  a  great  amount  of  blast  beats  along  with  the  vocals  being  done  in  a  groove  metal  style  as well  as  a  high  screams  and  the  riffs  also  bring  in  a  decent  amount  of  melody  and  you  can  also  hear  a  touch  of  thrash  at  times.

  All  of  the  musical  instruments  on  the  recording  have  a  very  powerful  sound  to them  while the  solos  and  leads  are  done  in  a  very  melodic  fashion  along  with  the  slower  sections  of the  songs  being  very  heavily  rooted  in  sludge  and  some  songs  also  add  in  a  touch  of  black  and  death  metal  in  the  screams  and  growls  and  when  guitar  solos  and  leads a r e added  into  the  music  they  bring  in  more  of  an  old  school  extreme  metal  style  as  well  as  the  music also  mixing  in  elements  of  hardcore  punk  and  the  music  always  remains  heavy.

  Philip  H.  Anselmo  &  The  Illegals  plays  a  musical  style  that  mixes  the  singers  background  in  extreme  metal  and  you  can  hear  everything  from  thrash,  hardcore  punk,  sludge,  groove,  black  and  death  metal  throughout  all  of  these  tracks,  the  production  sounds  very  professional  while  the  lyrics  cover violent  and  angry  themes.

  In  my  opinion  Philip  H.  Anselmo  are a   very  great  sounding  mixture  of  sludge,  thrash,  groove,  black,  death  metal  and  hardcore  punk  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Little  Fucking  Heroes"  "The  Ignorant  Point"  "Photographic  Taunts"  and  "Mixed  Lunatic  Results".  8  out  of  10.


http://www.facebook.com/philipanselmo

Wednesday, August 23, 2017

Gridfailure/I Shall Not Survive Another Winter/2017 Full Length Review


  New  York's  solo  project Gridfailure  have  returned  with  a  new  recording which  shows  the  musical  direction  going  into  a  post  apocalyptic  mixture  of  dark  ambient,  hardcore,  world  music  and  jazz  and  this  is  a  review  of his  self  released  2017  album  "I  Will  Not  Survive  Another  Winter"  which  will  be  released  in September.

  Field  Recordings  and  elements  of  avant  garde  noise  start  off  the  album  along  with  some  dark  soundscapes  and  when  percussion  is  utilized  it  gives  the  songs  more  of  a  tribal  and  world  music  feeling  and  the  music  also  gets  very  harsh  at  times  and  some  of t he  tracks  are  very  long  and  epic  in  length.

  Elements  of  industrial  and  dark  ambient  can  also  be  heard  at   times  while  all  of  the  tracks  sound  different  from  each  other  along  with  some  real  drums  also  being  utilized  briefly  and  as  the  album  progresses  guitars,  bass,  piano,  keyboards,  analog  synth,  harmonicas  and  theremin's  can  be  heard  in  certain sections  of  the  recording as  well  as  some  touches  of jazz  music  and  there  is  also  a  brief  use  of  noisecore  style  screams  and  clean  singing.

  On  this  recording  Gridfailure  keeps  a  very experimental  and  dark  ambient  style  while  also  adding  in  elements  of  world  music,  jazz  and  hardcore  to   create  something  very  different  and  the  production  sounds  very  dark.

  In  my  opinion  this  is  another  great  sounding  recording  from  Gridfailure  and  if  you  are  a  fan  of  experimental  and  dark  ambient,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Sew  Nothing,  Reap  Nothingness"  "Hari  Kari  Superstars"  and  "No  Longer  Communicable".  8  out  of  10.

Thursday, April 13, 2017

Bittered/Foreign Agenda/Lost Apparitions Records/2017 CD Review


  Bittered  are  a  band  from  Pennsylvania  that  plays  a  mixture  of  grindcore,  sludge  and  doom  metal  with  some  elements  of  black,  thrash,  traditional  metal,  crust  and  hardcore  and  this  is  a  review  of  their  2017  album  "Foreign  Agenda"  which  will  be  released  in  May  by  Lost  Apparitions  Records.

  An  atmospheric  sounding  intro  starts  off  the  album  before  going  into  a  very  fast  and  brutal  grindcore  direction  which  also  uses  a  great  amount  of  blast  beats  as  well  as  some  high  pitched  screams  that  have  a  touch  of  black  metal  to  them  and  hardcore  style  shouts  are  also  used  at  times.

  Throughout  the  recording  you  can  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  along  with  a  decent  amount  of  melody  and  you  can  also  hear  elements  of  sludge  and  doom  metal  in  the  slower  riffing  and  after  awhile  crust  style  vocals  along  with  some  death  metal  growls  start  to  make  their  presence  known  and  some  of  the  tracks  are  also  very  short  in  length  and  the  music  always  remains  very  heavy.

  On  this  recording  Bittered  remain true  to  the  grindcore,  doom  and  sludge  metal  mixture  of  previous  releases  while  also  adding  in  elements  of  black,  thrash  ,  heavy  metal,  crust  and  hardcore  to  take  their  style  to  another  level,  the  production  sounds  very  professional  while  the  lyrics  cover  angry,  hateful  and  political  themes.   

  In  my  opinion  this  is  another  great  sounding  recording  from  Bittered  and  if  you  are  a  fan  of  sludge,  doom  metal  and  grindcore,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Follow  Your  Leader"  "Planetary  Meltdown"  "Bible  Fucker"  and  "Witch  Hunt".  8  out  of  10.

For merch - www.bittered.net
Facebook – www.facebook.com/bittered
Instagram: www.instagram.com/bitteredus
Twitter: www.twitter.com/bitteredus
Bandcamp: www.bittered.bandcamp.com
 

Wednesday, March 29, 2017

Jagged Vision/Death Is This World/Fysisk Format/2017 CD Review


  Jagged  Vision  are  a  band  from  Norway  that  plays  a  mixture  of  hardcore,  stoner  and  doom  metal  with  a  touch  of  black  metal  and  this  is  a  review  of  their  2017  album  "Death  Is  This  World"  which  was  released  by  Fysick  Format.

  A  very  heavy  hardcore  sound  starts  off  the  album  along  with  some  screaming  and  growling  vocals  a  few  seconds  later  and  a  small  amount  of  melody  can  also  be  heard  in  the  guitar  riffing  along  with  the  solos  and  leads  also  being  done  in  a  very  melodic  fashion  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them.

  A  great  amount  of  doom  metal  influences  can  be  heard  in  the  slower  sections  of  the  songs  and  when  the  music  speeds  up  a small  amount  of  blast  beats  can  be  heard  and  as  the  album  progresses  elements  of  black  metal  are  added  onto  the  recording  as  well  as  some  influences  of  stoner  and  djent  and  a  brief  use  of  acoustic  guitars  can  also  be  heard  before  returning  back  to  a  heavier  direction  and  some  of t he  vocals  also  add  in  a  melodic  tone  mixed  in  with  the  aggressive  screams  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.

  Jagged  Vision  plays  a  musical  style  that  is  mostly  rooted  in  hardcore  while  mixing  in  elements  of  djent,  stoner,  doom  and  black  metal  to  create  something  very  original,  the  production  sounds  very  professional  while  the  lyrics  cover  dark  themes.

  In  my  opinion  Jagged  Vision  are  a  very  great  sounding  mixture  of  hardcore  and  doom  metal  with touches  of  djent,  stoner  and  black  metal  and  if  you  are  a fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Betrayer"  "I  Am  Death"  "Seven  Seals"  and  "Palehorse".  8  out  of  10.

https://www.facebook.com/jaggedvision 
  

  
   

Tuesday, February 28, 2017

Lord Interview


1. Can you give us an update on what has been going on with the band since the recording of the new album?

Steven Kerchner (vocals): We've been busy since recording last August integrating our current drummer Tony Petrocelly into the creative process. We've got a handful of new songs for an upcoming EP, as well as a song in the works for an upcoming 7in split with our friends in Endmaker.


2. You have a new album coming out in May, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?


Will Rivera (guitar): We pride ourselves on never having any two of our releases sound the same or staying in one niche for too long. After having gone in a more cerebral and progressive direction on Awake, we wanted Blacklisted to be a much more visceral experience. Awake was much more of an introspective album, whereas Blacklisted moves the focus to the outside world and the music needed to reflect what we're exposed to on a daily basis. It's a much angrier and vicious release, but in the end we want to offer hope. It's easy to be the misanthropist or nihilist, but much harder to find a reason to fight through all of the filth and ugliness we see. We definitely branched out musically and anyone who has paid attention to our releases will find a red thread that connects all of our music.  In my opinion, we expanded our sound to truly represent the pedigree of the band members but still retained LORD's signature vibe.

Kerch: I think anytime LORD has a new release or begins writing new material it is drastically evolved or varied from the immediately previous effort.  In this case, Awake was an emotionally supercharged and globally conscious album, whereas Blacklisted is faster, more raw, and while still maintaining a globally conscious edge is also definitely the most pissed off ever lyrically since I joined the band.  


3. What are some of the lyrical topics and subjects the band explores with the newer music?


Kerch: Mile After Mile, the opening track on Blacklisted, is a song about a man named Tom Mitchell who lost his daughter to childhood cancer.  Seeing the eyes of this man fill with such passion and conviction as he continues to fight to bring more research, more funding, more awareness and more support to children with cancer and their families, convinced me this was a man that is an inspiration to the rest of us.  Rising above personal loss and dedicating his life to his foundation, Stillbrave, he has relentlessly improved innumerable  lives.  This song in particular is about one of his fund and awareness raising adventures where he, just a regular dude, trained and trained in order to run a 200 mile marathon, each mile dedicated to a different child and he's doing it again this year!



4. What is the meaning and inspiration behind the name LORD?


Will: When LORD began in the Spring of 2005, the name was just meant to invoke something powerful without necessarily aligning us with any belief system or sound.  I was listening to a lot of releases from the Southern Lord label at the time so it just seemed like the logical connection for the sound we were initially going for in the beginning. It's taken on many connotations over the years and we even flirted with a mantra on Chief by enforcing the idea of self revelation and belief, but ultimately it's a term of power.






5.What are some of the best shows that the band has played over years and also how would you describe your stage performance?


Will: I can sum it up in 3 words: Loud, Passionate and Chaotic.  We give it all we have every time we step on stage, because for us it's more than just a rock show, it's truly a method of catharsis.  There always seems to have been a black cloud that has followed this band and the members and instead of letting it destroy us, we unleash that on stage.  For us, it's not about who is the most extreme or even being popular, it's about integrity and being as real as we can be...warts and all.

Kerch: The Stoner Hands of Doom Festival in 2011 is still by far one of the most memorable shows of my entire life.  LORD played immediately after Cough, who features a former band mate from my first band so it was great to play with them.  We got to the venue to find out our then drummer was stranded two and a half hours away and we rushed out to get him and rushed to get back, the whole time questioning if we would make it back in time.  We made it with just moments to spare and the sonic bloodletting that followed ranks in my top five most memorable shows that I've been a part of.

6. Do you have any touring or show plans once the new album is released?


Will: As far as touring plans go, we're looking to do a few long weekend stints and plenty of regional shows throughout the VA/WV/MD area.  We're also hoping to branch out into other regions if time and finances allow.  We're doing this all on our own so it has to work for the 5 of us to take these risks financially without any label support.


7. Currently the band is signed to Heavy Hound Records, can you tell us a little bit more about this label?


Kerch: I was booking a weekly metal show at a local bar here in Northern Virginia with two friends of mine.  After building a supportive community and gaining a lot of interest from more bands in the area, the idea eventually was to be able to offer quality local shows with a revolving door of bands, not just the same ones again and again, and be able to offer these bands inexpensive studio access as well as inexpensive production of said recordings. I met Xeukatre this away and was pleased to be able to record them at K Hole Studios.  Shortly after launching the label the venue closed for unrelated reasons and things lost momentum, but I continued to release albums mostly from bands I'm involved in. 


8. On a worldwide level how has the feedback been to your music by fans of stoner and sludge metal?

Will: Not sure how much of a worldwide impact we've had considering no label, lack of distribution and constant setbacks with line-up changes over the years, but I'd have to say that the stoner/doom/sludge scene has always been very good to us and has welcomed us back time and time again despite internal struggles and growing pains.  We wanna make good on people who've invested in this band and be able to be proud of the music that we create without bowing to expectations.  We feel that all we need to do is keep pushing and get ourselves in front of the right audiences.

9. What is going on with some of the other bands or musical projects these days that some of the band members are a part of?

Kerch: Palkoski released our final album in 2016 and I have since been focused mostly on LORD.  More recently however I got more serious about a hardcore grind project called Pain Tank whose debut album will be dropping not long before LORD's Blacklisted album, and I have been playing drums again in a project called Tumba Carcomida. 

Will: Tony is the main man behind the death metal band Construct of Lethe.  I am currently working on the follow-up to the Absent Sky debut and later this year will be releasing the long awaited debut EP by my dark folk project Barren River, which features the vocal talents of Ashleigh Chevalier.


10. Where do you see the band heading into musically during the future?



Will: We've already started writing new material that will be released as a 7" vinyl split w/ Endmaker from Texas and also an EP that will hopefully see a Fall release.  So far, the material seems to be a cross between the progressiveness of Awake and the aggression of the Blacklisted material.  We're firing on all cylinders right now and the writing is definitely broadening our musical scope, with us incorporating influences from outside our usual arsenal.  We experiment with our sound to keep things interesting for us.

Kerch: The upcoming EP we're currently writing has quite a bit of dual percussion between myself and Tony, so it's definitely another journey, very unlike Blacklisted or any other previous effort.  I've chosen a few topics to tackle lyrically.  One song is called “Le Fleur Du Cobalt” and is about the use of child labor in the DRC to mine cobalt and other minerals needed for Western consumption.  Another one, entitled “Scorched” is a telling of the Earth revolting against its inhabitants.



11. What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


Will: Not many people know this but the idea for LORD was actually conceived when most of the original lineup went to see Crowbar with Entombed and The Mighty Nimbus in February of 2005.  If you add some Celtic Frost, The Melvins and Cathedral, you have the early blueprint for LORD.  Over the years, our sound has evolved and has begun incorporating post metal, death metal, thrash and even traces of old school black metal. My current musical obsessions would have to be Inquisition, Immolation, Karyn Crisis' The Gospel of the Witches, Profanatica and Mark Lanegan.

Kerch: My approach to our 2011 album Awake was heavily influenced by old school hip hop.  Sometimes people think I'm kidding, but I'm telling the truth! There's a raw honesty in a lot of old school hip hop and music that speaks to me, that is transparent, that is honest, that grips me physically with goose bumps or an increased heart rate and this is a quality I seek out in all forms of music.  This is a quality I seek to always include in my own music.  Meaning what I say in my lyrics and being passionate about what I'm saying translates through the experience of performing the song into the listen.  When I listed to what we have created I want to enjoy it too, be proud of something. 

Todd Wuehrmann (guitar): Steve has recently turned me on to Viscera Infest. I think they might be my new favorite band. Soilent Green's Sewn Mouth Secrets in currently in my disc player. 



12. What are some of your non  musical interests?


Will: I can't really say I have any non musical interests.  Music is truly my life's passion.  The only other things that occupy that aspect of my life would be film and writing.  I'd love to write a screenplay someday as well as compile some of my writing.  We'll see I guess, but music is truly what I obsess over.

Kerch:  I need to be active creatively all the time, it's a definitely a healthy outlet for me.  I have three fully active projects right now and I'm still trying to fill my time with playing more music, I can't help myself.  I've also spent a considerable amount of time learning Eyal Yanilov's Krav Maga, at one point even training to becoming an instructor.  I absolutely love spicy food and all kinds of peppers.  I have a pepper garden that is rapidly expanding every year and growing more varieties.  I love to make different hot sauces and spicy treats from my pepper garden and share them with my friends and family.

Todd Wuehrmann (guitar):  Kayaking, hiking, weight lifting. I like to keep my blood pumping.

Chris Dugay (bass): I'm a volunteer firefighter with Citizen's Fire Company in Charles Town, WV and I love hiking civil war battlefields along with other local historic/scenic sites.


13. Before we wrap up this interview, do you have any final words or thoughts?



Will: I'd like to thank everyone who has supported us through years, all of the people who've taken a chance on booking us, and the bands that have shared a stage with us.  We're sincerely grateful to be able to continue to create our art and have anyone care about what we'd do.  This is something that we would do even if there wasn't an audience, but to have anyone else invest themselves in what we do is truly humbling.

Kerch: I am grateful to everyone who has been a part of this journey through life and the music that LORD has created.  Specifically in correlation to the Blacklisted album, I want to thank Tom Mitchell from the Stillbrave foundation for his role in inspiring and contributing vocals to the song Mile After Mile and the women, among them Amber Lyon of Reset, that inspired the lyrics for the song The Heart of a Hero.

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