Showing posts with label dark metal. Show all posts
Showing posts with label dark metal. Show all posts

Monday, September 5, 2022

Profan/Bestial Awakening/Khthon/2022 Album Re-Issue Review

 


  This  is  a  review  of  another  recording  from  Portugal's  Profan  which  shows  the  music  going  for  a  mixture  of    noise,  drone,  dark  ambient,  ritual,  experimental  and  doom  metal  and  this  is  a  review  of  their  2009  album  "Bestial  Awakening"  which  was  re-issued  in  2022  by  Khthon.


  Dark  ambient  style  synths  and  drones  start  off  the  album  along  with  some  guitars  a  few  seconds  later  which  also  bring  in  elements  of  doom  metal.  At  times  the  music  also  goes  into  more  of  a  ritualistic  direction  while  drums  are  also  added  in  certain  sections  of  the  recording  and  some  of  the  tracks  are  also  very  long  and  epic  in  length.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  one  song  also  adds  in  some  clear  vocals.  Grim  black  metal  screams  are  also  utilized  on  a  few  tracks  along  with  some  death  metal  growls  also  being  utilized  briefly  as  well  as  the  music  also  having  its  experimental  moments  which  also  shows  the  guitars  also  experimenting with  noise,  one  song  also  adds  in  a  brief  use  of  throat  singing  and  the  whole  recording  sticks  to  a  slower  direction.   


  On  this  recording  Profan  went  for  more  of  a  drone/doom  metal  style  which  also  showed  influences  of  black  and  death  metal.  The  production  sounds  very  dark  while  the  lyrics  cover  occultism  and  darkness  themes.


  In  my  opinion  this  is  another  great  sounding recording  from  Profan  and  if  you  are  a f an  of  drone,  ritual  and  doom  metal,  you  should  check  out  this  re-issue.  RECOMMENDED  TRACKS  INCLUDE  "Sea  Curses"  "Tower"  and  "Ice".  8  out  of  10.


  https://khthonios.bandcamp.com/album/bestial-awakening      

Thursday, August 11, 2022

Colossloth/Promethean Meat/Cold Spring Records/2022 CD Review

 


  Colossloth  are  a  solo  project  that  plays  a  very  esoteric,  rhythmic  form  of  industrial  noise  with  elements  of  black  and  doom  metal  and  this  is  a  review  of  his  2022  album  "Prometthean  Meat"  which  will  be  released  on  August  19th  by  Cold  Spring  Records.


  Distorted  power  electronics  and  harsh  noises  start  off  the  album  while  the  guitar  sounds  also  mix  in  the  heaviness  of  doom  metal.  Industrial  style  beats  can  also  be  heard  quite  a  bit  throughout  the  recording  along  with  some  songs  also  mixing  in  some  voices  and  the  songs  also  add  in  a  lot  of  rhythmic  structures.


  A  great  portion  of  the  tracks  are  also  instrumentals  while  each  song  also  sounds  very  different  from  each  other.  Synths  can  also  be  heard  in  certain  sections  of  the  recording  along  with  the  bass  guitars  also  adding  in  a  lot  of  heaviness  when  they  are  utilized  as  well  some  high  pitched  screams  also  being  added  into  the  background  at  times,  guitar  solos  and  leads  can  also be  heard  briefly  and  when  blast  beats  are  added  onto  the  recording  they  also  add  in  a  touch  of  black  metal.  


  Colossloth  plays  a  musical  style  that  takes  a  very  rhythmic  form  of  noise  and  mixes  it  with  industrial  and  touches  of  black  and  doom  metal  to  create  a  sound  of  his  own  while  the  production  sounds  very  dark.


  In  my  opinion  Colossloth  is  a  very  great  sounding  esoteric  and  rhythmic  mixture  of  industrial  and  noise  with  elements  of  black  and  doom  metal  and  if  you  are  a f an  of  those  musical  genres,  you  should  check   out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Pain  Is  The  Cleanser"  "Flowering  Discipline"  "Feigning  Death  Paves  our  Path"  and  "Personality  Debris".  8  out  of  10.


  


Promo Video: 'Album Teaser'

Sunday, January 2, 2022

Pseudodoxia/The Sun And The Mirror/The Eerie And Radiant Doorless Rooms Of Pain/Brucia Records/2021 Split Album Review

 


  This  is  a  review  of  a  split  album between  Italy's  Pseudodoxia  and  U.SA's  The  Sun  And  The  Mirror  called  "The  Eerie  And  Radiant  Doorless  Rooms  Of  Pain"  which  was  released  by  Brucia  Records  and  we  will  start  off  the  review  with  Pseudodoxia  a  duo  that  plays  a  mixture  of  dark  ambient,  drone,  doom  metal,  experimental  and  noise  with  some  touches  of  black  metal.


  Their  side  of  the  split  starts  out  with  some  atmospheric  sounding  drones  along  with  some  clear  vocals  a  few  seconds  later.  At  times  the  music  also  gets  very  experimental  sounding  as  well  as  adding  some  noises  in  certain  sections  of  the  songs  and  the  bass  guitars  also  ad d in  the  heaviness  of  doom  metal.


  Melodic  guitar  leads  can  also  be  heard  briefly  along  with  the  heavier  sections  of  the  songs  also  showing  an  influence  of  black  metal.  Screams  can  also  be  heard  at  times  along  with  both  of  the  tracks  also  sounding  different  from  each  other  and  touches  of  dark  ambient  are  also  added  in  some  parts  of  their  music,  spoken  word  parts  can  also  be  heard  briefly  and  a  small  amount  of  melody  can  also  be  heard  in  some  of  the  guitar  riffing.  The  production  sounds  very  dark  while  the  lyrics  cover  suffering  themes.


  In  my  opinion  Pseudodoxia  are  a  very  great  sounding  mixture  of  dark  ambient,  drone,  doom  metal,  experimental  and  noise  with  some  touches  of  black  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.  RECOMMENDED  TRACK  "Holy  :  PIG  :  Solace".


  Next  up  is  The  Sun  And  The  Mirror  a  duo  that  plays  a  mixture  of  dark  orchestral,  doom  metal,  drone,  folk,  minimalistic  noise  and  psychedelic.


  Their  side  of  the  split  starts  out  with  some  atmospheric  sounding  drones  along  with  some  heavy  yet  melodic  riffing  a  few  seconds  later  that  also  brings  elements  of  doom  metal  onto  their  side  of  the  recording.  Their  only  track  is  also  over  22  minutes  in  length  and  at  times  the  music  gets  very  experimental  sounding.


  Clean  vocals  are  also  added  into  certain  sections  of  the  track  as  well  as  adding  in  a  touch  of  neo-folk.  When  cello's  are  utilized  they  also  add  in  more  of  an  orchestral  touch  and  the  song  also  mixes  in  touches  of  noise,  minimalism  and  psychedelia  as  well  as  always  sticking  to  a  slower  direction  and  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  The  production  sounds  very  dark  while t he  lyrics  cover  suffering  themes.


  In  my  opinion  The  Sun  And  The  Mirror  are  a  very  great  sounding  mixture  of  dark  orchestral,  doom  metal,  drone,  folk,  minimalistic  noise  and  psychedelic  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  duo.


  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  i  would  recommend  it  to  all  fans  of  experimental,  drone,  noise  and  doom  metal.  8  out  of  10.


https://bruciarecords.bandcamp.com/album/the-eerie-and-radiant-doorless-rooms-of-pain      


  Their  side  of  the  split  starts  out  with      

Saturday, December 25, 2021

Rope Sect/Proskynesis/Iron Bonehead Productions/2021 EP Review

 


  Rope  Sect  are  a  band  from  Germany  that h as  had  music  reviewed  before  in  this  zine  and  on  this recording  plays  a  minimalist  form  of  deathrock  and  this  is  a  review  of  their  2021  ep  "Proskynesis"  which  was  released  by  Iron  Bonehead  Productions.


  Clean  playing  starts  off  the  ep  while  also  adding  in  elements  of  post  punk  and  goth  rock  along  with  all  of  the  musical  instruments  on  the  recording  also  having  a  very  powerful  sound  to  them.  The  vocals  are  also  done  in  a  very  clear  deathrock  style  as  well  as  the  music  also  being  very  heavily  rooted  in  the  80's  era.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  heavier  riffs  also  show  an  influence  of  the  darker  side  of  metal.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  style  along  with  one  song  also  adding  in  a  brief  use  of  grim  black  metal  vocals  and  blast  beats,  most  of  the  music  also  sticks  to  either  a  slow  or  mid  tempo  direction  and  also  has  its  minimalist  moments.


  On  this  recording  Rope  Sect  goes  into  more  of  a  minimalist  deathrock  direction  as  well  as  keeping  some  of  the  post  punk  and  metal  influences  of  previous  releases.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Rope  Sect  and  if  you  are  a  fan  of  minimalist  deathrock,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Proskynesis  II"  and  "Lava".  8  out  of  10.



http://www.facebook.com/theropesect 

https://youtu.be/x8edinWaxTY    

Monday, June 21, 2021

Malvost Interview

 

1.For those that have never heard of you before, can you tell us a little bit about the musical project?


Malvost is a project for me to experiment with abstract manipulated guitar sounds, trying to make drone pieces that intrigue me and coupling them with my poetry and lyrics. The project has been around for a few years before I put anything out to the public, it was during the pandemic and lockdown that I was really inspired to do more with these ideas and actually create some records with these sounds and words.


2.So far this year you have released 3 releases, musically how do they differ from each other?


The first release Invigningen was a simple raw demo, I had no idea if anyone would be interested at all in what I was doing, but a few people were and so I decided to self-release a short run tape release. I realised that the two tracks could sound better so I remastered them and put them together with a new track and an alternative version of one of the tracks, and this became the redux demo Återutgivningen. Alongside this I completed the EP Oljud, which is coming out on Trepanation Records in July. Oljud is definitely an expansion on the ideas on the demos, and it covers both the heavy drone-doom guitar and black metal vocals style as well as some more electronic ambient sounds too. The music on a couple of the tracks on Oljud had actually been around in an incomplete form since before I made the demos. Oljud is essentially the best four tracks I have made so far, both musically and lyrically, and in terms of sound are, I feel, a big step up from the demos.


3.What are some of the lyrical topics and subjects you have also explored so far with the music?


My lyrics in Malvost will always cover existentialist themes in some form, and the pandemic and lockdown has certainly inspired some words on depression and solitude, but I feel existentialism goes beyond that and doesn't have to be restricted to insular and introverted themes, so I have also delved into topics of environmentalism and culture. I also like exploring the nature of memory through particularly vivid imagery, reimagining certain places and time periods in poetry.


4.On both the bandcamp and facebook page there is a reference to 'Albert Camus', can you tell us a little bit more about your interest in philosophy and existentialism?


I studied philosophy at university some years ago, and I have always been a big reader of existentialist writings in the broad sense, including the likes of Sartre, Nietzshce, Kierkegaard, Husserl, Heidegger, Levinas and others. Camus has always been my favourite in many ways, his ideas being as close to nihilism as possible. The particular quote I paired with the EP is one that I read again recently, and it just struck a chord with me when thinking about the nature of my music.


5.What is the meaning and inspiration behind the name 'Malvost'?


It was taken from an artist called Henry de Malvost who made sketchings of satanic rituals and black masses back in the 19th century. There isn't much information about them, but I just quite liked the word and I couldn't find it in use anywhere else, so I thought it would be a nice name for the project. 


6.Can you tell us a little bit more about the artwork that is presented on the new release?


The cover image is of the Kaiser Willhelm church in Berlin. It's a landmark I have visited many times and has a certain personal meaning to me. There are some other images in the cassette too, some were taken in Berlin and some in Helsinki, both places that inspired the EP.


7.With this project you record everything by yourself, are you open to working with other musicians or do you prefer to work solo?


As it happens I am currently collaborating with another musician on a new record that will combine drones with electronic synth work and eclectic vocals. We hope to have it out before the end of the year, and I hope to collaborate with others in the future. With this kind of music I think solo artists can often have a very definitive sound, and sometimes when you combine these then some very interesting music can come into being.


8.You have put out 3 releases this year so far, do you spend a great amount of your time writing and creating music?


A fair amount, yes. I have had much more time during lockdown to make music than ever before. I play in a couple of metal bands too, so much of my free time is spent on being creative, whether it is music or words.


9.On a worldwide level how has the reaction been to your music by fans of ambient, noise, drone and doom metal?


Everything I have seen so far has been positive, but I hope once Oljud is released there will be more people who discover it. This music is certainly niche and there are a fair amount of artists out there doing similar things, many of whom make up the fan base anyway, so it tends to be quite a positive scene from a critical standpoint. Ultimately we're trying to make unsettling, disturbing and abstract sounds, so for fans I think it comes down more to how much the music engages you rather than 'enjoyment' in the traditional sense.


10.When can we expect a full length and also where do you see yourself heading into as a musician during the future?


I am in the process of completing a full length album, though when it will be released I am not quite sure - within the next year, but possibly sooner I hope. I am putting a lot into the themes and concepts for it, and I really want to make this something quite unique.


11.What are some of the bands or musical  styles that have had an influence on your music and also what are you listening to nowadays?


When I started it was definitely the guitar drone stuff like Sunn O))), Earth, Boris and Nadja as well as the likes of Tim Hecker and Ben Frost and older drone stuff like Éliane Radigue and LaMonte Young. Merzbow is definitely a huge influence too, even if I don't create harsh noise so to speak. I write album reviews for several blogs too, so through that I am always listening to lots of new music, but in terms of drone, ambient and noise I have been particularly enjoying some newer artists like Gnarl, Catafalque, Clawing and The Owl.


12.Before we wrap up this interview, do you have any final words or thoughts?

Thank you for the interview and for your interest in my music, it's really appreciated, and I hope people check out Oljud when it comes out.

Wednesday, June 16, 2021

Malvost/Oljud/Trepanation Recordings/2021 EP Review

 


  Malvost  are  a  solo  project  from  Sweden  that  plays  a  mixture  of  dark  ambient,  drone,  harsh  noise  and  doom  metal  with  some  touches  of  black  metal  and  this  is  a  review  of  his  2021  ep  "Oljud"  which  will  be  released  in  July  by  Trepanation  Recordings.


  Whistles  start  off  the  ep  along  with  some  distorted  sounding  drones  a  few  seconds  later  while  the  guitar  riffs  also  add  in  the  heaviness  of  doom  metal.  Black  metal  screams  are  also  added  into  some  parts  of  the  recording  along  with  all  of  the  tracks  also  being  very  long  and  epic  in  length  and  when  synths  are  added  onto  the  recording  they  also  bring  in  elements  of  dark  ambient  and  spoken  word  parts  are  also  added  on  a  couple  of  tracks.


  Harsh  noises  are  also  added  into  some  parts  of  the  recording  while  all  of  the  songs  also  sound  very  different  from  each  other.  At  times  the  music  also  adds  in  some  atmospheric  and  cinematic  sounding  drones  along  with  the  music  also  having  its  dissonant  and  minimalistic  moments  and  all  of  the  music  also  sticks  to  a  slower  direction  as  well  as  some  female  vocals  also  being  added  on  the  closing  track.


  Malvost  plays  a  musical  style  that  takes  dark  ambient,  drone,  harsh  noise,  doom  metal  and  some  touches  of  black  metal  to  create  a  sound  of  his  own.  The  production  sounds  very  dark  while  the  lyrics  cover  depression,  isolation,  surrealism,  existentialism,  Norse  mythology,  the  nature  of  memory  and  the  environmental  crisis.


  In  my  opinion  Malvost  is  a  very  great  sounding  mixture  of  dark  ambient,  drone,  harsh  noise  and  doom  metal  with  some  touches  of  black  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Lamentations  From  The  Menhir"  and  "The  Desecration  Of  Beavi".  8  out  of  10.


 https://malvost.bandcamp.com/album/oljud


Facebook: www.facebook.com/malvost     

Sunday, January 3, 2021

Ornamentos del Miedo/Este no es tu hogar/Solitude Productions/2019 CD Review

 


  Ornamentos  del  Miedo  are  a  solo  project  from  Spain  that  plays  an  atmospheric  form  of  funeral  doom  metal  and  this  is  a  review  of  his  2019  album  "Este  no  es  tu  hogar"  which  was  released  by  Solitude  Productions.


  Atmospheric  sounding  synths  start  off  the  album  which  also  mixes  in  with  the  heavier  sections  of  the  music  at  times.  The  slower  riffs  are  also  very  heavily  rooted  in  funeral  doom  metal  while  the  solos  and  leads  are  also  done  in  a  very  dark  yet  melodic  style  and  when  screams  are  utilized  they  also  add  in  a  touch  of  black  metal.


  All  of  the  tracks  are  also  very  long  and  epic  in  length  while  the  riffs  also  add  in  a  great  amount  of  dark  sounding  melodies.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  music  also  adding  in  touches  of  melodic  death  metal  as  well  as  some  of  the  vocals  also  adding  in  a  small  amount  of  growls  and  all  of  the  songs  also  stick  to  a  slower  direction.


  Ornamentos  del  Miedo  plays  a  style  of  funeral  doom  metal  that  is  very  slow,  atmospheric,  dark  and  heavy  sounding  as  well  as  adding  in  touches  of  black  and  melodic  death  metal  to  create  a  sound  of  his  own.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Spanish  and  cover  dark  and  depressive  themes.


  In  my  opinion  Ornamentos  del  Miedo  are  a  very  great  sounding  atmospheric  and  melodic  funeral  doom  metal  solo  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Este  no  es  tu  hogar"  and  "Fragil".  8  out  of  10.


Bandcamp
Facebook
Spotify

Saturday, January 2, 2021

Monolithe/Okta Khora/Les Acteurs De L'Ombre Productions/2020 CD Review

 


  Monolithe  are  a  band  from  France  that  has  been  featured  before  in  this  zine  and  on  this  recording  moves  away  from t he  funeral  doom  metal  style  and  goes  for  more  of  a  a  very  dark,  progressive  and  cosmic  form  of  doom  metal  and  this  is  a  review  of  their  2020  album  "Okta  Khora"  which  was  released by  Les  Acteurs  De  L'Ombre  Productions.


  Clean  playing  starts  off  the  album  and  also  gives  the  music  more  of  a  progressive  feeling  while  the  solos  and  leads  are  also  done  in  a  very  melodic  style.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  along  with  the  slower  sections  of  the  songs  also  adding  in  elements  of  funeral  doom  metal.


  The  riffs  also  bring  in  a  great  amount  of  melody  while  the  keyboards  also  gives  the  music  more  of  an  atmospheric  feeling.  Some  of  the  tracks  are  also  very  long  and  epic  in  length  along  with  the  vocals  being  a  mixture  of  death  metal  growls  and  screams  along  with  the  music  also  having  its  symphonic  and  cosmic  moments.


  The  songs  also  bring  in  a  great  amount  of  dark  metal  elements  along  with  the  music  also  capturing  the  atmosphere  of  a  sci-fi  soundtrack  at  times.  Clean  vocals  can  also  be  heard  in  certain  sections  of  the  recording  as  well  as  one  track  also  adding  in  a  brief  use  of  spoken  chants.  saxophones  and  stringed  instruments  can  also  be  heard  briefly  and  some  of  the  songs  are  also  instrumentals,  all  of  the  songs  stick  to  either  a  slow  or  mid  tempo  direction.  The  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  upon  alien  civilizations.  


  In  my  opinion  this  is  another  great  sounding  album  from  Monolite  and  if  you  are  a  fan  of  dark  and  progressive  doom/death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Onset  of  the  Eighth  Cycle"  and  "Disrupted  Firmament".  8  out  of  10.


 

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Friday, January 1, 2021

Felgrave/A Waning Light/Personal Records/2021

 


  Felgrave  are  a  solo  project  from  Norway  that  plays  funeral  doom/death  metal  with  some  elements  of  black  and  post  metal  and  this  is  a  review  of  his  2021  album  "A  Waning  Light"  which  will  be  released  in  February  by  Personal  Records.


  Nature  orientated  soundscapes  start  off  the  album  before  going  into  a  heavier  musical  direction  while  the  slower  sections  of  the  songs  are  also  very  heavily  rooted  in  funeral  doom  metal.  Most  of  the  tracks  are  also  very  long  and  epic  in  length  and  dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing.


  At  times  the  music  also  gets  very  atmospheric  sounding  while  the  vocals  are  mostly  death  metal  growls  along  with  some  black  metal  screams  also  being  utilized  at  times.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  melodic  post  metal  style  and  clean  playing  can  also  be  heard  at  times.


  When  the  music  speeds  up  a  decent  amount  of  blast  beats  can  also be  heard  along  with  one  track  also  introducing  clean  playing  onto  the  recording.  Melodic  vocals  are  also  added  on  some  of  the  tracks  as  well  as  all  of  the  musical  instruments  also  having  a  very  powerful  sound  to  them,  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  and  one  of  the  tracks  is  also  an  acoustic  instrumental. The  production  sounds  very  professional  while  the  lyrics  cover  time,  death,  mystical  and  futility  themes.


  In  my  opinion  Felgrave  are  a  very  great  sounding  funeral  doom/death  metal  solo  project  with  some  elements  of  black  and  post  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Millenium  Shroud"  and  "Oracular".  8  out  of  10.


felgrave.bandcamp.com

https://youtu.be/GNYC8934QPg

Thursday, December 31, 2020

Вий/Oblivium/Cursed Monk Records/2020 CD Review

 


  Вий  are  a  band  from  Italy  that  plays  a  mixture  of  sludge  and  funeral  doom  metal  and  this  is  a  review  of  their  2020  album  "Oblivium"  which  was  released  by  Cursed  Monk  Records.


  Distorted  amp  sounds  start  off  the  album  before  before  going  into  a  heavier  direction  while  also  adding  in  some  high  pitched  screams  which  also  mix  sludge  and  black  metal  together  which  also  throw  in  deep  growls  at  times  along  with  the  slower  sections  of  the  songs  also  adding  in  the  heaviness  of  funeral  doom  metal.  


  Some  of  the  tracks  are  also  very  long  and  epic  in  length  while  some  of  the  music  also  shows  an  influence  of  stoner  metal.  The  riffs  also  add  in  a  small  amount  of  melody  at  times  along  with  all  the  musical  instruments  also  having  a  very  powerful  sound  to  them  as  well  as  a  couple  of  tracks  also  introducing  spoken  word  parts  onto  the  recording,  when  the  music  finally  speeds  up  a  brief  use  of  tremolo  picking  and  blast  beats  can  also  be  heard  and  elements  of  d  beat  can  also  be  heard  on  the  closing  track.


   Вий  plays  a  musical  style  that  takes  sludge  and  funeral  doom  metal  and  mixes  them  together  to  create  a  sound  of  their  own  along  with  some  touches  of  black  and  stoner  metal.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  occultism,  mythology,  darkness  and  misanthropy  themes.


  In  my  opinion   Вий  are  a  very  great  sounding  mixture  of  sludge  and  funeral  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Thanatos"  and  "Anxietaten".  8  out  of  10,.


 

      

Monday, December 28, 2020

Eremit/Desert Of Ghouls/Transcending Obscurity Records/2020 EP Review

 


  Eremit  are  a  band  from  Germany  and  on  this  recording  adds  some  elements  of  black  metal  into  their  atmospheric  mixture  of  sludge  and  doom  metal  and  this  is  a  review  of  their  2020  ep  'Desert  Of  Ghouls"  which  was  released  by  Transcending  Obscurity  Records.


  A  very  dark  and  heavy  doom  metal  sound  starts  off  the  ep  which  also  captures  the  heaviness  of  sludge  metal.  Both  of  the  tracks  are  also  very  long  and  epic  in  length  while  all  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  and  the  screams  also  show  an  influence  of  black  metal.


    A  small  amount  of  melody  can  also  be  heard  in  some  of  the  guitar  riffing  while  the  music  also  has  its  atmospheric  moments.  Clean  playing  is  also  added  on  the  second  track  along  with  a  brief  use  of  chants  in  the  background  and  all  of  the  music  sticks  to  wither  a  slow  or  mid  tempo  direction  and  when  solos  and  leads  are  utilized  they  are  done  in  a  retro  stoner    metal  style.


  On  this  recording  Eremit  goes  for  more  of  an  atmospheric  mixture  of  sludge  and  doom  metal  as  well  as  adding  in  a  touch  of  black  metal  to  take  their  sound  to  another  level.  The  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  horror  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Eremit  and  if  you  are  a  fan  of  atmospheric  sludge  and  doom  metal  with  a  touch  of  black  metal,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Beheading  The  Innumerous".  8  out  of  10.

https://youtu.be/PQJnun3yU4w




Triskelis/Malicon/Ghost Record Label/Broken Bones Records2021 Full Length Review

  

   Triskelis are a solo project from Italy that plays a mixture of stoner, doom and dark metal and this is a review of his album "Malicon" which will be released in 2021 as a joint effort between Ghost Record Label and Broken Bones Records.


  A  very  dark  sounding  intro  starts  off  the  album  before  going  into  a  heavier  stoner  metal direction. The  music avoids  the use of a regular guitar along with the slower sections off the songs also adding in the heaviness of doom metal, .

  Synths can also be heard in some parts of the recording while all of the music is instrumental.  At times the music also brings in elements of black and dark metal along with the music also having it's atmospheric moments and all of the music sticks to either a slow or mid tempo direction, one track also adds in a brief use of clean playing.

  Triskelis plays a musical style that takes stoner, dark and doom metal and mixes them together to create a sound of his own as well as keeping everything instrumental while the production sounds very dark.

  In my opinion Triskelis are a very great sounding mixture of stoner, dark and doom metal and if you are a fan of those musical genres, you should check out this solo project. RECOMMEND TRACKS INCLUDE "Gormarn" "Tiev" and "Ruatt". 8 out of 10.

Sunday, December 27, 2020

Ulcerate/Stare Into Death And Be Still/Debembur Morti Productions/2020 CD Review

 


  

Ulcerate  are  a  band  from  New  Zealand  that  has  had  music  reviewed   before   in  this  zine  and  on  this  recording  plays  a  technical  form  of  death  metal  with  elements  of  black  and  sludge  metal  and  this  is  a  review   of  their  2020  album  "'Stare  Into  Death  And  Be  Still"  which  was  released  by  Debembur  Morti  Productions.


  Atmospheric  sounding  synths  start  off  the  album  before  going  into  a  heavier  direction  while  most  of  the  tracks  are  also  very  long  and  epic  in  length.  Dark  sounding  melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  vocals  are  mostly  death  metal  growls  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard.


  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  technical  style  while  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.  All  of  the  musical  instruments  on  the  recording  also  have  a  very  powerful  sound  to  them  and  elements  of  sludge  metal  are  also  added  into  the  slower  sections  of  the  songs.


  Throughout  the  recording  you  can  also  hear  a  decent  mixture  of  slow,  mid  paced  and  fast  parts  along  with  the  fast  tremolo  picking  showing  an  influence  of  black  metal  as  well  as  some  dissonant  structures  also  being  added  into  some  of  the  guitar  riffing.  one  track  also  introduces  clean  playing  onto  the  recording  and  at  times  the  music  also  gets  very  atmospheric  sounding.  The  production  sounds  very  prof4essional  while  the  lyrics  cover  death  reverence  themes.


  In  my  opinion  this  is  another  great  sounding  recording  from  Ulcerate  and  if  you  are  a  fan  of  technical  death  metal  with  some  elements  of  black  and  sludge  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "The  Lifeless  Advance"  "Inversion"  and  "Dissolved  Orders".  8  out  of  10.

http://www.ulcerate-official.com
http://www.facebook.com/Ulcerate
http://ulcerate.bandcamp.com


Czern/Zgliszcza/Selfmadegod Records/2020 CD Review

 


 Czern  are  a  band  from  Poland  that  plays  a  mixture  of  sludge,  post  metal  and  hardcore  punk  with  some  elements  of  black  and  death  metal   and  this  is  a  review  of  their  2020  album  "Zgliszcza"  which  was  released  by  Selfmadegod  Records.


  A  very  dark  and  heavy  sound  starts  off  the  album  while  elements  of  sludge  metal  can  also  be  heard  in  the  slower  sections  of  the  music.  A  great  portion  of  the  tracks  are  very  long  and  epic  in  length  along  with  the  vocals  being  done  in  a  growling  style  and  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them.


  Melodies  are  also  added  into  some  of  the  guitar  riffing  while  the  faster  sections  of  the  songs  also  brings  in  blast  beats  and  elements  of  black  metal.  One  of  the  tracks  also  introduces  atmospheric  soundscapes  onto  the  recording  along  with  some  post  metal  style  melodies  also  being  added  into  some  of  the  guitar  riffing  as  well  as  the  music  also  capturing  the  raw  energy  of  hardcore  punk  at  times,  tremolo  picking  can  also  be  heard  in  some  of  the  faster  riffing  and  the  songs  also  add  in  a  decent  mixture  of  slow,  mid  paced  and  fast  parts.


  Czern  plays  a  musical  style  that  takes  sludge,  post  metal  and  hardcore  punk  and  mixes  them  together  with  some  elements  of  black  and  death  metal  to  create  a  sound  of  their  own.  The  production  sounds  very  professional  while  the  lyrics  are  written  in  Polish  and  cover  veganism,  anti  fascism  and  anti  chauvinism  themes.


  In  my  opinion  Czern  are  a  very  great  sounding  mixture  of  sludge,  post  metal  and  hardcore  punk  with  some  elements  of  black  and  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Strach"  and  "Krzyk".  8  out  of  10.


 https://czern.bandcamp.com

https://www.facebook.com/wszystekczern

Monday, November 30, 2020

I, The Weapon Interview

 

1.For those that have never heard of you before, can you tell us a little bit more about the band?

1.(D.R.)We are a group of experimental heavy music or at least that is what we understand about what we have been working on until now. We are originally from Argentina more precisely from the city of Moreno on the outskirts of Buenos Aires and since 2014 we have been writing music under the name of I, The Weapon. At the end of 2018 we have digitally released our debut album titled The Ivy, which is the realization of many years of hard work within the Buenos Aires underground scene.


2.So far you have released one album, can you tell us a little bit more about the musical style that you went for on the recording?

2.(S.A.) We work a lot on the concept of an album beyond a particular musical style. Each one of us likes many different things musically speaking, so intuitively we came to this sound that we captured in The Ivy. The album is basically conceived as an introspective blog. We had in mind that it was something episodic, like a story as a narrative and the idea of ​​segmenting it as if they were chapters of a book arose, hence the existence of the prologues that are like a kind of introduction to the song that precedes it. Originally we wanted to work on the lyrics in Spanish that we had previously written, but due to tonal reasons we couldn't find what we were looking for so we experimented with using them in environmental pieces that I had been working on for a long time. We liked how they looked so we opted to interpret the songs in English and the Intermediates in Spanish to somehow not completely disengage from our native language and make it more interesting to listen and to the character of the album as a whole. And when it comes to the style we practice, we focus on sludge and post metal because we feel that it is a sound that perfectly suits those of us who seek to transmit with our music and our vision of reality.


3.The band has been around since 2014 but so far there has only been one release, can you tell us a little bit more about it?

3.(D.R.) Our main obstacle since we started this project was completing our lineup. We had drums, guitar and vocals, but there was no one to take care of the bass, so while we wrote and worked on the first songs we began the titanic task of finding the musician in charge of the low frequencies. During all that time there have been several bassists who for one reason or another did not quite convince themselves or understand the idea we had been working on. The different bass players auditions were added, such as the injury I suffered in February 2017 that left me in bed for almost a year and without realizing it we were almost at the end of the year without having been able to play a single time live or recorded anything, like this It was like after I was able to recover we started the pre-production of the album so that in March 2018 we could enter the studio.


4.A lot of your lyrics are inspired by the writings of Macedonio Fernandez, Alejandra Pizarnik and Charles Baudelaire, can you tell us a little bit more about your interest in their works?

4.(S.A.)Since I was a little girl I have been a very inveterate reader and I suppose it is natural that a lot of that will end in one way or another influencing the music I play. Both Pizarnik and Baudelaire have been my favorites forever with those cursed poems that were so heartbreaking and so beautiful at the same time. Since it occurred to us to form the band, we talk about the idea of ​​doing something lyrically oriented within the style of these authors, as well as the life and work of Macedonio Fernández, who, upon losing his wife, plunged into the more absolute and profound sadness thus creating the pillar works of Argentine literature. All that melancholy, that dark uneasiness, that desperate existential and metaphysical search simply fascinated us. Unconsciously they have always been within us as part of our DNA, as a beacon to show us the way forward. That total dedication is what motivated us and inspired to a large extent to do what we do. Art from our perspective is that, total surrender and continuous search for oneself.


5.What is the meaning and inspiration behind the name 'I, The Weapon'?

5.(D.R.) As many of you will know, the name is taken from a song by the Swedish band Cult of Luna, more precisely from the Vertical album. We had liked the song very much of course, but the name touched us very strongly, to the point that it resonated in our heads for some time. So much so that it seemed to us that it perfectly described our conception of what our music should be: a channel, a means where we can fight what happened to each one of us to everything that seemed unfair, to everything negative that affected us and to be able to turn it into music, into art and resignify it. It is our vision about the goal that music and art in general should have. It also perfectly posed the duality of the human condition, which is clearly the source of most of the evils in the world. That nature of creating or destroying that is inherent in the human race. We clearly do not think about it from a strict warlike sense, but rather from a purely artistic position.


6.Can you tell us a little bit more about the artwork that is presented on the album cover?

6.(S.A) The idea of ​​the cover is based on the whole concept included in the album, the beginning of the descent into hell, of an irremediable descent. It was inspired by a book by H. G. Wells called The Door in the Wall. We raffle many ideas of how the cover should be, we work with many things since we both have some knowledge in photography and illustration, but we were not convinced how much we had available at that time. So doing a little research we found an extremely interesting an old place on the outskirts of Buenos Aires, in a rural area excactly that we thought might be what we were looking for. This place was previously a very busy train station in its heyday at the beginning of the last century and then abandoned to its destination some time later. This little by little was deteriorating to the point that it was totally absorbed by the vegetation and many stories and legends were born from it. So we set out to take a trip there, which is a few hours by car from where we live, since there is no other way to get there. It is undoubtedly a very special place and is charged with an indescribable energy since during the entire course of the trip the day was in the worst weather conditions until we came to think that it would not be possible to take the photographs. Once we arrive at the place, the sky clears up completely and lets us work at ease as if someone were waiting for us. It was an amazing and strange experience.


7.Currently there are only 2 members in the band, are you open to expanding the line up or do you prefer to remain a duo?

7.(D.R.)Yes, our idea is to be a three-piece band and not just a duo, which by force majeure we always have been. Although from the beginning we have only been two people working on guitar and drums, we always composed with the idea of ​​adding the bass later. The sound that we conceive is intended for a complete band, that is: guitar, bass and drums, so logically we hope to complete our line-up soon. We are convinced that shortly and after all this Covid 19 problem is resolved and we return to normal, we will find someone. Meanwhile we continue working as is our custom.


8.What are some of the best shows that the band has played so far and also how would you describe your stage performance?


8.(S.A.) I must say that our best show was our debut, it was very strange but emotional at the same time. It was at a concert that was originally thought of as a festival and ended up becoming a tribute. One of the members of one of the bands that would play at that festival dies suddenly days before the concert. The organizer asked the rest of the bands if we agreed to go ahead, as the affected band wanted to do it anyway as a tribute to their deceased member. Knowing this, most of us agreed to move on as well. It was one of the most emotional concerts we have ever witnessed. Playing for an audience mourning the loss of a friend is simply unreal. The public was very warm and respectful towards us, since they did not know us more than the organizer of the event. We had no idea how they were going to react to our proposal. So we let everything flow. And it was well received. It was a kind of celebration of friendship and a reminder of how fleeting our journey through life is. A unique but sad experience at the same time.


9.Currently you are unsigned, are you looking for a label or have received any interest?

9.(D.R.) It is something we would like to see happen soon but we understand that everything happens in due time. It is something that will happen sooner or later I have no doubt about it. We work hard to grow little by little with our proposal and make it known. DIY is a great medium for us but it poses many challenges, we cannot just cover it all. There are many labels out there that work very hard and take care of their artists. We hope soon we will have the opportunity to work together with one of them.


10.On a worldwide level how has the reaction been to your music by fans of post, doom and sludge metal?


10.(S.A.) The reaction in general has been very good, we have had many messages from people who have expressed their support or their good impression about the album. It is surprising and gratifying to see how many people connected in some way with what we did, even more so due to the fact that they have only heard it through a digital medium such as bandcamp. I think the majority connected with the essence of the proposal. We leave a lot there and perhaps that is perceived; he knew how to win the appreciation of many people. That for us is a success in itself.


11.Where do you see the band heading into musically during the future?

11.(D.R.)What we are currently working on has a more intense and aggressive character than what is embodied in The Ivy. It can be said that it will be more extreme but with the same emotional tune as always. It would be rash to talk about a particular style right now because as we work each idea decants and transforms into something different from what it was at first. There are many things that were left out of the debut album that were pending to continue working and experimenting so I can only predict that it will be more extreme than its predecessor, darker and more emotional.


12.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

12.(S.A.) The influences are really many, but the main ones at the beginning were undoubtedly Neurosis, Isis, Amenra to name just a few. Each of us has acquired our influences over the years. We listen to all kinds of things like black metal, electronic, synth wave, crust punk, hardcore, ambient, industrial, power electronics, and jazz. But if there is something that we listen to a lot today, it is tango. Julio Sosa and Astor Piazzolla are our favorites. It is probably due to the influence of our parents, as their records used to be played frequently at home.



13.Before we wrap up this interview, do you have any final words or thoughts?

13.(D.R) We invite everyone to enter this first work, which is only the beginning of a long journey. We leave a lot of ourselves there and surely something that many people will also find theirs. The music is a magnificent means to unite people with a positive purpose, for self-improvement and self - knowledge.

Bandcamp
Deezer
Facebook
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Myspace
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Saturday, November 28, 2020

Serpent Omega/II/Icons Creating Evil Art/2020 Full Length Review

 


  Serpent  Omega  are  a  band  from  Sweden  that  has  had  music  reviewed  before  in  this  zine  and  on  this  recording  plays  a  mixture  of  sludge,  doom  metal  and  crust  with  some  elements  of  black  metal,  d  beat  and  NWOBHM  and  this  is  a  review  of  their  2020  album  "II"  which  was  released  by  Icons  Creating  Evil  Art.


  Dark  soundscapes  start  off  the  album  along  with  some  heavier  riffing  a  few  seconds  later  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them. Vocals  are  done  in  a  sludge  style  of  screaming  along  as  well  as  the  riffs  also  adding  in  a  decent  amount  of  melody  and  the  slower  riffs  also  add  in  the  heaviness  of  doom  metal.


  Clean  vocals  are  also  added  into  some  parts  of  the  recording  while  some  of  the  tracks  are  also  very  long  and  epic  in  length.  When  guitar  solos  and  leads  are  utilized  they  are  also  done  in  a  very  dark  yet  melodic  style  along  with  some  the  more  darker  riffing  and  screams  also  adding  in  elements  of  black  metal.


  Some  of  the  melodies  also  show  an  influence  of  NWOBHM  along  with  some  tremolo  picking  and  blast  beats  also  being  utilized  when  the  music  speeds  up  as  well  as  the  mid  tempo  sections  also  introducing  touches  of  crust  punk  and  d  beat  onto  the  recording,  whispers  and  spoken  word  parts  can  also  be  heard  on  the  closing  track.  The  production  sounds  very  professional  while  the  lyrics  cover  mythological,  death  and  space  themes.   


  In  my  opinion  this  is  another  great  sounding  recording  from  Serpent  Omega  and  if  you  are  a  fan  of  sludge,  doom  metal  and  crust  punk,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Land  Of  Darkness"  "Through  the  Gates"  and  "At  The  Mountains  Edge".8out  of  10.


http://www.facebook.com/serpentomega
http://www.instagram.com/serpentomega
http://serpentomega.bandcamp.com

http://open.spotify.com/artist/6TYDhQnCSqqZD9mjHC2xxV   

I, The Weapon/The Ivy/2020 Full Length Review

 


  I,  The  Weapon  are  a  duo  from  Argentina  that  plays  an  atmospheric  mixture  of  sludge,  doom  and  post  metal  with  some  elements  of black  metal  and  dark  ambient  and  this  is  a  review  of  their  self  released  2018  album  "The  Ivy".


  Dark  soundscapes  start  off  the  album  along  with  some  clean  playing  a  few  seconds  later  before  going  into  a  heavier  direction.  The  slower  sections  of  the  songs  also  add  in  the  heaviness  of  sludge  and  doom  metal  while  all  of  the  musical  instruments  also  have  a  very  powerful  sound  to  them  and  most  of  the  tracks  are  also  very  long  and  epic  in  length.


  The  music  also  adds  in  a  great  amount  of  post  metal  elements  while  the  music  also  gets  very  atmospheric  sounding  at  times.  Touches  of  dark  ambient  are  also  added  into  some  parts  of  the  recording  along  with  some  of  the  tracks  also  adding  in  a  small  amount  of  spoken  word  parts  as  well  as  another  song  also  adding  in  a  brief  use  of  clean  vocals.


  Aggressive  growling  vocals  are  also  a  very  huge  part  of  the  recording  along  with  the  music also  capturing  the  dark atmosphere  of  black  metal  at times  as  well  as  all of  the  music  also  sticking  to  a  slower  direction.  The  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  darkness  and  sadness  themes.


  In  my  opinion  I,  The  Weapon  are  a  very  great  sounding  atmospheric  mixture  of  sludge,  doom  and  post  metal  with  some  elements  of  dark  ambient  and  black  metal  and  if  you  are  a  fan  of  those musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Sybil"  "Vacuum"  and  "The  Ivy".  8 out  of  10.


https://itheweapon.bandcamp.com/track/the-ivy