Showing posts with label Scalk. Show all posts
Showing posts with label Scalk. Show all posts

Friday, September 8, 2017

Scalk Interview


1.For those that have never heard of you before, can you tell us a little bit about the musical project?
Scalk is an abstract project, I like to keep it with endless interpretations. My goal is for the listener to make his own.
For me, it's something I do out of necessity, I don’t care if I get something back or if the result is “good” or “bad”. I like the feeling of ending the day and knowing that I've created something. I would say it is a ritual and a way of expressing myself.

2.How would you describe the musical sound that is presented on the recordings?
Textures, soundscapes and a particular taste for dissonance. But I don’t mean to limit my sound in any way. It’s not supposed to have any creative boundaries.

3.So far all of your music has been instrumental, are you open to using any vocals in the future?
Maybe in a future release. I have no problem with vocals or any other instruments. If I ever decide to record and see that it fits, I don’t see why not. I just haven’t tried it yet or felt the need.

4.What is the meaning and inspiration behind the name 'Scalk'?
Now, when I think in the word “Scalk”, I associate with all the work I have done in this project. It was not chosen because it had a meaning but rather to create one. The same goes for some of the names of songs and albums.
I like the idea of creating words from other words, it's almost like using samples in music. When I invent them they have a meaning, but over time I forget it and they end up with another.

5.With this project you record everything by yourself, are you open to working with other musicians?
Yes, of course. It's good to do things our own way, but sometimes I miss working with other musicians. It's always interesting to see the direction things take when you don’t do things all by yourself.

6.In less than a year you have put out 7 releases, do you spend a great amount of time writing and creating music?
Unfortunately not as much as I wanted. I would say that the trick is to work quickly, not fall into the trap of perfection and not to rethink things too much. I have found that doing things this way can be more productive and captures best what I want.

7.Currently you are unsigned, are you looking for a label or have received any interests?
So far I have had no contact with labels. There are some that I follow and admire. Of course I would be happy to see some of my future work in their catalogs.

8.On a worldwide level how has the feedback been to your music by fans of ambient, drone, and noise?
Honestly I have no idea how people see this project. I don’t really like social networks and personally I don’t know anyone who listen to this kind of music, so it's hard to get feedback. It is gratifying to know that someone hears your music, but I have to admit that I don’t go out much of my world to find out.

9.Are you also involved with any other musical projects?
Not currently. However I've made part of some bands where I played guitar, bass and some machines like synths, samplers, etc. I kind of miss those days.

10.Where do you see yourself heading into as a musician in the future?
I know this is not a style with a lot of reception, so I like to have low expectations. I will continue to record and publish some stuff. I'd like to try doing some live performances and maybe try to release something with a label.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
I grew up listening to rock, metal and punk bands, but I never got caught up in a music style. I’m always finding new music. It turns out that listening to albums that have elements of styles that are stranger to me, causes me to start searching for those type of sounds, and I find myself in a new world. This is how I got to more extreme music such as noise, ambient, black metal, etc.
Some stuff I hear today: the catalog of Lurkerbias and Grey Matter Productions, Mutter, Abkehr, The Body, LEICHEN, Skáphe, Wiegedood…

12.What are some of your non musical interests?
I like to read, watch movies, documentaries and some series. I always sucked at school, but these days it pleases me more and more to learn new things. Lately I’m a lot into philosophy/religion and some politics.
13.Before we wrap up this interview, do you have any final words or thoughts?
I just wanted to say thanks for the interest and for the blog(s). Much of the music I listen to I discover on sites like "DarkUndergroundMusicZine". It's important to have places like this.

 https://scalk.bandcamp.com

Sunday, September 3, 2017

Scalk/NodJonzot/2017 Full Length Review


    This  is  the  final  review  of  a  recording  from  Portugal's Scalk  which  shows  the  music  returning  back  to  more  of  an  ambient/drone  style  and  the  album  was  self  released  in  2017  and  called  "NodJonzot".

  Field  recordings  start  off  the  album  along  with  some  soundscapes  and  drones  a  few  seconds  later  and  both  of  the  tracks  are  very  long  and  epic  in  length  as  well  as  being  all  instrumental  and  after  awhile  the  music  gets  more  avant  garde  and  experimental  and  elements  of  noise  can  also  be  heard  at  times along  with  both  of  the  tracks  being  all  instrumental.

  On  this  recording  Sclak  remains  back  to  more  of  an  instrumental  ambient/drone  direction  while  some  noise,  experimental  and  soundscape  elements  are  still  utilized  and  the  production  sounds  very  dark.

  In  my  opinion  this  is  another  great  sounding  album  from   Scalk  and  if  you  are  a  fan  of  ambient,  drone  and  soundscape,  you  should  check  out  this  recording.  RECOMMENDED  TRACK "Nid".  8  out  of  10.

  https://scalk.bandcamp.com/album/nodjonzot     

Scalk/Olcso Vallas/2017 Full Length Review


  This  is  the  6th  review  of  a  recording  from  Scalk  which  shows  the  music  going  into  more  of  a  harsh  noise  direction  along  with  some  shorter  tracks  and  the  album  was  self  released  in  2017 and  called  "Olcso  Vallas".

  Field  recordings  and  drones  start  off  the  album  along  with  a  more  minimal  industrial  style  after  awhile  soundscapes  and  elements  of  harsh noise  are  added  onto  the  recording  and  you  can  also  hear  some  brutality  that would  almost  fit  on  an  underground  metal  or  grindcore  release  at  times  and  the  songs  also  utilize  a  great  amount  of  power  electronics  and  on  a  couple  of  tracks  spoken  word  parts  are  utilized.

  On  this  recording  Sclak  goes  for  more of  a  harsh  noise  direction  while  also  keeping  around  the  ambient  and  drone  elements  to  create  something different  from  previous  recordings  and  the  production  sounds  very  dark.

  In  my  opinion  this  is  another  great  sounding  album  from  Scalk  and  if  you  are  a  fan  of  ambient and  harsh  noise,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "V#2"  "V#7"  "V#11" and  "V#14".  8  out of  10.

  https://scalk.bandcamp.com/album/olcs-vall-s

Scalk/Serpere/2017 Full Length Review


  This  is  the  5th  review  of  a  recording  from  Scalk  which  continues  the  experimental,  ambient,  drone,  noise  and  soundscape  mixture  of  previous  releases and  the  album is  called  "Serpere"  and  was  self  released  in  2017.

  A  few  seconds  of  silence  starts  off  the  album  before  adding  in  soundscapes  and  elements  of  drone  along  with  some  field recordings  and  the  music  also  gets  more  experimental  as  the  album  progresses  and  all  of  the  tracks  are  very  long  and  epic  in  length  and  after  awhile  elements  of  noise  start  to  make  their  presence  known  and  all  of  the  songs  sound  different  from  each  other  along  with  some  touches  of  ambient  and  industrial  but  always  remaining  instrumental  and  the  closing  track  brings  in  more  of  an  avant  garde  atmosphere.

  On  this  recording  Scalk  gets  a  lot  more  experimental  but  also  keeping  the  ambient,  drone  and  noise  elements  as  well  as  keeping  everything  in  an  instrumental  direction  and  the  production  sounds  very  dark.

  In  my  opinion  this  is  another  great  sounding  recording  from  Scalk  and  if  you  are  a  fan  of  experimental,  ambient,  drone,  noise  and  soundscape,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Voss"  and  "Secchio  Amaro".  8 out  of  10.

https://scalk.bandcamp.com/album/serpere    

Scalk/Antimateria/2017 Single Review


  This  is  the  4th  review  of  a  recording  from  Scalk  which  also  mixes  experimental,  ambient,  drone  and  noise  together  and  the  single  was  self  released  in  2017  and  called  "Antimateria".

  A  few  seconds  of  silence  starts  off  the  song  which  is  also  20  minutes  in  length  before  adding  in  some  drones  and  soundscapes  into  the  music  and  after  awhile  field  recordings  are  also  added  into  the  track  and  all  of  the  music  is  instrumental  along  with  some  touches  of  ambient  and  noise.

  Scalk creates  a  20  minute instrumental  track  that  mixes  in  exeperimental,  ambient,  drone  and  noise  to  create  a  song  that  is  very  avant  garde  and  ritualistic  and  the  production  sounds  very  dark.

  In  my  opinion  this  is  another  great  sounding  track from  Scalk  and  if  you  are  a  fan  of  experimental,  ambient,  drone  and  noise,  you  should  check  out  this  track.  8  out  of  10.

https://scalk.bandcamp.com/album/antimat-ria

Scalk/Alomorfia/2016 Full Length Review


  This  is  the  third  review  of  a  recording  from  Scalk  which  continues  the  experimental,  ambient,  drone  and  noise  mixture  of  previous  releases  and  the  album  was  self  released  in  2016  and  called  "Alomorfia".

  Field  recordings  start  off  the  album  along  with  some  soundscapes  making  their  presence  known  a  few  seconds  later  and  most  of  the  tracks  are  very  long  and  epic  in  length  and  after  awhile  elements  of  noise  are  added  onto  the  recording  while  the  drones  are  done  in  a  very  distorted fashion  and  the  music  also  incorporates  a  lot  of  elements  of  dark  ambient  along  with  some  touches  of noise  while  also keeping  everything  instrumental.

  On  this  recording  Scalk  remains  true  to  the  experimental,  drone,  ambient  and  noise  mixture  of  previous  releases  and  also  continues  to  the  instrumental  approach  and  the  production  sounds  very  dark.

  In  my  opinion  this  is  another  great  sounding  recording  from  Scalk  and  if  you  are  a  fan  ox  experimental,  ambient,  drone  and  noise,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Alva"  and "Homuncalo".  8  out  of  10.

  https://scalk.bandcamp.com/album/alomorfia

    

Scalk/Quanta/2016 EP Review


  This  is  a  review  of  another  recording  from  Scalk  which  is  also  in  the  mixture  of  experimental,  ambient,  drone  and  noise  mixture  and  the  ep  was  self  released  in  2017 and  called "Quanta".

  Field  recordings  along  with  some  soundscapes  start  off  the  ep  and  after  awhile  distorted  drones  are  added  onto  the  recording  along  with  both  of  the  tracks  being  very  long  and  epic  in  length  and  after  awhile  elements  of  experimental  and  ambient  are  added  into  the  music  while  also  keeping  everything  instrumental.

  Scalk  creates  another  recording  that  remains  true  to  his  instrumental  mixture  of  experimental,  ambient,  drone  and  noise  from  his  previous  release  and  the  production  sounds  very  dark.

  In  my  opinion  this  is  another  great  sounding  recording  from  Scalk  and  if  you  are  a  fan  of  experimental,  ambient,  drone  and  noise,  you  should  check  out  this ep.  RECOMMENDED  TRACK  "Ex  Nihilo,  Nihil  Fit".  8  out  of  10.

  https://scalk.bandcamp.com/album/quanta 

Scalk/Accusator/2016 Full Length Review


  Scalk  are  a  solo  project  from  Portugal  that  plays  a  mixture  of  experimental,  ambient,  drone,  noise  and  soundscape  and  this  is  a  review  of  his  self  released  2016  album  "Accusator".

  Atmospheric  soundscapes  start  off  the  album  along  with  some  drones  a  few  seconds  later while  all  of  the  tracks  are  instrumental  and  very  long  and  epic  in  length  and  after  awhile  elements  of  ambient  are added  onto  the  recording  and  as  the  album  progresses  elements  of  noise  are  added into  the  music  and  at  times  the  music  gets very  avant  garde  and  experimental  sounding  and  stringed  instruments  can  also  be  heard  briefly  ona  couple  of  tracks which  also  gives  the  music  more  diversity.

  Scalk creates  a  recording  that  mixes  experimental,  ambient,  drone,  noise  and  soundscape  to  create  a  sound  of  his  own  while  also  keeping  everything  instrumental  and  the  production  sounds  very  dark.

  In  my  opinion  Scalk  are  a  very great  sounding  mixture  of  experimental,  ambient,  drone,  noise  and  soundscape  and  if  you  are  a  fan  of those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Ultima  Ratio"  and  "Temple  Ezer".  8  out  of  10.

  https://scalk.bandcamp.com/album/accusator