Sunday, September 14, 2014

Poisoned By Life Interview


1.For those that have never heard of you before, can you tell us a little bit about the band?
1. Hello, I'm Vincent, guitarist and songwriter for Poisoned By Life, which is a doom metal trio from Syracuse, New York. It's a small and poor city, and it's usually hard to find people with the same musical ideas as you. This is the first fleshed out project any of us have been a part of, so we made sure to take our time and not sound like amateurs. We didn't want any unacceptable or inappropriate work on our debut, so we made an album that we would be pleased with first and foremost.

2.Recently you have released your first album, how would you describe the musical sound that is presented on the recording?
2. The album is a slightly evolved form of traditional doom. There's a clear aim to smoke radar on everyone's metal gauges, but at the same time, having engaging musical developments and atmosphere were also really important. I wanted to incorporate a couple things you don't hear enough of in metal like clean tones and some whispering. I think it's music designed to latch onto metalheads universally more than anything else though.

3.What are some of the lyrical topics and subjects the band explores with the music?
3. Many dark things, fear especially. I'm currently not a theist, but I remember being a kid and being awed by concepts such as God and the afterlife. I remember the anxiety of not being in control of your own destiny. There's a certain atmosphere you can tap into when you dwell on the unknown, the future, and the untold, especially when you consider the future could consist of suffering, torment, or bleak emptiness.

4.What is the meaning and inspiration behind the name 'Poisoned By Life'?
4. I don't remember the initial moment coming up with it, but the name Poisoned By Life was thought of around a time when a lot of people I knew were either depressed or drinking themselves into depression. I have a friend who's father commit suicide in his childhood, and being told that made me think about the subject for a while. At some point I connected everything and realized that negative approaches people can have usually end up perpetuating their own depression, so much so that people will sacrifice their relationships, their ambitions, and ultimately their lives just because of this spiraling habitual process. It was then that I wrote the lyric: "it wasn't lust or alcohol, you were poisoned by life". I thought the term Poisoned By Life fit so well as a doom band name, so it stuck. It also resonates that unsteadiness that comes with knowing about your own mortality.

5.What are some of the best shows that the band has played so far and also how would you describe your stage performance?
5. Poisoned By Life does not currently perform live.

6.Do you have any touring or show plans for the future?
6. I expect to one day play shows long into the future. We are all students with busy schedules, and I don't foresee it happening until school is finished for good. By that time though, we may have all gone on our separate ways, so it is likely that the other two members -Sarah and Glendon- will not be a part of the recording process for the next album, and that a live Poisoned By Life would consist of mostly new people.

7.Currently you are unsigned, are you looking for a label or have received any interest?
7. We are unsigned. I talked to some guy with his own doom/drone/noise label who wanted to do another 50 copies of the album, and the deal was to just let him sell half and give the other half to me, which I was actually okay with, but I just stopped talking to him for some reason. I'm satisfied with the results of my own presses so I'm not looking to do much else.

8.On a worldwide level how has the feedback been to your music by fans of doom metal that have heard it so far?
8. Immensely positive. I've shipped copies internationally and to the west coast. The name of the band isn't very big, but the personal addresses to me from fans about the quality of the music mean so much. Considering zero promotion or live performing has been done, I'd say the impact of the music alone is impressive.

9.Are any of the band members involved with any other musical projects?
9. None are, except for me. I finished recording instrumentals for a solo grindcore project called Psychological Regurgitation, which will feature either numerous guest vocalists or another member as a single vocalist. I expect to have everything done by next year, with a release probably early in January. I also have a technical thrash demo under the name Bulletface.

10.Where do you see the band heading into musically during the future?
10. Poisoned By Life will remain doom metal. When we release more music, I expect it to be different though. I can anticipate at least a few segments of heavy doom riffing, but I want it to be more creative and detached from the genre norms.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
11. Serpentcult and Valborg provided very unique inspirations because of their distinct styles, but more well known names like Reverend Bizarre, Warning, Pallbearer and even Electric Wizard made me focus more on traditional doom as a template. I think Celtic Frost's Monotheist deserves a mention, because as a kid it was my favorite album. Along with that, I love the late 90's era Candlemass, which doesn't get nearly enough attention.

My diet today is much lighter. It's all either very jolly alt rock, or very eerie alt rock. You know, stuff ranging from Dino Jr, Mandate of Heaven, and Screaming Females on one side of the spectrum, to Sparklehorse, Dax Riggs, Blood Sun Circle, etc. on the other.

12.What are some of your non musical interests?
12. I exercise often, and I read a lot about history. Sarah writes for the school's newspaper. Glen is the weird art friend.


13.Before we wrap up this interview, do you have any final words or thoughts?
13. Thanks to all our killer fans! I hope to see much more in the future between us!

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Wednesday, September 10, 2014

Pornostroika Dadaifi/Weimar Helldisco/2014 Full Length Review

 
   Pornostroika Dadaifi  are  a  band  from  Greece  that  plays  a  mixture  of  industrial,  metal,  hardcore  and  cyber  punk  and  this  is  a  review  of  their  self  released  2014  album  "Weimar  Helldisco".

  Military  style  marching  music  starts  off  the  album  along  with  a  more  modern  atmosphere  which  leads  up  to  epic  sounding  synths  and  spoken  word  parts  being  added  onto  the  recording  and  after  a  couple  of  minutes  distorted  yet  melodic  guitars  are  added  into  the  music  and  on  the  second  track  industrial  starts  becoming  more  of  a  part  of  the  bands  musical  style.

  The  music  on  the  recording  is  very  experimental  and  the  industrial  elements  are  the  main  focus  of  the  bands  musical  style  and  at  times  you  can  hear  small  amounts  of  melodic  singing  in  certain  sections  of  the  recording  and  on  the  title  track  elements  of  metal  are  finally  added  into  the  music  along  with  one  of  the tracks  bringing  in  a  black  metal  scream  and  towards  the  end  you  can  hear  some  neo  classical  influenced  synths  being  used  on  one  of  the  songs.

  Pornostroika Dadaifi  creates  a  very  militant  approach  to  industrial/cyber  punk  as  will  as  adding  in  some  metal  influences  to  create  a  very  original  song,  the  production  has  a  very  dark  sound  to  it  while  the  lyrics  are  written  in  Greek  and  cover  Dadaism,  Science  Fiction  and  Class  War  themes.

  In  my  opinion  Pornostroika Dadaifi  are  a  very  great  sounding  mixture  of  industrial,  cyber  punk,  hardcore  and  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band  and  the  album  is  available  for  free  download.  RECOMMENDED  TRACKS  INCLUDE  "Weimar  Helldisco"  "Der  Marsch  Ins  Drittle  Reich"  and  "March  In  Line".  8  out  of  10.

https://www.mediafire.com/?r79fhnh09hq349k

https://drive.google.com/file/d/0B1g_LyDQQ3r-S0ZqeHF6MDBBV28/edit?usp=sharing  
     

Saturday, September 6, 2014

Abysmal Growls Of Despair/Lovecraftian Drone/2014 Full Length Review


  France's  Abysmal  Growls  Of  Despair  returns  with  a  new  album which  shows  him  mixing  funeral  doom  metal  with  drone  and  this  is  a  review  of  his  self  titled 2014  album  "Lovecraftian  Drone".

  A  very  dark  and  distorted  sound  starts  off  the  album  along  with  some  drones  and  noises  and  after  a  couple  of  minutes  doom  metal  style  guitars  are  added  into  the  music  utilizing  mostly  open  notes  along  with  a  few  chords,  after  6  minutes  vocals  finally  find  their  way  into  the  music  and  they  are  mostly  done  in  a  growling  style.

  All  6  of  the  tracks  are  very  long  and  epic  in  length  and  the  drones  have  a  very  dominant  sound  throughout  the  recording  as  well  as  making  the  music  have  more  of  an  experimental  approach  as  well  as  bring  very  atmospheric  at  times  and  the  album  also  remains  true  to  a  slower  musical  direction  throughout  all  of  the  tracks  and  after  awhile  the  music  starts  having  more  of  a  ritualistic  and  occult  feeling  being  evoked  in  certain sections  of  the  recording  and  at  time s the  vocals  also  have  some  screams  that  are  close  to  black  metal.

  Abysmal  Growls  Of  Despair   create  a  very  slow  and  dark  sound  that  is  closer  to  drone  on  this  recording  while  also  having  the  heaviness  and  riffing  of  funeral  doom  metal  and  all  of  the  songs  have  a  very  evil  and  ritualistic  atmosphere,  the  production  sounds  very  dark  while  the  lyrics  are  based  mostly  on  the  writings  of  H.P  Lovecraft.

  In  my  opinion  this  is  another  great  sounding  recording  from  Abysmal  Growls  Of  Despair  and  if  you  are  a  fan  of  drone  and  funeral  doom  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "The  Great  Old  Ones"  and  "Yog  Sothoth".  8  out  of  10.

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Thursday, September 4, 2014

Poisoned By Life/The End/2014 CD Review


  Poisoned  By  Life  are  a  band  from  New  York  that  plays  a  mixture of  epic  and  funeral doom  metal  and  this  is  a  review  of  their  self  released  2014  album  "The  End".

  A  very  dark  and  melodic  doom  metal  sound  starts  off  the  album  and  after  a  few  minutes  melodic  vocals  are  added  into  the  music  and  they  bring  in  80's  epic  doom  metal  feeling  to  the  recording   and  you  can  also  hear  a  great  amount  of  melody  being  utilized  in  the  guitar  riffing  and  the  solos  and  leads  that  are  used  have  a  very  heavy  Dio  era  Black  Sabbath  influence  to  them.

  Most  of  the  tracks  are  very  long  and  epic  in  length  and  on  the  second  track  the  music  starts  out with  the  bass  guitar  being  in  the  background  along  with  a  brief  psychedelic  sound  before  making  a  return  back  to  a  heaver  musical  direction  and  you  can  also  hear  a  good  amount  of  70's  doom  in  the  music  while  the  heaviness  is  closer  to  the  doom/death  and  funeral  doom  genres.

  After  awhile  clean  playing  can  be  heard  in  certain  sections  of  the  recording  along  with  a  brief  instrumental  before  returning  back  to  a  very  heavy  direction  on  the  following  song  which  also  sees  the  band  mixing  in  a  small  amount  of  the  clean  parts  with  a  a  skull crushing  doom  metal  sound  and  you  can  hear  a  small  amount  of  evil  vocals  and  whispers  being  utilized  in  the  background  while  most  of  the  song  is  more  of  a  heavier  instrumental  and  there  are  some  chants  towards  the  end  of  the  track,  and  on  the  last  song  the  melodic  vocals  make  a  return  to  the  music  an d the  whispers  that  are  utilized  briefly  bring  almost  a  black  metal  feeling  to  the  bands  musical  sound  and  the  album  closes  with  a  70's  style  organ.

  Poisoned  By  Life  plays  a  style  of  doom  metal  that  is  mostly  rooted  in  the  70's  and  80's  era  of  this  genre  while  they  also  make  their  music  sound  more  modern  by  adding  in  elements  of  doom/death  and  funeral  doom  in  the  guitar  riffing  which  also  gives  this  album  more  of  a  heavy  sound,  the  production  sounds  very  powerful  for  being  a  self  released  recording  while  the  lyrics  cover  darkness,  dying  and  gloomy  themes.

  In  my  opinion  Poisoned  By  Life  are  a  very  great  sounding  doom  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Burning"  and  "For  A  Dying  Man".  8  out  of  10.    

http://poisonedbylife.bandcamp.com 

Wednesday, September 3, 2014

Planning For Burial/Liar in Wait/Broken Limbs Recordings/2014 Split 7 Inch Review


  This  is  a  review  of  a  split  between  New  Jersey's  Planning  For  Burial  and  Illinois's  Liar  In  Wait  which  was  released  by  Broken  Limb  Records  in  2014  and  we  will  start  off  the  review  with  Planning  For  Burial  a  band  that  plays  a  mixture  of  slowcore,  post  rock  and  shoegaze  with  elements  of  black  and  doom  metal.

  A  very  dark,  distorted  and  heavy  post  metal  sound  starts  off  their  side  of  the  split  along  with  a  small  amount  of  clean  playing  being  utilized  in  the  background  and  a  few  minutes  later  melodic  gothic  rock  vocals  are  added  into  the  music  and  after  a  few  minutes  more  reverb  and   a  guitar  lead  are  added  into  the  music  and  the  production  sounds  very  dark  with  the  lyrics  covering  gloomy  themes.

  Next  up  is  Liar  In  Wait  a  band  that  contains  members  of  Nachtmystium,  and  Wolvhammer  and  plays  a  mixture  of  gothic,  dark  wave  and  post  punk.

  A  powerful  sounding bass  guitar  starts  off  their  sound  before  going  into  more  of  an  80's  style  dark  wave/gothic  rock  direction  along  with  some  melodic  vocals  and  a  few  seconds  later  post  rock  style  guitar  leads  are  added  into  the  music  and  the  production  gives  the  music  more  of  an  old  school  feeling  while  the  lyrics  cover  dark  themes  and  you  can  also  hear  a  touch  of  ambient  in  the  track    

  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  I  would  recommend  it  to  all  fans  of  goth,  post  rock  and  shoegaze.  8  out  of  10.


PLANNING FOR BURIAL:
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LIAR IN WAIT:
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Tuesday, September 2, 2014

Thanks For Your Pain/Anywhere Is Everytime/Metal Scrap Records/2014 CD Review


  Thanks  For  The  Pain  are  a  band  from  Ukraine  that  plays  a  very  melodic  form  of  deathcore  and  this  is  a  review  of  their  2014  album  "Anywhere  Is  Everytime"  which  was  released  by  Metal  Scrap  Records.

  Electronic  music  sounds  start  off  the  album  before  adding  in  a  more  heavy  and  melodic  sound  along  with  some  clean  singing  vocals  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  the  solos  and  leads  the  band  uses  continue  the  melodic  tradition  of  the  bands  musical  style.

  There  is  a  good  mixture  of  both  clean  and  heavy  parts  throughout  the  recording  and  after  awhile  the  band  starts  bringing  in  a  good  mixture  of  slow,  mid  paced  and  fast  parts  and  after  awhile  acoustic  guitars  can  be  heard  in  certain  sections  of  the  recording   along  with  a  few  power  ballads  being  utilized  at  times.

  While  all  the  vocals  are  in  a  clean  singing  direction  you  can  hear  some  black  metal,  melodic  death  metal  and  deathcore  in  the  heavier  sections  of  their  musical  sound  and  on  some  of  the  later  tracks  electronic  music  elements  make  a  return  and  you  can  also  hear  traits  of  power  metal  and  mainstream  rock  in  their  musical  sound  and  they  also  bring  in  an  instrumental  before  making  a  return  to  vocal  tracks.

  Thanks  For  The  Pain  plays  a  very  melodic  form  of  rock  that  takes  the  catchy  parts  o  mainstream  rock  and  the  heaviness  of  black/death  metal  and  deathcore  to  create  their  own  sound,  the  production  sounds  very  professional  while  th e lyrics  cover  dark  themes.

  In  my  opinion  Thanks  For  your  Pain  are  a  very  decent  sounding  melodic  deathcore   band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Anywhere  Is  Everytime"  "Deja  Vu"  "I  Hate  You"  and  "Rise".  7/5  out  of  10.  

http://www.thanksforyourpain.com
http://vk.com/tfyp_official
http://www.reverbnation.com/thanksforyourpain 

Monday, September 1, 2014

Abysmal Growls Of Despair Interview


1.For those that have never heard of you before, can you tell us a little bit about the musical project?

Abysmal is a solo project of funeral/drone doom metal from France. With influences like illness, madness, sorrow and despair. No love theme.

2.In August you had released a new album how would you describe the musical sound that is presented on the recording and also how does it differ from your previous recordings?

In this album I wanted to do something more drone, with deeper sound. But always keep the ambient elements, viola, piano and clean guitars.

3.On the new album, you had a couple of classical pieces mixed in a couple of your songs, can you tell us a little bit more about the decision behind adding this elements into a couple of your songs?

Once I wander on youtube I found a video which mix a song of khanate and Ave Maria. I found this mix so interesting and decide to do same idea on my songs. So I choose tow of my favorites classical songs, Pie Jesu from the Requiem of Gabriel Fauré and Moonlight Sonata from Beethoven.

4.What are some of the lyrical topics and subjects you explore with your music?

I suffer from schizophrenia (since a long time) and my music is done to externalize my pain, hallucinations, and despair. I don't want to do lyrics about love and broken hearts.

5.What is the meaning and inspiration behind the name ;Abysmal Growls Of Despair'?

I've heard many critic about this name … But I've wanted to say in one name the despair and the use of deep natural growls.

6.With this project you do everything solo, do you have this helps makes your music sound a lot more creative?

My friend Ben from Modern Funeral Art helps me a lot to become better sound engineer for my records and mixing. And I think I'll ask his help on mastering my future works.

7.Le Crepuscule du Soir Productions and Satanath Records re going to be re-issuing  'Dark Days', can you tell us a little bit more about this release?

Unfortunately there is a problem with the man behind Le Crépuscule Du Soir Production. Satanath records and I have lost the contact with him. We don't know what happened to him. We hope all is ok and wait.
So for the moment there is no date for the release.

8.On a worldwide level how has the feedback been to your music by fans of funeral doom metal?

I'm not really known but I think and hope there are more and more people in the time who like my works. And I'm still hope to comment and point of view to do better music in the future.

9.Are you involved with any other musical projects?

Yes, I have a solo project of brutal death metal Ursus Horribilis, and with this one I do also dark folk. I have a solo project of dark ambient Caelum Natus Ex Mortuus with many inspiration and help from my friend Mike.
I'm the growl singer in Ancient Lament, a new project of funeral doom. All the music, ideas and lyrics are by a serbian friend, Borgion Kron from Meskalith. An album will soon be released.
And growl singer and FX with bass player Dymetrodrone Extinct, friend from croatia, band named Morimus Funereus. Dymetrodrone Extinct is involved in many solo project as Dymetrodrone.
And finally I'm bass player, and FX in a very particular project Deth Desbromb, with a french friend. Not on the net yet.

10.According to the fb page you have a new album called 'Lovecraftian Drone' that you are working on, what can we expect musically once the album is released?

In deed, and this new one is done. I search a label which can be interested. It's a heavy drone album, with some little ambient element added. All lyrics are inspired by Lovecraft and there are some quote from his book. The growls change compare to the other album. There are 6 songs for a total of 1h30.
For now you can listen it on my youtube channel. Soon on bandcamp.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Of course lots of funeral doom band. But also many genre of metal, in particular metal extreme. Lots of Neo folk, classical, dark ambient. And also blues, and jazz.
For the bands : Funeralium, Shape Of Despair, too many funeral/drone band, Sunn O))), Vàli, Empyrium, The Gathering, Ufomammut, Denez Prigent, Howard Shore, Sigur Ros, ...

12.What are some of your non musical interests?

Nature, books, writing, walks, middle age.

13.Before we wrap up this interview, do you have any final words or thoughts?

Thanks man for your interest, and all reader and listener.
And thanks my dear psychiatrist, haha ...

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