Saturday, May 11, 2019

Neraterrae/The Substance Of Perception/Cyclic Law/2019 CD Review


  Neraterrae  are  a  solo  project  from  Italy  that  has  been  featured  before  in  this  zine  and  plays  a  mixture  of  death  industrial,  power  electronics,  noise,  drone  and  dark  ambient  and  this  is  a  review  of  his  2019 album  "The  Substance  Of  Perception"  which  was  released  by  Cyclic  Law  and  consists  of  some  session  musicians  and  collaborations  between  some  very  well  known  artists  from  the  dark  ambient,  drone,  cinematic,  and  ritual music  scenes.

  Dark  ambient  style  synths  start  off  the  album  while  rain  sounds  can  also  be  heard  briefly  along  with  the  music  also  adding  in  a  great  amount  of  atmospheric  soundscapes.  Spoken  word  parts  can  also  be  heard  quite  a  bit  throughout  the  recording  and  a  lot  of  the  tracks  are  very  long  and  epic  in  length.

  Atmospheric  sounding  drones  can  also  be  heard  quite  a  bit  throughout  the  recording  while  one  track  also  introduces  throat  singing  into the  music  and  it  also  adds  in  more  of  a  ritualistic  atmosphere.  All  of  the  tracks  sound  very  different  from  each  other  and  as  the  album  progresses  power  electronics  are  also  added  into  some  parts  of  the music.

  At  times  the  music  gets  very  avant  garde  and  experimental  sounding  while  some  songs  also  add  in  some  touches  of  death  industrial  and  noise  without  getting  chaotic  or  brutal  sounding.  Some  of  the  session  members  on  the  recording  are  also  known  for  their  work  with  Phurpa,  Treha  Sektori,  New  Risen  Throne, Flowers  For  Bodysnatchers,  Taphephobia,  Ugasanie,  Xerves  The  Dark  and  Infinexhuma  and  the  production  sounds  very  dark.

  In  my  opinion  this  is  another  great  sounding  album  from  Neratarrae  and  you  are  a  fan  of  death  industrial,  noise,  drone,  power  electronics  and  dark  ambient,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Shadows  Of  Regret"  "The  Wicked  Pulse  Of  Conscience "  and  "Echoing  Scars".  8  out  of  10.

VIEW ON CYCLICLAW or VIEW ON BANDCAMP      

Friday, May 10, 2019

Kollaps/Mechanical Christ/Cold Spring Records/2019 CD Review


  Kollaps  are  a  band  from  Australia  that  has  been  featured  before  in  this  zine  and  on  this recording  plays  a  mixture  of  post  industrial  and  primitive  noise  and  this  is  a  review  of  their  2019  album  "Mechanical  Christ"  which  was  released  by  Cold  Spring  Records.

  Industrial  style  soundscapes  start  off  the  album  along  with  some  power  electronics  and  harsh  noises  a  few  seconds  later.  Spoken  word  parts  can  also  be  heard  in  some  parts  of  the  recording  while  the  music  also  utilizes  a  great  amount  of  percussion  beats  and  some  of  the  tracks  are  very  long  and  epic  in  length.

  Aggressive  industrial  vocals  are  also  a  very  huge  part  of  the  recording  along  with  the  music  also  mixing  in  a  great  amount  of  no  wave  elements.  Some  tracks  also  add  in  some  bass  and  electric  guitars  as  well  as  most  of  the  tracks  sounding  very  different  from  each  other  and  as  the  album  progresses  elements  of noise  rock  can  also  be  heard,  acoustic  guitars  and  clean  vocals  are  also  added  onto  the  closing  track.

  On  this  recording  Kollaps  remains  true  to  their  mixture  of  post  industrial,  harsh  noise  and  no  wave  from  their  previous  release.  The  production  sounds  very  dark  while  the  lyrics  cover  desperation  and  the  lack  of  resolve  that  is  both  the  crux  of  modern  social  ills  and  at  the  very  heart  of  the  human  condition.

  In  my  opinion  this  is  another  great  sounding  recording  from  Kollaps  are  if  you  are  a  fan  of  post  industrial,  harsh  noise  and  no  wave,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Crucify"  "Blood  Premonitions"  and  "Love  Is  A  War".  8  out  of  10.

https://kollaps-noise.bandcamp.com 

    

Folian/Ache Pillars/Apneic Void Sounds/2019 CD Review


  Folian  are  a  solo  project  from  Portland,  Oregon  that  plays  a  mixture  of  experimental,  drone,  shoegaze,  metal  and  noise  and  this  is  a  review  of  his  2019  album  "Ache  Pillars"  which  was  released  by  Apneic  Void  Sounds.

  Harps  start  off  the  album  and  also  gives  the  music  more  of  an  experimental  and  avant  garde  feeling  and  after  awhile  atmospheric  soundscapes  and  clean  guitars  are  added  onto  the  recording.  Melodic  vocals  are  also  a  very  huge  part  of  the  recording  and  the  music  also  adds  in  a  great  amount  of  drones.

  Programmed  beats  are  also  a  very  huge  part  of  the  recording  while  the  music  also  mixes  in  a  great  amount  of  shoegaze  elements.  When  heavy  riffs  are  utilized  they  bring  in  an  influence  of  metal  into  the  music  as  well  as  some  blast  beats  being  utilized  when  the  drum  beats  speed  up.

  Harsh  noises  and  aggressive  vocals  can  also  be  heard  in  some  of  the  song  structures  bringing  in  some  chaos  mixed  in  with  more  of  a  clean  style.  All  of  the  tracks  sound  very  different  from  each  and  the  closing  track  is  very  long  and  epic  in  length  and  also  introduces  a  touch  of  psychedelia  and  melodic  guitar  leads  onto the  recording.  The  production  sounds  very  dark  while  the  lyrics  cover  dreams,  depression,  love,  fear,  and  nature  themes.

  In  my  opinion  Folian  is  a  very  great  sounding  mixture  of  experimental,  drone,  shoegaze,  metal  and  noise  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Ghost  In  The  Flesh"  and  "Where  All  This  Dust  Comes  From".  8  out  of  10.

https://apneicvoid.bandcamp.com/album/ache-pillars 
https://folian.bandcamp.com/album/ache-pillars  

Trepaneringsritualen/Nordvargr/Konung Kront i Blod/Salve Teragmom/Cyclic Law/2019 SPlit EP Review


  This  is  a  review  of  a  split  ep  between  Sweden's  Trepaneringsritualen  and  Nordvargr  called  "Konung  Kront  i  Blood/Salve  Teragmom"  which  was  released  by  Cyclic  Law  and  we  will  start  off  the  review  with  Nordvargr  a  solo  project  that  has  had  music  reviewed  before  in  this  zine  and  plays  a  mixture  of  industrial  and  dark  ambient  and  his  take  on a  Trepaneringsritualen  song.

  His  side  of  the  split  starts  out  with  some  field  recordings,  harsh  noises  and  percussion  instruments  which  makes  the  music  sound  more  ritualistic  while  also  adding  in  some  power  electronics  and  an  aggressive  style  of  industrial  vocals  and  towards  the  end  a  small  amount  of  bass  can  also  be  heard. The  production  sounds  very  dark  while  the  lyrics  are  written  in  Swedish  and  cover  dark  themes.

  In  my  opinion  this  is  another  great  sounding  track  from  Nordvargr  and  if  you  are  a  fan  of  ambient  and  death  industrial,  you  should  check  out  his  side  of  the  split.

  Next  up  is  Trepaneringsritulen  a  solo  project  that  has  been  featured  before  in  this  zine  and  plays  a  ritualistic  form  of  death  industrial  and  his  take  on  a  Nordvargr  song.

  His  side  of  the  split  starts  out  with  some  programmed  beats  and  demonic  vocals  while  a  powerful  sounding  bass  guitar  can  also  be  heard  as  well  as  some  growls  that  add  in  a  touch  of  death  metal  and  industrial as  well  as  some  harsh  noises  and  power  electronic  being  utilized  as  the  track  progresses.  The  production  sounds  very  dark  while  the  lyrics  are  written  in  Swedish  and  cover  dark  themes.

  In  my  opinion  this  is  another  great  sounding  track  from  Trepaneringsritualen  and  if  you  are  a  fan  of  death  industrial,  you  should  check  out  this  side  of  the  split.

  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  I  would  recommend  it  to  all  fans  of  ambient,  noise  and  death  industrial,  8  out  of  10.

VIEW ON CYCLICLAW or VIEW ON BANDCAMP

    

Walking Bombs/Gridfailure/Suicide By Citizenship/Nefarious Industries/2019 Collaboration Album Review


  New  York's  Walking  Bombs  and  Grisfailure  team  to  create  a  recording  that  mixes  noise,  experimental,  industrial  and  punk  together  and  this  is  a  review  of t heir  2019  album  "Suicide  by  Citizenship"  which  was  released  by  Nefarious  Industries.

  Dark  industrial  sounds  start  off  the  album  along  with  some  power  sounding  bass  guitars  a  few  seconds  later.  Vocals  also  add  in  a  good  mixture  of  clean  vocals  and  death  metal  growls  while  the  music  also  mixes  in  programmed  beats  and  harsh  noises  into  some  parts  of the  recording.

  Spoken  word  parts  are  also  brought  on  some  of  the  tracks  while  a  later  song  also introduces  female  vocals  onto  the  recording  as  well  as  some  guitar  noises  also  being  added  into  certain  sections  of  the  album  and  at  times  the  music  also  brings  in  the  use  of  a  real  drum  kit,

  All  of  the  songs  sound  very  different  from  each  other  while  the  music  also  mixes  in  a  great  amount  of  avant  garde  and  experimental  elements  as  well  as  some  touches  of  punk  and  some  of  the  tracks  are  very  long  and  epic  in  length,  as  the  album  progresses  a  brief  use  of  acoustic  guitars  can  also  be  heard  and  guitar  leads  and  screams  are  also  added  onto  the  closing  track.  The  production sounds  very  dark  while  the  lyrics  cover the  people's  faith  in  the  American  being  destroyed,  ground  up  and  spitted  on  by  gerrymandering,  self  important  Christo-fascists  and  unchecked  capital  greed. 

  In  my  opinion  this  is  a  very  great  sounding  collaboration  between  Walking  Bombs  and  Gridfailure  and  if   you  are  a  fan  of  noise,  experimental,  industrial  and  punk,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Blood  Offering  Distraction"  "Now  We  Know  Who  You  Are"  and  "Bleeding  Out".  8  out  of  10.

http://www.gridfailure.bandcamp.com



  

Thursday, May 9, 2019

Hold Me Down/Self Titled/Sentient Ruin Laboratories/2019 Demo Review


  Hold  Me  Down  are  a  band  from  Virginia  that  plays  a  mixture  of  harsh  noise,  power  electronics  and  post  industrial  with  some  touches  of  black  and  industrial  metal  and  this  is  a  review  of  their  self  titled  2019  demo  which  was  released  by  Sentient  Ruin  Laboratories.

  loud  power  electronics  start  off  the  demo  along  with  some  elements  of  post  industrial  and  programmed  beats  a  few  seconds  later.  Harsh  noises  can  also  be  heard  quite  a  bit  throughout  the  recording  and  after  the  intro  heavy  guitars  start  making  their  presence  known  on  the  recording.

  Elements  of  early  90's  era  industrial  metal  can  also  be  heard  in  the  heavier  sections  of  the  demo  along  with  some  spoken  word  samples  also  be  added  into  certain  sections  of  the  recording.  High  pitched  black  metal  screams  can  also  be  heard  briefly  and  some  tracks  are  more  rooted  in  industrial  and  noise  than  metal.

  Hold  Me  Down  plays  a  musical  style  that  takes  power  electronics,  harsh  noise,  post  industrial,  black  and  industrial  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  dark  while  the  lyrics  cover  dystopian  themes.

  In  my  opinion  Hold  Me  Down  are  a  very  great  sounding  mixture  of  harsh  noise,  power  electronics  and  post  industrial  with  some  elements  of  black  and  industrial  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Strapped"  and  "Holy  Failure".  8  out  of  10.

BANDCAMP PREORDER     

Monday, March 25, 2019

Drontheim Interview

 1.For those that have never heard of you before, can you tell us a
little bit about the band?
Rune: We are Drontheim from Trondheim, Norway! We are a 6 piece
conceptual bandproject consisting of comrades and partners in crème from
other musical endeavors. We play a dark, melancholic- mixture of many
genres, but rooted in the industrial,cinematic metal landscape.
viNd: Drontheim is a strictly non-political output with no collective
agenda on any level except the artistic. Thematically it is rooted in a
strong interest in the second world war in general, and more
specifically the events, people and life as it were in Trondheim, Norway
in the early 1940'ies, and also the German vision for Neu Drontheim -
New Trondheim - the new capital for the Germanized Scandinavia.
Lyrically it can be considered part documental and part fiction, but as
a whole it is focused on the dark and dystopian union of audible,
lyrical and visual expressions that enables the artistic atmosphere
Drontheim seek to provide. Not easily defined by limiting genres, but at
times cinematic and atmospheric and at times distorted and strict; one
can find traces of industrial rock, metal and electronic music.

2.Recently you have released a new album, can you tell us a little bit
more about the musical style you went for on the album?
Rune: The album consists of a collection of tunes from the last 12-13
years. Something with Norwegian lyrics, pure studio-Jams,
improvisations, one instrumental, many soundscapes and a few tight
pieces on the harder side of the scale. It is a very varied album that
takes you on a roundtrip through moods, histories and sensations based
around our conceptual storytelling.
viNd: Well, 1st of all we could say that its heavily themed around a
naval WW2 concept. The title "down below" is a reference to submarine
naval warfare and the unmarked grave for many unlucky sailors during the
naval campaigns of WW2. Its like infernos and screams above, silence and
darkness down below. And on this album we dived into the ocean and got
pulled down below. I can also reveal that the next Drontheim album will
be "running into the infernos and screams above"...

3.The band has been around since 2006 but waited until this year to
release the first full length, can you tell us a little bit more about
the long wait?
Rune: All members of Drontheim are involved in other musical projects
and band settings, and the band has evolved slowly- finding new
directions and working methods along the way. We have never rushed
Drontheim, but had a steady production of finished tunes and ideas for
new material. As mentioned earlier- the tracks on the album are just a
collection of our material so far... There is, of course a lot of
patience needed within the band, for when members are busy elsewhere- we
need to keep the focus right, and just trust in the concept and hold a
steady course. But the patience has been worth it! We are happy with our
album "Down below " - and we hope to spend more time together presenting
our music.
viNd: It's about time, timing, not rushing and releasing something we
feel good about. It took us much longer time with down below than we
expected for many different reasons, but I think and hope we have
learned from that so the next one will run smoother in our music
factory.

4.Most of the band members have a background in black or extreme metal,
what was the decision behind going into the musical direction the band
went for on the recording?
viNd: Well, 1st of all I created Drontheim back in 2006 during a hiatus
in my other bands (Atrox and Manes). Back then I also started to watch a
lot of documentaries about the second world war and it inspired me to
write music. And its like when I write music I often feel where the
music belong, like what project this tune should be placed into;
sometimes its Atrox, others Manes. And after writing the 1st songs I
knew that this was not Atrox nor Manes, but something new. Thus a group
of comrades I knew were recruited to get the project off its feet and
Drontheim was established.

5.A lot of the lyrics deal with WWII, History and Dystopian themes, can
you tell us a little bit more about your interest in these topics?
viNd: I started to watch a lot of documentaries about the second world
war and it inspired me to write music. It just happened like; after
watching some WW2 stuff, I just had to write music. I was ful of stuff
from within, and after writing some songs I also think I (re)discovered
why, and that was due to my grandfathers. They were both in the war (on
the allies side), and I remember they used to tell me a lot of stories
about it (WW2) when I was a kid. The first time I got to hear the name
Drontheim was via my grandfathers when they were telling me about stuff
they experienced during the second world war here in Trondheim. They
also pointed me in the direction of the vision the Germans had for
creating «Neu Drontheim» (New Trondheim). So thats how I got interested
in the second world war history in the first place. And how I see it,
its like they made me start Drontheim and I´m grateful for that.
The alternative history, or what we call docu-fiction allows us to play
with the "what ifs" and parallel universes of a world at war. We dont
have to stay to the facts, and it also allows us to skip the use of
symbolism we dont want to be related to. Along with that we also get to
build our own universe inside a very well documented time period, and
also speculate in alternative after maths...

6.What is the meaning and inspiration behind the name 'Drontheim'?
viNd: Drontheim or «Neu Drontheim» (New Trondheim) was the vision the
Germans had for creating a new German metropolis in German-occupied
Norway, and it was planned to have a population of around
250,000–300,000 inhabitants. The building site of the city was located
15–20 km southwest of Trondheim. Because of the significant strategic
importance of the Trondheim Fjord to the German military, it was to be
constructed in conjunction with a major navy and military base that
would give Germany unprecedented maritime control over the North
Atlantic area. Hitler stated that the city was to become "a German
Singapore", and it eventually became one of his favorite architectural
projects. To organize and carry out the necessary planning for the new
project, Hitler appointed Albert Speer. The city was to house an
enormous art museum for the northern part of Germany′s empire,
containing "only works of German masters". An Autobahn was to be
constructed to Trondheim across the Little and Great Belts of Denmark
and further through southwest Sweden and Norway to connect the northern
outpost with Germany proper. The naval base itself was planned to
contain extensive shipyards, docks and U-Boat bases for the expected
post-war German navy that was to consist altogether of several hundred
submarines and dozens of super-battleships, as well as several aircraft
carriers. It would, in Hitler's words, render British Singapore "mere
child′s play" by comparison as a military stronghold.
In 1943, the first ground detonations were begun. To provide the
construction site with labor, a prisoner-of-war camp was built in
Øysand. A reserve landing strip for airplanes was also put in place.
Special maps were prepared for Hitler from which he studied the optimum
positions for the docks and accompanying structures. A metres-wide,
highly detailed miniature model was also built for him, which was
destroyed during an Allied bombardment in Berlin in 1945. During the war
itself, the port city was already turned into a major base for German
U-Boat submarines, Dora I.

7.Can you tell us a little bit more about the artwork that is presented
on the album cover?
viNd: As we told earlier the title "down below" is a reference to
submarine naval warfare and the unmarked grave for many unlucky sailors
during the naval campaigns of WW2. Infernos and screams above, silence
and darkness down below. The design of the album is based around this,
and several of the other songs and videos also plays around this theme.

8.What are some of the best shows that the band has played so far and
also how would you describe your stage performance?
viNd: I will have to say that the best show is yet to come! With
Drontheim we can scale the stage performance from stripped (acoustic) to
full frontal attack. This also goes for the production we do, with the
gear, gadgets we use and what we´ll do on stage.

9.Do you have any touring or show plans for the new album?
viNd: This is something we´re working on at the moment, but the dates
and cities are still not 100% set. We hope we can share some light on
this soon, as the band is ready for doing some great kick ass shows. So
I will just have to say; tune in on www.drontheim.no and stay informed
;)

10.On a worldwide level how has the reaction been to your album by fans
of metal or other genres of music
viNd: It is to early to say, but from what we have seen so far, the
feedback has been good. We are crossing our fingers for that more people
we check us out and join us down below...

11.What is going on with some of the other bands or musical projects
these days that some of the band members are a part of?
Rune: Both Manes and Atrox are creating new material, and planning some
live shows the coming year. Endapartoo (Runes sideproject) has just
finished an experimental album, and is currently planning publishing.
Snorre is working on a project called Helsinki Horizon, Eivind on Atrox,
Drontheim, EoP and Manes, and Steffen is working on THP (The Heisenberg
Project) - pre-producing material for an album that will be recorded
later this year.

12.Where do you see the band heading into musically during the future?
Rune: More of the same. More of everything that sounds good.
viNd: I already gave some hits about the next Drontheim album, so I
would have to say that the next album will have the sound and mood that
fits more with running into the infernos and screams that you´ll find
above the sea surface during wartime. I think we have 8 songs ready now,
and we hope hit the studio to record the new album sometime later this
year.

13.What are some of the bands or musical styles that have had an
influence on your music and also what are you listening to nowadays?
Rune: David Sylvian, Bowie, progressive bands, ambient soundscapes.
viNd: Documentary movies, soundscapes and for example BC, Black
Sabbath, Burzum, Ghost Brigade, Immortal, Katatonia, My Dying Bride,
Peeping Tom, Rammstein, Seigmen, Slagmaur just to mention some.

14.What are some of your non musical interests?
Rune: There are quite a diversity when it comes to our lives outside of
the musical box, and we use each others skills and knowledge within the
project. We have engineering people, visual artists, health workers,
sporty people, crazy people, fathers and family men- teachers and
inspirators, warehouse workers- and we like beer.

15.Before we wrap up this interview, do you have any final words or
thoughts?
viNd: I encourage you all to check out our new album - give it a spin
and join us down below! I'm pretty sure that if you are into industrial,
alternative  metal, post rock, cinematic and atmospheric music you will
enjoy down below.

http://www.drontheim.no/