Thursday, May 9, 2019

Hold Me Down/Self Titled/Sentient Ruin Laboratories/2019 Demo Review


  Hold  Me  Down  are  a  band  from  Virginia  that  plays  a  mixture  of  harsh  noise,  power  electronics  and  post  industrial  with  some  touches  of  black  and  industrial  metal  and  this  is  a  review  of  their  self  titled  2019  demo  which  was  released  by  Sentient  Ruin  Laboratories.

  loud  power  electronics  start  off  the  demo  along  with  some  elements  of  post  industrial  and  programmed  beats  a  few  seconds  later.  Harsh  noises  can  also  be  heard  quite  a  bit  throughout  the  recording  and  after  the  intro  heavy  guitars  start  making  their  presence  known  on  the  recording.

  Elements  of  early  90's  era  industrial  metal  can  also  be  heard  in  the  heavier  sections  of  the  demo  along  with  some  spoken  word  samples  also  be  added  into  certain  sections  of  the  recording.  High  pitched  black  metal  screams  can  also  be  heard  briefly  and  some  tracks  are  more  rooted  in  industrial  and  noise  than  metal.

  Hold  Me  Down  plays  a  musical  style  that  takes  power  electronics,  harsh  noise,  post  industrial,  black  and  industrial  metal  and  mixes  them  together  to  create  a  sound  of  their  own.  The  production  sounds  very  dark  while  the  lyrics  cover  dystopian  themes.

  In  my  opinion  Hold  Me  Down  are  a  very  great  sounding  mixture  of  harsh  noise,  power  electronics  and  post  industrial  with  some  elements  of  black  and  industrial  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Strapped"  and  "Holy  Failure".  8  out  of  10.

BANDCAMP PREORDER     

Monday, March 25, 2019

Drontheim Interview

 1.For those that have never heard of you before, can you tell us a
little bit about the band?
Rune: We are Drontheim from Trondheim, Norway! We are a 6 piece
conceptual bandproject consisting of comrades and partners in crème from
other musical endeavors. We play a dark, melancholic- mixture of many
genres, but rooted in the industrial,cinematic metal landscape.
viNd: Drontheim is a strictly non-political output with no collective
agenda on any level except the artistic. Thematically it is rooted in a
strong interest in the second world war in general, and more
specifically the events, people and life as it were in Trondheim, Norway
in the early 1940'ies, and also the German vision for Neu Drontheim -
New Trondheim - the new capital for the Germanized Scandinavia.
Lyrically it can be considered part documental and part fiction, but as
a whole it is focused on the dark and dystopian union of audible,
lyrical and visual expressions that enables the artistic atmosphere
Drontheim seek to provide. Not easily defined by limiting genres, but at
times cinematic and atmospheric and at times distorted and strict; one
can find traces of industrial rock, metal and electronic music.

2.Recently you have released a new album, can you tell us a little bit
more about the musical style you went for on the album?
Rune: The album consists of a collection of tunes from the last 12-13
years. Something with Norwegian lyrics, pure studio-Jams,
improvisations, one instrumental, many soundscapes and a few tight
pieces on the harder side of the scale. It is a very varied album that
takes you on a roundtrip through moods, histories and sensations based
around our conceptual storytelling.
viNd: Well, 1st of all we could say that its heavily themed around a
naval WW2 concept. The title "down below" is a reference to submarine
naval warfare and the unmarked grave for many unlucky sailors during the
naval campaigns of WW2. Its like infernos and screams above, silence and
darkness down below. And on this album we dived into the ocean and got
pulled down below. I can also reveal that the next Drontheim album will
be "running into the infernos and screams above"...

3.The band has been around since 2006 but waited until this year to
release the first full length, can you tell us a little bit more about
the long wait?
Rune: All members of Drontheim are involved in other musical projects
and band settings, and the band has evolved slowly- finding new
directions and working methods along the way. We have never rushed
Drontheim, but had a steady production of finished tunes and ideas for
new material. As mentioned earlier- the tracks on the album are just a
collection of our material so far... There is, of course a lot of
patience needed within the band, for when members are busy elsewhere- we
need to keep the focus right, and just trust in the concept and hold a
steady course. But the patience has been worth it! We are happy with our
album "Down below " - and we hope to spend more time together presenting
our music.
viNd: It's about time, timing, not rushing and releasing something we
feel good about. It took us much longer time with down below than we
expected for many different reasons, but I think and hope we have
learned from that so the next one will run smoother in our music
factory.

4.Most of the band members have a background in black or extreme metal,
what was the decision behind going into the musical direction the band
went for on the recording?
viNd: Well, 1st of all I created Drontheim back in 2006 during a hiatus
in my other bands (Atrox and Manes). Back then I also started to watch a
lot of documentaries about the second world war and it inspired me to
write music. And its like when I write music I often feel where the
music belong, like what project this tune should be placed into;
sometimes its Atrox, others Manes. And after writing the 1st songs I
knew that this was not Atrox nor Manes, but something new. Thus a group
of comrades I knew were recruited to get the project off its feet and
Drontheim was established.

5.A lot of the lyrics deal with WWII, History and Dystopian themes, can
you tell us a little bit more about your interest in these topics?
viNd: I started to watch a lot of documentaries about the second world
war and it inspired me to write music. It just happened like; after
watching some WW2 stuff, I just had to write music. I was ful of stuff
from within, and after writing some songs I also think I (re)discovered
why, and that was due to my grandfathers. They were both in the war (on
the allies side), and I remember they used to tell me a lot of stories
about it (WW2) when I was a kid. The first time I got to hear the name
Drontheim was via my grandfathers when they were telling me about stuff
they experienced during the second world war here in Trondheim. They
also pointed me in the direction of the vision the Germans had for
creating «Neu Drontheim» (New Trondheim). So thats how I got interested
in the second world war history in the first place. And how I see it,
its like they made me start Drontheim and I´m grateful for that.
The alternative history, or what we call docu-fiction allows us to play
with the "what ifs" and parallel universes of a world at war. We dont
have to stay to the facts, and it also allows us to skip the use of
symbolism we dont want to be related to. Along with that we also get to
build our own universe inside a very well documented time period, and
also speculate in alternative after maths...

6.What is the meaning and inspiration behind the name 'Drontheim'?
viNd: Drontheim or «Neu Drontheim» (New Trondheim) was the vision the
Germans had for creating a new German metropolis in German-occupied
Norway, and it was planned to have a population of around
250,000–300,000 inhabitants. The building site of the city was located
15–20 km southwest of Trondheim. Because of the significant strategic
importance of the Trondheim Fjord to the German military, it was to be
constructed in conjunction with a major navy and military base that
would give Germany unprecedented maritime control over the North
Atlantic area. Hitler stated that the city was to become "a German
Singapore", and it eventually became one of his favorite architectural
projects. To organize and carry out the necessary planning for the new
project, Hitler appointed Albert Speer. The city was to house an
enormous art museum for the northern part of Germany′s empire,
containing "only works of German masters". An Autobahn was to be
constructed to Trondheim across the Little and Great Belts of Denmark
and further through southwest Sweden and Norway to connect the northern
outpost with Germany proper. The naval base itself was planned to
contain extensive shipyards, docks and U-Boat bases for the expected
post-war German navy that was to consist altogether of several hundred
submarines and dozens of super-battleships, as well as several aircraft
carriers. It would, in Hitler's words, render British Singapore "mere
child′s play" by comparison as a military stronghold.
In 1943, the first ground detonations were begun. To provide the
construction site with labor, a prisoner-of-war camp was built in
Øysand. A reserve landing strip for airplanes was also put in place.
Special maps were prepared for Hitler from which he studied the optimum
positions for the docks and accompanying structures. A metres-wide,
highly detailed miniature model was also built for him, which was
destroyed during an Allied bombardment in Berlin in 1945. During the war
itself, the port city was already turned into a major base for German
U-Boat submarines, Dora I.

7.Can you tell us a little bit more about the artwork that is presented
on the album cover?
viNd: As we told earlier the title "down below" is a reference to
submarine naval warfare and the unmarked grave for many unlucky sailors
during the naval campaigns of WW2. Infernos and screams above, silence
and darkness down below. The design of the album is based around this,
and several of the other songs and videos also plays around this theme.

8.What are some of the best shows that the band has played so far and
also how would you describe your stage performance?
viNd: I will have to say that the best show is yet to come! With
Drontheim we can scale the stage performance from stripped (acoustic) to
full frontal attack. This also goes for the production we do, with the
gear, gadgets we use and what we´ll do on stage.

9.Do you have any touring or show plans for the new album?
viNd: This is something we´re working on at the moment, but the dates
and cities are still not 100% set. We hope we can share some light on
this soon, as the band is ready for doing some great kick ass shows. So
I will just have to say; tune in on www.drontheim.no and stay informed
;)

10.On a worldwide level how has the reaction been to your album by fans
of metal or other genres of music
viNd: It is to early to say, but from what we have seen so far, the
feedback has been good. We are crossing our fingers for that more people
we check us out and join us down below...

11.What is going on with some of the other bands or musical projects
these days that some of the band members are a part of?
Rune: Both Manes and Atrox are creating new material, and planning some
live shows the coming year. Endapartoo (Runes sideproject) has just
finished an experimental album, and is currently planning publishing.
Snorre is working on a project called Helsinki Horizon, Eivind on Atrox,
Drontheim, EoP and Manes, and Steffen is working on THP (The Heisenberg
Project) - pre-producing material for an album that will be recorded
later this year.

12.Where do you see the band heading into musically during the future?
Rune: More of the same. More of everything that sounds good.
viNd: I already gave some hits about the next Drontheim album, so I
would have to say that the next album will have the sound and mood that
fits more with running into the infernos and screams that you´ll find
above the sea surface during wartime. I think we have 8 songs ready now,
and we hope hit the studio to record the new album sometime later this
year.

13.What are some of the bands or musical styles that have had an
influence on your music and also what are you listening to nowadays?
Rune: David Sylvian, Bowie, progressive bands, ambient soundscapes.
viNd: Documentary movies, soundscapes and for example BC, Black
Sabbath, Burzum, Ghost Brigade, Immortal, Katatonia, My Dying Bride,
Peeping Tom, Rammstein, Seigmen, Slagmaur just to mention some.

14.What are some of your non musical interests?
Rune: There are quite a diversity when it comes to our lives outside of
the musical box, and we use each others skills and knowledge within the
project. We have engineering people, visual artists, health workers,
sporty people, crazy people, fathers and family men- teachers and
inspirators, warehouse workers- and we like beer.

15.Before we wrap up this interview, do you have any final words or
thoughts?
viNd: I encourage you all to check out our new album - give it a spin
and join us down below! I'm pretty sure that if you are into industrial,
alternative  metal, post rock, cinematic and atmospheric music you will
enjoy down below.

http://www.drontheim.no/




Sunday, February 17, 2019

Liles/Maniac/Darkening Ligne Claire/Archaeological Records/2019 CD Review


  This  album  shows  Andrew  Liles  of  Current  93,  Nurse  With  Wound  team  up  with  Maniac  of  Skitliv,  and  Mayhem  to  create  an  ambient  recording  that  is  a  narrative on the black metal genre  as w ell  as  being  an  essay  and  exhibition  about  Christophe  Lord-Of-The-Logos  Szpajdel  and  the  album  is  called  "Darkening  Ligne  Claire"  and  will  be  released  in  March  by  Archaeological  Records.

  Spoken  word  parts  start  off  every  track  naming  off  the  name  they  are  paying  a  tribute  to.  Music  wise  the  album  starts  out  in  a  very  avant  garde  direction  along  with  some  dark  ambient  soundscapes  while  most  of  the  tracks  are  very  long  and  epic  in  length.  At  times  the  music  also  gets  very  atmospheric  and  cinematic  sounding.

  Distorted  vocals  can  also  be  heard  in  some  parts  of  the  music  while  the  songs  also  incorporate  a  great  amount  of  synths.  On  the  second  track  elements  of  electronic  music  and  programmed  beats  are  added  onto  the  recording  along  with  some  touches  of  industrial  and  demonic  voices  can  also  be  heard  in  certain  sections  of  the  recording.

  All  of  the  tracks  sound  very  different  from  each  other  and  as  the  album  progresses  some  of  the  music  also  gets  more  ritualistic  sounding.Grim  black  metal  screams  can  also  be  heard  at  times.  The  production  sounds  very  dark  while  the  song  titles  are  each  name  after  a  black  metal  band  with  the  bands  being  mention  Emperor,  Enthroned,  Flagellum  Dei,  "Noctuary.  "Slaughter  Messiah,  Soulburn,  and  Wolves  In  The  Throne  Room.

  In  my  opinion  Liles?Maniac  are  a  very  great  sounding  dark  ambient  duo  and  if  you  are  a  fan  of  this  genre  or  black  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Emperor"  "Noctuary"  and  "Wolves In  The  Throne  Room".  8  out  of  10.

Andrew Liles: www.andrewliles.com/
Christophe Szpajdel: www.lordofthelogos.com/

   

Drontheim/Down Below/Wraith Productions/2019 CD Review


  Drontheim  are  a  band  from  Norway  that  consists  of  some  musicians  that  play  in  some  very  well  known  Norwegian  black  and  extreme  metal  bands  and  with  this  band  plays  a  mixture  of  industrial,  alternative  metal,  post rock,  cinematic  and  atmospheric  music  and  this  is  a  review  of  their  2019  album  "Down  Below"  which  will  be  released  on   February  22nd  by  Wraith  Productions.

  Dark  yet  melodic riffing  starts  off  the  album  along  with  some  drum  beats  while  the  clean  vocals  add  in  a  touch  of  goth  rock.  All  of  the  musical  instruments  on  the  recording  have  a  very  powerful  sound  to  them  as  well  as  the  music  also  adding  in  a  great  amount  of  metal  elements  and  some  of  the  tracks  are  long  and  epic  in  length.

  At  times  the  music  also  gets  very  atmospheric  sounding  while  clean  guitars  are  also  used  quite  a  bit  throughout  the  recording  and  also  adds  in  elements  of  post  rock.  Some  of  the  tracks  also  add  in  a  small  amount  of  keyboards  as  well  as the songs  also  mixing  in  influences  of  alternative  rock.

  Most  of  the  tracks  sounds  very  different  from  each  other  along  with  some  spoken  word  parts  also  being  added  into  certain  sections  of  the  recording  while  an  instrumental  is  also  added  onto  the  recording  as  the  album  progresses.  The  production  sounds  very  professional  while  the  lyrics  cover  an  alternate  reality  regarding  World  War  II.

  In  my  opinion  Drontheim  are  a  very  great  sounding  mixture  of  industrial,  alternative  metal,  post rock,  cinematic  and  atmospheric  music  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Dark  Passage"  "House  Of  Horus"  and  "Fathom".  8  out  of  10.

http://www.wraithproductions.net/artists/drontheim
http://www.drontheim.no/
https://www.facebook.com/neudrontheim/

      

Xiphoid Dementia/Bastard Noise/Human Extinction Engine/Scry Recordings/2019 Split Album Review


 
  This  is  a  review of  a  split  album  between  Seattle,  Washington's  Xiphoid  Dementia  and  Bay  Area,  California's  Bastard  Noise  called "Human  Extinction  Engine"  which  will  be released  in  March  by  Scry  Recordings  and  we  will  start  off  the  review  with  Xiphoid  Dementia  a  solo  project  that  plays  death  industrial  with  some  ambient,  martial,  drone  and  harsh  noise  elements.

  His  side  of  the  split  starts  out  with  some  brutal  death  industrial  sounds  along  with  some  drones  and  elements  of  harsh  noise,  Spoken  word  samples  are  also  added  into  some  parts  of  the  tracks  along  with  some  martial  sounds  also  being  utilized  at  times  and  a  great  amount  of  programmed  beats  can  also  be  heard  quite  a  bit  throughout his  side  of  the  recording.

  Elements  of  dark  ambient  and  atmospheric  soundscapes  can  also  be  heard  briefly  while  one  of  the  tracks  is  very  long  and  epic  in  length.  All  3  of  the  songs  also  sound  very  different  from  each  other  along  with  some  synths  also  being  used  briefly.  The  production  sounds  very  dark  while  the  song  themes  focus  on  the  psyche.

  In  mt  opinion  Xiphois  Dementia  is  a  very  great  sounding  death  industrial  solo  project  and  if  you  are  a  fan  of  this  musical genre,  you  should  check  out  his  side  of  the  split.  RECOMMENDED  TRACK  "Spirals"

  Next  up  is  Bastard  Noise  a  solo  project  that  plays  a  very  harsh  form  of  noise.

  His  side  of  the  split  starts  out  with  some  harsh  noises  while  also  bringing  in  some  atmospheric  soundtrack  music  elements.  A  great  amount  of  power  electronics  and  underground  industrial  music  sounds  can  also  be  heard  at  times  as  well  as  a  brief  use  of  demonic  voices.

  When  high  pitched  screams a re  utilized  they  bring  in  elements  of  grind  and  noisecore  onto  the  recording  along  with  a  touch  of  black  metal.  Programmed  beats  can  also  be  heard  in  some  parts  of  the  music,  The  production  sounds  very  dark  while  the  song  themes  focus  on  dark,  metaphysical  and  political  topics. 

  In  my  opinion  this  is  another  great  sounding  recording  from  Bastard  Noise  and  if  you  are  a  fan  of  atmospheric  and  harsh  noise,  you  should  check  out  his  side  of  the  split.  RECOMMENDED  TRACK  "Extraterrestrial  Spring  Evening".

  In  conclusion  I  feel  this  is  a  very  great  sounding  split  and  I  would  recommend  it  to  all  fans  of  death  industrial  and  harsh  noise.  8  out  of  10. 

https://www.youtube.com/watch?v=BlbTECyBAwI&feature=youtu.be    

Tuesday, February 12, 2019

Equimanthorn/Exalted Are The Seven Throne Bearers Of Ninnkigal/Shaytan Productions/2015 Vinyl Re-Issue Review


  Equimanthorn  are  a  band  from  Texas  that  plays  a  very  ritualistic  and  occult  form  of  dark  ambient  and  this  is  a  review  of  their  2007  album  "Exalted  Are  The  Seven  Throne  Bearers  Of  Ninnkigal"  which  was  re-issued  on  vinyl  in 2015  by  Shaytan  Productions.

  Ritualistic  spoken  word  parts  start  off  the  album  while  some  of  the  tracks  are  very  long  and  epic  in  length.  When  synths  are  utilized  they  bring  elements  of  dark  ambient  onto  the  recording  along  with  the  music  also  adding  in  some  ethnic  style instruments  and  percussion's  which  also  adds  in  more  of  an  Eastern  Occultism  atmosphere.

  At  times  the  music  brings  in  more  of  a  tribal  and  shamanistic  feeling  along  with  the  keyboards  also  adding  in  a  slight  psychedelic  touch  in  some  parts  of  the  music.  All  of  the  tracks  sound  very  different  from  each  other  while  the  music  also  shows  an  influence  of  black  metal one  some  of  the  tracks.

  A  lot  of  the  music  also  gets  very  experimental  and  avant  garde  sounding  at  times  and  as  the  album  progresses  one  of  the  songs  also  introduces  melodic  chants  onto  the  recording  which  also  summons  Kali  Ma's  spirit  into  the  music  as  well  as  the  closing  track  being  an  instrumental.  The  production  sounds  very  dark  while  the  lyrics  cover  Esoteric,  Occultism,  Eastern  Mysticism  and  Ancient  Sumerian  Mythology  themes.   

  In  my  opinion  Equimanthorn  are  a  very  great  sounding  ritualistic  and  occult  dark  ambient  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  re-issue.  RECOMMENDED  TRACKS  INCLUDE  "When  Sevem  Came  Unto  The  Fundament"  "Who  Is  The  Great  King"  and  "The  Submissive  Myth  Of  Mirror  Waters  Rising".  8/5  out  of  10.

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Friday, February 1, 2019

Abyssic/High The Memory/Osmose Productions/2019 CD Review


  Abyssic  are  a  band  from  Norway  that  plays  a  symphonic  form  of  funeral  doom  metal  with  some  elements  of  prog  and  black  metal  and  this  is  a  review  of  their  201  album  "High  The  Memory"  which  will  be  released  on  February22nd  by  Osmose  Productions.

  Symphonic  sounds  start  off  the  album  and  they  also  mix  in  with  the  heavier  sections  of  the  songs  at  times  along  with  the  slower  sections  of  the  music  being  very  heavily  rooted  in  funeral  doom  metal  while  the  screams  add  in  a  touch  of  black  metal  as  well  as  a  great  amount  of  death  metal  growls.

  All  of  the  tracks  are  very  long  and  epic  in  length  while  the  music  also  brings  in  a  great  amount  of  prog  elements  along  with  the  guitar  solos  and  leads  being  done  in  a  very  melodic  style  as  well  as  one  track  also  introducing  acoustic  guitars  onto  the  recording  and  as  the  album  progresses  a  brief  use  of  whispered  vocals  can  also be  heard   and  the closing  track  the  music  also  speeds  up  briefly  and  also  introduces  blast  beats  onto  the  recording.


  Abyssic  plays  a  style  of  funeral  doom/death  metal  that  is  very  symphonic  sounding  while  also  adding  in  some  elements  of  prog  and  black  metal,  the  production  sounds  very  professional  while  the  lyrics  cover  death,  darkness,  feelings  and  occultism  themes.

  In  my  opinion  Abyssic  are  a  very  great  sounding  symphonic  funeral  doom/death  metal  band  with  some  prog  and  black  metal  elements  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "High  The  Memory"  and  "Where  my  Pain  Lives".  8/5  out  of  10.


Facebook: https://www.facebook.com/abyssicofficial/
Band contact: abyssicofficial@gmail.com
Band page: https://osmoseproductions-label.com/bands/abyssic/