Legion Of Andromeda/Iron Scorn/Crucial Blast/2015 CD Review

  Legion  Of  Andromeda  are  a  band  from  Japan  that  plays  doom/death  metal  with  elements  of  industrial  and  black  metal  and  this is  a  review  of  their  2015  album  "Iron  Scorn"  which  will  be  released  in  August  by  Crucial  Blast.

  A  very  dark  old  school  doom/death  metal  sound  starts  off  the  album  along  with  some  growling  vocals  and  elements  of  industrial  and  the  vocals  also  add  in  a  touch  of  black  metal  at  times  and  all  of  the  music  is  very  heavily  rooted  in  the  early  to  mid  90's  style  of  extreme  metal and  some  of  the  tracks  are  long  and  epic  in  length.

   All  of  the  drum  beats  are  programmed  and  some  of  the  songs  also  bring  in  elements  of  drone  and  all of  the  songs  also  stick  to  either  a  slow  or  mid  paced  musical  direction  with  no  fast  parts  ever  being  present  in  any  of  the  tracks  and  the  whole  album  also  remains  heavy from  beginning to  ending  of  the  recording.

  Legion  Of  Andromeda  plays  a  style  of  doom/death  metal  that  is  very  old  school  and  also  mixes  it  in  with  the  90's  industrial  metal  sound  and  a  touch  of  black  metal  to  create  a  sound of  their  own,  the  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  dark  and  violent  themes.

  In  my  opinion Legion  Of  Andromeda  are  a  very  great  sounding  industrial  doom/death  metal  band  with  a  touch  of  black  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Cosmo  Hammer"  "Scourge  Of  Pestilence"  and  "Fist  Of  Hammurabi".  8  out  of  10.

http://www.facebook.com/legionofandromedaofficial

http://www.legionofandromeda.bandcamp.com

http://www.twitter.com/ovandromeda

Doomed/Wrath Monolith/Solitude Productions/2015 CD Review

  Doomed  are  a  band  from  Germany  that  plays  an  atmospheric  form  of  funeral  doom/death  metal  and  this  is  a  review of  their 2015  album  "Wrath  Monolith"  which  was  released  by  Solitude  Productions.

   A  very  dark and  tragic  sounding  keyboard  giving  the  music an avant garde  classical  feeling  and  after  a  minute  the  music  starts  to get  heavier  and  brings  in  a  doom  metal  sound  along  with  some death  metal  growls  and  a  small  amount  of  black  metal  screams  and  the  music  also  brings  in  a  great  amount  of  melodic  guitar  leads.

  A  great  portion  of  the  tracks  are  very  long  and  epic  in  length  and  spoken  word  parts  can  also  be  heard  in  certain  sections  of  the  recording  and  they  also  mix  the  heavy  and  keyboard  parts  together  to  give the  songs  more  of  an  atmospheric  feeling  and  some  songs  also  bring  in  a  small  amount  of  acoustic  guitars.

 One  of  the  tracks  also  brings  in  electronic  music  elements  and  female opera  vocals  while  the  main  focus  remains  on  a  slow  and  heavy  doom/death  style  while  the  music  does  speed  up  for  a  few  seconds  and  also  brings  in  a  brief  use  of  blast  beats  and  almost towards  the  end  on  of  the  songs  also  brings  in  clean  singing male  vocals  and  all  of  the  musicla  instruments  have  a  very  powerful  sound  to  them.

  Doomed  plays  a  style of  funeral  doom  metal  that  is  very  atmospheric and  also  mixes  it  in  with  the  90's  doom/death  metal  style  to  create  their  own  sound,  the  production  sounds  very  professional  while  the  lyrics  are  a  concept  album  based  on  the  crisis  of  the  modern world.

  In  my  opinion  Doomed  are  a  very  great  sounding  atmospheric  funeral  doom/death  metal  band  and  if you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Paradoxon"  and  "Looking  Back".  8  out  of  10.  

Solitude Productions Bandcamp (full streaming)

IIVII/Colony/Consouling Sounds/2015 CD Review

  IVII  are  a  solo  project  from  the  Netherlands  that  plays a  science  fiction  themed  form  of  ambient  and  this  a  review  of  his  2015  album  "Colony"  which  will  be  released  in  September  by  Consouling  Sounds.

Experimental  sounds  and  drones  start  off  the  album  along   with  some  atmospheric  and  ambient  elements  and  most  of  the  tracks  are  very  long and  epic in  length  and  after  awhile  the  music  gets  more  diverse and you  can  also  hear  a touch  of  krautrock  in  some  parts  of  the  songs  and  the  music  also  uses  a  great  amount  of  synths.

  All  of  the  music  is  instrumental  and  static  sounds  can  also  be  heard  in  certain  sections  of  the  recording  along  with  some  drum  beats  and spoken  word  samples  and  the  sound  effects  also  bring  a  science  fiction  atmosphere  to  the  recording  while some  parts  also  bring  in  atmospheric  black metal  elements  which  are  done  by  keyboards.

  IVII  plays  a  style  of  ambient  that  is  very  atmospheric  and  also  brings  in  a  great  amount   soundscapes  and  experimental  elements  to  create  a  very  diverse  recording  and  the  production  also  has  a  very  professional  sound  to  it. 

  In  my  opinion  IVII  are  a  very  great  sounding  science  fiction  orientated  ambient  project  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Signals  From  Home"  "Black  Galaxy"  and  "Shaping  Itself From  Dust".  8  out  of  10.

http://www.resonantiivii.com

Slow Worm/The Inverse Ascent/Third I Rex/2015 CD Review

  Slow  Worm  are  a  band  from  the  United  Kingdom  that plays  a  mixture  of  doom,  sludge  metal  and  shoegaze  with  a  touch  of  post  black  metal  and  this  is  a  review  of  their  2015  album  "The  Inverse  Ascent  which  was  released  by  Third  I  Rex.

  A  very  dark  and  heavy  doom  metal  sound  starts  off  the  album  with  some  morbid  sounding  melodies  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  and  when  vocals  are  added  into  the  music  they are  done  in  more  of  a  clean  singing  fashion  and  all  of  the  tracks  are  very  long  and epic  in  length.

  When  guitar  solos  and  leads  are  utilized  they  remain  true  to  a  melodic  style  of  doom  metal  and  when  high  pitched  screams  are  utilized  they  bring  elements  of  black  metal  into  the  bands  musical  style  and  after  awhile  the  band  starts  bringing  in  more  traces  of  post  rock  and  shoegaze  in  the leads and  as  the  album  progresses  acoustic  guitars  can  be  heard  in certain  sections  of  the  recording  along  with  the  music  getting  more  dreamy,  psychedelic  and  atmospheric  and  on  one  of  the  tracks  the  music  speeds up  briefly  and  adds  in  a  brief  use  of  blast  beats  and  the  last track  is  an  ambient  drone  instrumental.

  Slow  Worm  plays  a  musical  style  that  is  mostly  rooted  in  the  traditional  style  of  doom  metal  but  brings  in  the  heaviness of  sludge,  elements of black  metal,  psychedelic,  shoegaze,  ambient  and  post  rock  to  create  a  sound  of  their  own,  the  production  sounds  very  powerful  while  the  lyrics  cover  occult  and  metaphysical  themes.

  In  my  opinion  Slow  Worm  are  a  very  great  sounding  mixture  of  sludge,  doom  metal  and  shoegaze  with  a  touch  of  post  black  metal  and  if  you  are a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Crypt  of  The  Vultures"  and  "Where  I  Creep,  The  Light  Is  Shy".  8  out  of  10.

Slow Worm Facebook

Jonne/Self Titled/Massacre Records/2015 CD Review

  Jonne  are  a  solo  project  from  Finland  that  has  the  singer  of  Korpikaani  and plays  a  minimalistic  and  raw  form  of  shamanistic  folk  music  and  this is  a  review  of  his  self  titled  2015  album  which  was  released  by  Massacre  Records.

  a  very  ritualistic  folk  music  sound starts  off  the  album  along  with  both  spoken  word  parts  and  clean  singing  and  after  awhile  female  vocals  are  added  into  certain  sections  of  the  recording  and  the  music brings  in  a  good  amount  of  violins  and  acoustic  guitars  and  the  songs  also  bring  in  a  great  amount  of  shamanistic  chanting.

  Some  of  the  tracks  bring  in  more  of  a  traditional folk  music  feeling  and  at  times  the  vocals  bring  in  an  aggression  that  is very  close  to  black  metal  and  all  of  the  tracks  also  have  a  medieval  atmosphere  to  them  and  all  of  the  songs  also  stick  to  more  of  a  slow,  ritualistic  and  traditional  style  of  Finnish  folk  music.

  Jonne  plays  a  style  of  folk  music  that  is  very  raw,  shamanistic  and  tribal  sounding,  the  production  sounds  very  powerful  while  the  lyrics  are  written  in  their  native  tongue  and  cover  Finnish  Shamanism  themes.

  In  my  opinion  Jonne are  a  very  great  sounding  shamanistic  folk  music  project  and  if  you  are  a   fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Viuluni  Laulua  Soutaa"  "Kuku  Kaki"  "Leppayon  Loyly"  and  "The  Boxer".  8  out  of  10. 

https://www.metal-archives.com/bands/Jonne/3540375704

Philippe Blache/Script Of A Journey Through The 'Time Image/Triple Moon Records/2015 Full Length Review

  Philippe  Blache  is  a  solo  artist  from  France  that  plays  a  mixture  of  drone,  ambient  and  neo-classical  and  this  is  a  review  of  his  2015  album  "Script Of A Journey Through The 'Time Image'"  which  was  released  by  Triple  Moon  Records  and  also  brings  in  a  few  quests.

  A  very  dark  and  haunting  piano  sound  starts  off  the  album  and  mixes  classical  and  dark  ambient  together  and  the  later  tracks  also  bring  in  more  drones  and  soundscapes  along  with  some  vocals  that  also  add  a  touch  of  goth  rock  to  the  recording  and  the  music  also  brings  in  a  great  amount  of  atmospheric  elements.

  When  spoken  word parts  are  utilized  they  give  the  music  more  of  a  poetic  feeling  while  the  field  recordings  and  sound  effects  when  they  are  utilized bring  more  experimental  and  avant  grade  elements  onto  the  recording  and  there  are  also  a  decent  amount  of  instruments  being  utilized  throughout  the  album  and  one  of  the  tracks  also  brings  in  a  brief  use  of  choirs.

  Philippe Blache  creates  an  album  that  is  very  diverse  and  original  sounding  with  the  main  focus  being  an  ambient  while  elements  of  classical,  drone,  soundscapes and  field  recordings  are  used  throughout  all  of  the  songs.  the  production  sounds  very  dark  while  the  lyrics  when they  are  utilized  cover  poetic  themes.

  In  my  opinion  Philippe Blache  plays  a  great  mixture  of  dark  ambient,  drone  and  neo-classical  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo artist.  RECOMMENDED  TRACKS  INCLUDE  "Script"  Garden"  "Ghostliness"  and  "Arbor".  8  out  of  10.

https://www.youtube.com/watch?v=ebpvA5r1a6E

 

Of Darkness/Tribute To Krzsztof Penderecki - Passio Et Mord Domini Nostri Jesu Christi Secundum Lucam/Gradual Hate Records/2015 CD Review

  Of  Darkness  are  a  band  from  Spain  that  plays  a  mixture  of  neo  classical  and  funeral  doom  metal  and  this  is  a  review  of t heir  2015 album  "Tribute To Krzsztof Penderecki - Passio Et Mord Domini Nostri Jesu Christi Secundum Lucam"  which  was  released  by  Gradual  Hate  Records.

  Classical  music  sounds  start  off the  start  off  the  album  and  the  music  start  to  go  into  more  of  a  heavy  funerla  doom  metal  direction long  with  soem  growing  vocals  and  after  awhile  spoken  word  parts,  emlodic  cgants,  male  and  female  opera  choirs  are  added  into  the  music  and  the  classical  and  heavy  parts  also  start  to  be  mixed  together.

  Both  of  the  tracks  are  very  long  and  epic  in  length and  the  music  at  times  also  brings  in  grim  black  metal  screams  and  you  can  also  hear  elements  of  avant  garde  and  neo  classical  in  the  bands  musical  style  and  some  of t he  riffs  also  bring  in  a  small  amount  of  melody  at  times  and  the  opera  and  spoken  word  parts  also  gives  the  music  more  of  a  ritualistic  feeling  and  the  whole  album  sticks  to  a  very  slow  and  dark  musical  direction.

  Of  Darkness  plays a  musical  style  that  takes  death  and  funeral  doom  metal  and  mixes  it  in  with  neo-classical  to  create  a  sound  of their  own,  the  production  sound s very  dark  and  heavy  while  the  lyrics  cover  Gnosticism  themes.

  In  my  opinion  Of  Darkness  are  a  very great  sounding  mixture  of  neo  classical  and  funeral  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACK  "

http://www.facebook.com/ofdarknessrequiem

    

   

 

Catacombed/Let Them Appear/2015 EP Review

  This  is  the  final  review  of  a  recording  from  Catacombed  which  remains  in  the  drone/funeral  doom  metal  direction  with  the  ep  being  self  released  in  2014  and  called  "Let  Them  Appear"  which  is  also  a  40  minute  track  and  the  only  song  on  the  recording.

  Guitar  amp  sounds,  reverb's  and  noises  start  off  the  song  before  going  into  bass  guitar  riffs  that  are  in  more  of  a  funeral  doom metal  direction  and  the whole  song  is  mostly  instrumental  and  sticks  to  a  slow  musical  direction  and  only  brings  in  a  few  seconds  of  clean  bass guitars  while  mostly  being  very  heavy  throughout  its  40  minutes  and the  second  have of  the  track  goes  for  more  of  an  ambient  style  briefly  before  returning back  to  a  heavier  direction  as  well  as  adding  in  screams  that  are  heavily  influenced  by  black  metal.

  Catacombed  creates a  40  minute  track  that  is  heavily  rooted  in  drone  and  funeral  doom  metal  while  also  bringing  in  touches  of  ambient,  noise  and  black  metal  to  create  a  very  heavy  sounding  epic  song,  the  production  sounds  very  dark  and  raw  while  the  lyrics  cover  dark themes.

  In  my  opinion  this  is  another  great  sounding  from  Catacombed  and  if  you  are  a  fan  of  funeral  doom  metal  and  drone  with  a  touch  of  black  metal  and  ambient,  you  should  check  out  this  ep.  8  out  of  10.  

Bandcamp

  

Catacombed/Wasteland/2015 Full Length Review

  This  is  a  review  of  another  recording  from  Catacombed  which  continues  the  drone/funeral  doom  metal  sound  of  previous  recordings  and  the  album  was  self  released  in  2015  digitally  and  called  "Wasteland".

  Drones  and  reverb  noises  start  off  the  album  giving  the  music  an  avant  garde  feeling  before  the  bass  guitars  start  to  take  over  and  most  of  the  tracks  are  very  long and  epic  in  length  and  while  the  doom  metal  elements  are  still  there  the  influence  of  drone  has  a  more  powerful  impact  this  time  around. 

  Vocals  are  all  absent  from  this  recording  with  the  music  being  all  instrumental  and  the  bass  guitar  is  the  only  instrument  that is  used  on  this  recording  and  the  whole  album  sticks  to  a  slow  musical  direction  and  also  adds  in  a  brief  use  of  clean  parts.

  Catacombed  continue  their  drone/funeral  doom  sound  of  previous  recordings  and  also  go  into  more  of  an  instrumental  direction  this  time  around  without  losing  any  of  the  heaviness  and  the  production  sounds  very  dark  and  raw.

  In  my  opinion  this  is  another  great  sounding  recording  from  Catacombed  and  if  you  are  a  fan  of  drone  and  funeral  doom,  you  should  check  out  this  album.  RECOMMENDED  TRACK  "Pestilence".  8  out  of  10.

Bandcamp

Catacombed/Witch's Swamp/2015 Full Length Review

  This  is  a  review  of  another  recording  from  Catacombed  which  continues  the  drone  and  funeral  doom  combination  of  previous  releases  with  the  album  being  self  released  in  2015  and  called  "Witch's  Swamp".

  A  very  dark  and  heavy  bass guitar  sound  starts off  the  album  which  then  goes  into  a  funeral  doom  metal  direction  while  also  bringing  in  drones  at  times  and  all  4  of  the  tracks  are  very  long  and  epic  in  length.

  On  the  second  track  death  metal  growls  are  brought into  the  music  along  with  some  black  metal  elements  and  the  music starts  having  more  of  a  depressive  feeling  and  the  vocals  also  get  very  melodic and  ritualistic  at  times  and just  like  with  the  previous  recording  most  of  the  tracks  are  instrumental  and  stick  to  a  slow  and  heavy  musical  direction.

  Catacombed  creates  another  very  heavy  drone/funeral  doom  metal  album  with  mostly  bass  guitars  and  only  a  small  amount  of  vocals  but  still  comes  out  very  powerful  and  heavy,  the  production  sounds  very  dark  and  raw  while  the  lyrics  cover  darkness  and  occultism  themes.

  In  my  opinion  this  is  another  great  sounding  album  from  Catacombed  and  if  you  are  a  fan  of  drone  and  funeral  doom  metal,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Prayer  In  The  Dark"  and  "Witch".  8  out  of  10.

Bandcamp

Catacombed/Cave Crypt/2015 Full Length Review

  This  is  a  review  of  another  recording  from  Catacombed  which  continues  the  mixture of  drone  and  funeral  doom  of  the  ep  with  the  album  being  self  released  in  2015  and  called  "Cave  Crypt".

  Dark  sounding  drones  start  off  the  album  giving  the  music  a  lo-fi  sound  and  a  few  seconds  later  bass  guitars  start  to  kick  in  and  all of  the  tracks  are  very  long  and  epic  in  length  and  stick  to  a  very  slow,  dark  and heavy  funeral  doom/drone  sound  and  on  the  second  track  deep  guttural  death  metal  growls  start  becoming  a  part  of  the  music  briefly.

  Just  like  the  previous  recording  the  bass  guitar  is  used as  a  lead  instrument  with  no  regular  guitars ever  being  utilized  and  some  songs  also  bring  in  elements  of  the  early  90's  doom/death  metal  sound  and  a  good  portion  of  the  tracks  are  instrumentals  and  vocals  are  only  used  briefly and  the  drums  that  where  on  the  ep  are  absent  from  this  album.

  Catacombed  continues  the  bass  guitar  style  of  drone/funeral  doom  that  was  presented  on  the  previous  recording  while  focusing  less  on  vocals,  the  production  sounds  very  dark  and  raw  while  the  lyrics  cover  dark  and  depressive  themes.

  In  my  opinion  this  is  another  great  sounding  recording from  Catacombed  and  if  you  are  a  fan  of  drone  and  funeral  doom  metal,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Cave  Crypt"  and  "Black  One".  8  out  of  10. 

Bandcamp

Catacombed/Relics Of An Abysmal Crypt/2015 EP Review

  Catacombed  are  a  duo  from  France  that  plays  a  mixture  of  drone  and  funeral  doom  metal  and  this  is  a  review of  their  self  released  2015  ep  "Relics  Of  An  Abysmal  Crypt".

  Powerful  sounding  bass  guitars  start  off  the  ep  before  adding  in  deep  and  guttural  death  metal  growls  and  the  bass  also  takes  over  as  a  lead  instrument  and  brings  a  doom  metal  sound  to  the  recording  and  the  drums  bring  a  funeral  march  feeling  to  the  recording  and there  is  also  a  brief  use  of  blast  beats.

  Most  of  the  music  sticks  to  a  very  slow  musical  direction  and  one  of  the  tracks  is  long  and  epic  in  length  and  the  songs  also  mix  in  drones  with  a  funeral  doom  sound  and  the  whole  ep  has  a  heavy  sound  from  beginning  to  ending  of  the  recording  and  some  of  the  vocals  on  the  last  track  have  almost  a  black  metal  feeling  and  the  song  also  brings  in  depressive  melodies.

  Catacombed  plays  a  musical  style  that  is  very  dominated  by  bass  guitars  and  mixes  drone  and  funeral  doom  to  create  a  sound  of  their  own,  the  production  sounds  very  dark  and  heavy  while  the  lyrics  cover  dark  and  depressive  themes.

  In  my  opinion  Catacombed  are  a  very  great  sounding  mixture  of  drone  and  funeral  doom  metal  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Putrid  Thoughts"  and  "Dead  Whisper".  8  out  of 10.

Bandcamp

Viscera/// Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?


We were born in 2000 as a death-grind outfit with a different name. In 2003 we became Viscera and in 2006 finally Viscera///. What else…maybe we’ll go deeper with the next questions.


2.So far you have released a few length and a split ep, how would you describe the musical sound that is presented on both of the recordings and also how do they differ from each other?


Our releases history perfectly describes our musical path in its entirety. The early days production is more harsh and bonded to grindcore and death metal, but the more we grew up the more our style has become open to many new influences and, slowly but painfully, doom, psychedelic, drone, ambient and black metal elements took permanetly place into our style.


3.The band has been around since 2000 but so far has only put out 2 releases, can you tell us a little bit more the gap in between recordings?

It’s true we’ve only published only two full-lenght albums but you can count many other parallel releases. But if the question is strictly about the proper albums things, well, i can just say that we take all the time we need before we decide to book the studio and get it.



4.On the ep you had team up with Abaton, how would you compare their own musical style to yours?


Briefly, I guess that Abaton’s way is far more cerebral compared to ours, which is more immediate.


5.What are some of the lyrical topics and subjects the band explores with the music?


I always write about myself and how I see things. And it’s never positive stuff. 


6.What is the meaning and inspiration behind the name 'Viscera///'?


The monicker Viscera(///) came out during the grind days. It’s just gore stuff but we decided to keep it. The “///” have been added later because the australian Viscera complained about the homonymy.


7.What are some of the best shows that the band has played so far and also how would you describe your stage performance?


We have been playing so many shows in the last 15 years that it’s kinda rough to find some specific highlights…maybe a couple of years ago at Incubate Festival in Tilburg (NL) or a couple of months ago in Jerusalem, but that was more about the fact we were in fucking Israel! And about “how” we fit on stage, I can just say it’s real pain because I suffer from stage fright and the other two guys have similar problems. I guess the audience can feel the suffering and it definitely works.


8.Do you have any touring or show plans for the future?


Of course. We’ll have an eurotour in october with fellows Fleshworld, then some one-shot gig around Italy. Besides we are working on 2016 and it seems that something hot is gonna happen.


9.On a worldwide level how has the feedback been to your music by fans of drone, sludge and doom metal?


I think that really few people clearly understand what we effectively want to come out with. Maybe due to this and other reasons basically no one gives a fuck about about us.


10.When can we expect another full length and also where do you see the band heading into musically during the future?


New album will be recorded this summer but we don’t think this new release will open a brighter future to us.


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?


Our main influences are Godflesh, Carcass, Celtic Frost, Paradise Lost, industrial music and psychedelic stuff from the 70’s, but lately we are crazy for 80’s music, specially Phil Collins. 


12.What are some of your non musical interests?


Cinema, crime facts, the bloodiest events in history, covert politics, loathing and one of us owns a motorcycle.


13.Before we wrap up this interview, do you have any final words or thoughts?


Please care about Viscera///, you fuckers. We blame you for our miserable condition.

https://www.facebook.com/viscera3stripes/

Temple Ov Decibel Interview

1.For those that have never heard of you before, can you tell us a little bit about the musical project?

We start noww; accidents happen!, some had an undeniaaable urge to step away from conventions and songwriting all and together, as time is passing when by we lost contact with some ov ov us the contributors and some ov uzz are not among us anymore again. We have a very clear without a view on how our music had to sound and in the end all fell in piece, A room with a view contains goatersongs that will guide yyoouu on the tour thoughts our through without any obSRTUCtion ov rules and regulations...no exxxcuses no further exxxplanations, just hold your breath holditnowlittlegirlholdontoit!!!! and let it take you over.


2.You have an album out now, how would you describe the musical sound that is presented on the recording?

We ovver the listener a doorstep hello into our mynds, our thoughts and visionaires wrapped into blankets (pigs in) music, a planes where no one has been before, concotions that noboooody heart before, ass suffocation sigh sign and deliverance and uncomfortable as we experience it ourselves. Anal tamponies. As said we do not Wright songs in this and that conventional weighs, 1 pound of cheese, we display chambers ov minds, these chambers might not bring bus what we hope for but we will accept it in goodness gracious great balls of bile, we are but instrumentsz, we are but sand.


3.What are some of the lyrical topics and subjects you explore with your music?

Schizophrenia, parallel fingertipp-x, extra heads, extra heads, extra heads, utter tranquillity, stapler machines with scratches on the bottom, emptyness, a book, you, frozen rozes, green objects, broken bones, rebyrth and etc. See the green eyes demon? When it has red eyes!

4.What is the meaning and inspiration behind the name 'Temple Ov Decibel'?

All is revealed in the Temple and worshipped there is all. Hi Alex! Lovely weather innit just?


5.With this project you record most of everything by yourself, are you open to working with any other musicians on this project?

No we did not, yes we are. No we did not, yes we are. No we did not, yes we are.


6.Have you done any live shows with this project or this this strictly a studio band?

Tha main co-co-co-ordinators are now living apart galaxies ov miles, maybe in the future (IMPENDING DOOM), maybe somewhere in the middle but keep in mind that you are going to have to bring your swimmmming gear. Bloop?

7.Currently you are unsigned, are you looking for a label or have received any interest?

We have a threehouse new songs ready freddy, we are in contact with luzifer and several labels, yet we have not decided on anything other than light that a+ new album, no it will be an album, will be released somewhere 2016.

8.On a worldwide level how has the feedback been to your recordings by fans of underground music?

Most vunvor all marches and farewell songs are absluttely phenomenal, chants 2 accompany thyy dead an hand them ovurh to the worms is been inspiring us from young age when times, I had meazles as well (*soothing voice for you*). About getting feedbakkk to ya; normally we justin observe and do not talk to the victim/victimd/celebratiors in mourning, the occasionalliest ov times we get to speak to themm at or below the service we never ass'k'd. As for the deceased them themselves, yes they respond very well. Very well indeed, indeed very well. Thanks and have a jolly good meal mi friended friend.

9.Are you also involved with any other bands or musical projects these days?

Assmakesauming ‘these days’ refer to the previousless question, we have n0t performed at funerals so far, not with Temple ov Decibel, nor with other projects we are involvementationd in. However if anyone wants us to play at their funeral we are open for ovveringsd. LSD or bar mitzwa fun.


10.Where do you see yourself heading into musically during the future?

Tdeas we have ever never thought ov but it would be abso darnlutely great to transform our cantical chorusseses and thoughts into a musical, that way we dus could express sour ideas even better, we will definately look into and over that, thank you vo the suggestion!

Nexxt up in lines to our nostrils that we are working on a cover song ov Pet Shop Boys ’It’s a Sin’ whichhunt might see the light of the fallen one before below behind bestow upon the end ov this light year and I just wrote a book.


11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Aghast, AidsWolf, Willy Somerfeld, Train Stations, Enya, Old Lady Drivers, Boiling Water, APATOR and lately we have beren playing all hymns on Blaze in the Northern Sky by Darkthrone all together at the same time a camelot. Fckn bstrds…!!!!!!!!!!!!!!

12.How would you describe your views on nowadays society?

Maandlessly running in circles and cilinders, without any control spitting out what gets fistpumped in, signed, sealed and to the system, towering above all others in sight, making ssshhh sounds without meaning, how do you meaning? hollowman inside, feeding their own little area, not Karing about what lies on horns any further that they can reach (grabby grabby) and when they are out oov f order just watch the sun devour everything around us! We are sprinklers and we like it!


13.Before we wrap up this interview, do you have any final words or thoughts?

Yes

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