Showing posts with label Bologna Violenta. Show all posts
Showing posts with label Bologna Violenta. Show all posts

Friday, October 6, 2017

Bologna Violenta/Cortina/Dischi Bervisti/2017 EP Review


 Bologna  Violenta  are  a  solo  project  from  Italy  that  has  been  featured  before  in  this  zine  and  plays  a  mixture  of  experimental,  avnat  garde,  noise  and  grindcore  and  this  is  a  review  of his  2017  ep  "Cottina"  which  will  be  released  on  October  20th  by  Dischi  Bervisti.

  Clean  playing  along  with  some  elements  of  avant  jazz  start  off  the  ep  while  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  along  with  the  faster  sections  of  the  songs  also  bringing  in  a  decent  amount  of  blast  beats  while  all  of  the  tracks  are  very  short  in  length.

  At  times  the  music  can  be  experimental  while  all  of  the  music  is  instrumental  along  with  some  elements  of  noise  and  grindcore  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and  fast  parts.

  Bologna   Violenta  creates  another  recording  that  remains  true  to  his  mixture  of  avant  garde,  experimental,  noise  and  grindcore  from previous  releases  while  also  keeping  everything  instrumental  and  the  production  sounds  very  professional.

  In  my  opinion  this  is  another  great  sounding  ep  from  Bologna  Violenta  and  if  you  are  a  fan  of  experimental,  avant  garde,  noise  and  grindcore,  you  should  check  out  this  ep.  RECOMMENDED  TRACKS  INCLUDE  "Criptomelodia  I''  "Criptomelodia  V"  and  "Criptomelodia  VIII".  8  out  of  10.

www.bolognaviolenta.com



 

    

Monday, May 2, 2016

Bologna Violenta Interview


1.Can you give us an update on what is going on with the musical project these days?
- We are currently touring around Italy to promote Discordia, the new album, and we are working to book european gigs in fall and winter. We are also starting to think about the next work, that could be something different from what we did until now, but maybe it’s a little bit easily to talk about it.

2.Recently you have released a new album,how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?
- The new album is the natural consequence of what I did during the last decade. I started from a sort of instrumental cyber-grind with very short songs and the sound slowly evolved with the addiction of string instruments (I’m a violinist, so it was natural to me to do it). Now the songs are a little bit longer and the strings are a very important part of the sound of the project. The big difference between Discordia and the previous releases is about the recordings, because most of the instruments are played by real musicians instead the machines.

3.What are some of the concepts and images, you bring out with your musical sound?
- I always tried to create a sort of musical storytelling about human beings or, better, about the bad side of them. I used the structures of shockumentaries to do it, putting together very different atmospheres trying to shock the listeners. I used also weird track names to create different and fanciful images of what I wanted to express with music. The second-last album titled Uno Bianca is a sort of soundtrack of what happened in Italy between eighties and nineties, when a criminal gang (with some policemen in it) did more than hundred crimes, killing twenty-four people and wounding more than a hundred. The last album, instead, is about the stupid and continuing arguing between people for silly things.

4.What is the meaning and inspiration behind the name ‘Bologna Violenta’?
- The first inspiration was the city where I lived for about ten years (Bologna). It was a heavy period of my life and that city was a big part of the thing. I was also highly inspired by italian police movies of the seventies that were often titled with the name of a city followed by the word “violenta”. I thought it was a good idea to recreate with music that violent atmospheres that have been really inspirational for some movie directors like Quentin Tarantino and others.

5.Currently this project is solo, are you open to working with a full band?
- The project has been a one-man-band until one year ago, when I decided to work with Alessandro Vagnoni, a very talented drummer and multi-instrumentalist who helped me to write, record and mix the last album and the previous split Ep. My dream is to work in the future with a real band, maybe with a string quartet, but I think that it could be too difficult for so many reasons. Now we are a due and I’m really happy about it in this way.

6.On the new album you had a few guests, can you tell us a little bit more about who they are and their contributions to the recording?
- First of all there is Monique Honeybird Mizrahi, a charango player from Los Angeles (now living in NYC) who wrote the song Colonialismo and recorded the charango parts of it. Then there’s the brass section of Ottone Pesante, a metal trio with trumpet, trombone and drums. The album starts with the piano recorded by an old friend of mine, Paolo Polon, who plays at the Fecnice Theatre in Venice. There are also vocals contributions of Fabio Reeks Recchia, a crazy producer from Rome (who plays with Surgical Beat Bros and Germanotta Youth).

7.The new album was released on Overdrive Records, can you tell us a little bit more about this label?
- Overdrive records is a young independent label from Milan. The three guys who owns it are very passionate about music and honest people. They also owns a vinyl factory in Italy (Phono Press International), so they have the full control of what they produce and release. In this way, it’s a sort of DIY label, and I love to work with people who believe in a so deep way in what they release.
They has just released the last Fall Of Minerva album and they’re going to re-release some old soundtracks by Ennio Morricone.

8.On a worldwide level how has the feedback been to your music by fans of grindcore, underground and experimental music?
- I can tell you that I always had good feedbacks from people who listened to my music. I can tell that I’m not really loved by true-metal fans, but I also had some very good feedbacks from international bands like Napalm Death (I recorded an album with Mitch Harris, the former guitarist, under the name of Menace), Godflesh and Agoraphobic Nosebleed. My previous albums have been released also by Grindcore Karaoke, the label of J. Randall (the singer of ANB) who recorded vocals for You’re enough, a song included in my third album, titled Utopie e piccole soddisfazioni.

9.Where do you see yourself heading into musically during the future?
- I think I’ll continue producing experimental and extreme music, instead working as a producer, violinist and arranger for other bands and musical projects. I can’t think about my life without music…

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?
- I always loved the italian hardcore from the eighties (Negazione, Indigesti, Raw Power), but I also listened to many other genres. I grew up studying classical music and I can tell that one of my biggest influences is Bach and the russian composers of the late 1800. I love also extreme stuff like grindcore, cybergrind and harshnoise, but I listen also to something easier to listen like songwriters or post-rock bands. What I’m listening nowadays? I don’t really know… lot of different stuff. For the tour I choose everytime different Cds (now I’m listening the Drive Like Jesu discography and Fluxus, a noise italian band). In this moment I’m listening the Firebird Suite of Stravinsky.

11.What are some of your non musical interests?
- I like travelling, strolling with my dogs, watching movies and reading books, also if it isn’t so easy to do it because most of the time I’m touring with BV or other bands.

12.Before we wrap up this interview, do you have any final words or thoughts?
- I just want the people to support the underground music and arts. It’s maybe the best way to improve the world and knowledge is the
way to stop wars and fightings between human beings themselves and also between human race and the world who guests it.

You can be always updated on BV projects and tours here:
facebook.com/bolognaviolenta
www.bolognaviolenta.com

Thanks a lot for the interest in this project!!!
Nicola

Monday, April 11, 2016

Bologna Violenta/Discordia/Overdrive Records/2016 CD Review


  Bologna  Violenta  is  a  solo  project  from  italy  that  plays  a  mixture  of  experimental,  avant  garde,  noise  and  grindcore  and  this  is  a  review  of  his  2016  album  "Discordia"  which  was  released  by  Overdrive  Records.

 Classical  style  piano's  start  off  the  album  and  after  awhile  violins,  drums  and  heavy  guitars  make  their  presence  known  on  the  recording  along  with  the  music  getting  more  melodic  and  symphonic  and  when t he  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard  while  other  songs  mix  in  elements of noise.

  Throughout  the  recording t here  is  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  some  songs  also  bring  in  aggressive  screams  while t he  faster  sections  are  very  heavily  influenced  by  grindcore  and  after  awhile  elements  of  free  form  jazz  and  hardcore  are  added  onto  the  recording  and  a  lot  of  the  tracks a re  very  short  in  length  and  when  guitar  solos  and  leads a re  utilized  they  are  done  in  more  a  technical  style  and  as  the  album  progresses  the  music  starts  getting  more  progressive  along  with  some  melodic  riffs  and  some  tracks  also  bring  in  a  small  amount  of  spoken  word  parts  along  with  a  few seconds  of  melodic singing.

  Bologna  Violenta  plays  a  musical  style  that  takes  grindcore  and  technical  death  and  mixes  it  with  noise,  avant  garde,  experimental  and  symphonic  music  to  create  something  that  is  very  original  and  the  production  sounds  very  progfessional.

  In  my  opinion  Bologna  Violentia  is  a  very  great  sounding  mixture  of   experimental,  avant  garde,  noise  and  grindcore  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS  INCLUDE  "Sigle  de  telifilm"  "Leviatano"  "Discordia"  and  "Colonialsmo".  8  out  of  10.

www.bolognaviolenta.com
www.facebook.com/bolognaviolenta
bolognaviolenta.bandcamp.com
www.youtube.com/bolognaviolenta
www.twitter.com/bolognaviolenta
www.soundcloud.com/bolognaviolenta