Showing posts with label cinematic. Show all posts
Showing posts with label cinematic. Show all posts

Monday, March 25, 2019

Drontheim Interview

 1.For those that have never heard of you before, can you tell us a
little bit about the band?
Rune: We are Drontheim from Trondheim, Norway! We are a 6 piece
conceptual bandproject consisting of comrades and partners in crème from
other musical endeavors. We play a dark, melancholic- mixture of many
genres, but rooted in the industrial,cinematic metal landscape.
viNd: Drontheim is a strictly non-political output with no collective
agenda on any level except the artistic. Thematically it is rooted in a
strong interest in the second world war in general, and more
specifically the events, people and life as it were in Trondheim, Norway
in the early 1940'ies, and also the German vision for Neu Drontheim -
New Trondheim - the new capital for the Germanized Scandinavia.
Lyrically it can be considered part documental and part fiction, but as
a whole it is focused on the dark and dystopian union of audible,
lyrical and visual expressions that enables the artistic atmosphere
Drontheim seek to provide. Not easily defined by limiting genres, but at
times cinematic and atmospheric and at times distorted and strict; one
can find traces of industrial rock, metal and electronic music.

2.Recently you have released a new album, can you tell us a little bit
more about the musical style you went for on the album?
Rune: The album consists of a collection of tunes from the last 12-13
years. Something with Norwegian lyrics, pure studio-Jams,
improvisations, one instrumental, many soundscapes and a few tight
pieces on the harder side of the scale. It is a very varied album that
takes you on a roundtrip through moods, histories and sensations based
around our conceptual storytelling.
viNd: Well, 1st of all we could say that its heavily themed around a
naval WW2 concept. The title "down below" is a reference to submarine
naval warfare and the unmarked grave for many unlucky sailors during the
naval campaigns of WW2. Its like infernos and screams above, silence and
darkness down below. And on this album we dived into the ocean and got
pulled down below. I can also reveal that the next Drontheim album will
be "running into the infernos and screams above"...

3.The band has been around since 2006 but waited until this year to
release the first full length, can you tell us a little bit more about
the long wait?
Rune: All members of Drontheim are involved in other musical projects
and band settings, and the band has evolved slowly- finding new
directions and working methods along the way. We have never rushed
Drontheim, but had a steady production of finished tunes and ideas for
new material. As mentioned earlier- the tracks on the album are just a
collection of our material so far... There is, of course a lot of
patience needed within the band, for when members are busy elsewhere- we
need to keep the focus right, and just trust in the concept and hold a
steady course. But the patience has been worth it! We are happy with our
album "Down below " - and we hope to spend more time together presenting
our music.
viNd: It's about time, timing, not rushing and releasing something we
feel good about. It took us much longer time with down below than we
expected for many different reasons, but I think and hope we have
learned from that so the next one will run smoother in our music
factory.

4.Most of the band members have a background in black or extreme metal,
what was the decision behind going into the musical direction the band
went for on the recording?
viNd: Well, 1st of all I created Drontheim back in 2006 during a hiatus
in my other bands (Atrox and Manes). Back then I also started to watch a
lot of documentaries about the second world war and it inspired me to
write music. And its like when I write music I often feel where the
music belong, like what project this tune should be placed into;
sometimes its Atrox, others Manes. And after writing the 1st songs I
knew that this was not Atrox nor Manes, but something new. Thus a group
of comrades I knew were recruited to get the project off its feet and
Drontheim was established.

5.A lot of the lyrics deal with WWII, History and Dystopian themes, can
you tell us a little bit more about your interest in these topics?
viNd: I started to watch a lot of documentaries about the second world
war and it inspired me to write music. It just happened like; after
watching some WW2 stuff, I just had to write music. I was ful of stuff
from within, and after writing some songs I also think I (re)discovered
why, and that was due to my grandfathers. They were both in the war (on
the allies side), and I remember they used to tell me a lot of stories
about it (WW2) when I was a kid. The first time I got to hear the name
Drontheim was via my grandfathers when they were telling me about stuff
they experienced during the second world war here in Trondheim. They
also pointed me in the direction of the vision the Germans had for
creating «Neu Drontheim» (New Trondheim). So thats how I got interested
in the second world war history in the first place. And how I see it,
its like they made me start Drontheim and I´m grateful for that.
The alternative history, or what we call docu-fiction allows us to play
with the "what ifs" and parallel universes of a world at war. We dont
have to stay to the facts, and it also allows us to skip the use of
symbolism we dont want to be related to. Along with that we also get to
build our own universe inside a very well documented time period, and
also speculate in alternative after maths...

6.What is the meaning and inspiration behind the name 'Drontheim'?
viNd: Drontheim or «Neu Drontheim» (New Trondheim) was the vision the
Germans had for creating a new German metropolis in German-occupied
Norway, and it was planned to have a population of around
250,000–300,000 inhabitants. The building site of the city was located
15–20 km southwest of Trondheim. Because of the significant strategic
importance of the Trondheim Fjord to the German military, it was to be
constructed in conjunction with a major navy and military base that
would give Germany unprecedented maritime control over the North
Atlantic area. Hitler stated that the city was to become "a German
Singapore", and it eventually became one of his favorite architectural
projects. To organize and carry out the necessary planning for the new
project, Hitler appointed Albert Speer. The city was to house an
enormous art museum for the northern part of Germany′s empire,
containing "only works of German masters". An Autobahn was to be
constructed to Trondheim across the Little and Great Belts of Denmark
and further through southwest Sweden and Norway to connect the northern
outpost with Germany proper. The naval base itself was planned to
contain extensive shipyards, docks and U-Boat bases for the expected
post-war German navy that was to consist altogether of several hundred
submarines and dozens of super-battleships, as well as several aircraft
carriers. It would, in Hitler's words, render British Singapore "mere
child′s play" by comparison as a military stronghold.
In 1943, the first ground detonations were begun. To provide the
construction site with labor, a prisoner-of-war camp was built in
Øysand. A reserve landing strip for airplanes was also put in place.
Special maps were prepared for Hitler from which he studied the optimum
positions for the docks and accompanying structures. A metres-wide,
highly detailed miniature model was also built for him, which was
destroyed during an Allied bombardment in Berlin in 1945. During the war
itself, the port city was already turned into a major base for German
U-Boat submarines, Dora I.

7.Can you tell us a little bit more about the artwork that is presented
on the album cover?
viNd: As we told earlier the title "down below" is a reference to
submarine naval warfare and the unmarked grave for many unlucky sailors
during the naval campaigns of WW2. Infernos and screams above, silence
and darkness down below. The design of the album is based around this,
and several of the other songs and videos also plays around this theme.

8.What are some of the best shows that the band has played so far and
also how would you describe your stage performance?
viNd: I will have to say that the best show is yet to come! With
Drontheim we can scale the stage performance from stripped (acoustic) to
full frontal attack. This also goes for the production we do, with the
gear, gadgets we use and what we´ll do on stage.

9.Do you have any touring or show plans for the new album?
viNd: This is something we´re working on at the moment, but the dates
and cities are still not 100% set. We hope we can share some light on
this soon, as the band is ready for doing some great kick ass shows. So
I will just have to say; tune in on www.drontheim.no and stay informed
;)

10.On a worldwide level how has the reaction been to your album by fans
of metal or other genres of music
viNd: It is to early to say, but from what we have seen so far, the
feedback has been good. We are crossing our fingers for that more people
we check us out and join us down below...

11.What is going on with some of the other bands or musical projects
these days that some of the band members are a part of?
Rune: Both Manes and Atrox are creating new material, and planning some
live shows the coming year. Endapartoo (Runes sideproject) has just
finished an experimental album, and is currently planning publishing.
Snorre is working on a project called Helsinki Horizon, Eivind on Atrox,
Drontheim, EoP and Manes, and Steffen is working on THP (The Heisenberg
Project) - pre-producing material for an album that will be recorded
later this year.

12.Where do you see the band heading into musically during the future?
Rune: More of the same. More of everything that sounds good.
viNd: I already gave some hits about the next Drontheim album, so I
would have to say that the next album will have the sound and mood that
fits more with running into the infernos and screams that you´ll find
above the sea surface during wartime. I think we have 8 songs ready now,
and we hope hit the studio to record the new album sometime later this
year.

13.What are some of the bands or musical styles that have had an
influence on your music and also what are you listening to nowadays?
Rune: David Sylvian, Bowie, progressive bands, ambient soundscapes.
viNd: Documentary movies, soundscapes and for example BC, Black
Sabbath, Burzum, Ghost Brigade, Immortal, Katatonia, My Dying Bride,
Peeping Tom, Rammstein, Seigmen, Slagmaur just to mention some.

14.What are some of your non musical interests?
Rune: There are quite a diversity when it comes to our lives outside of
the musical box, and we use each others skills and knowledge within the
project. We have engineering people, visual artists, health workers,
sporty people, crazy people, fathers and family men- teachers and
inspirators, warehouse workers- and we like beer.

15.Before we wrap up this interview, do you have any final words or
thoughts?
viNd: I encourage you all to check out our new album - give it a spin
and join us down below! I'm pretty sure that if you are into industrial,
alternative  metal, post rock, cinematic and atmospheric music you will
enjoy down below.

http://www.drontheim.no/




Sunday, February 17, 2019

Drontheim/Down Below/Wraith Productions/2019 CD Review


  Drontheim  are  a  band  from  Norway  that  consists  of  some  musicians  that  play  in  some  very  well  known  Norwegian  black  and  extreme  metal  bands  and  with  this  band  plays  a  mixture  of  industrial,  alternative  metal,  post rock,  cinematic  and  atmospheric  music  and  this  is  a  review  of  their  2019  album  "Down  Below"  which  will  be  released  on   February  22nd  by  Wraith  Productions.

  Dark  yet  melodic riffing  starts  off  the  album  along  with  some  drum  beats  while  the  clean  vocals  add  in  a  touch  of  goth  rock.  All  of  the  musical  instruments  on  the  recording  have  a  very  powerful  sound  to  them  as  well  as  the  music  also  adding  in  a  great  amount  of  metal  elements  and  some  of  the  tracks  are  long  and  epic  in  length.

  At  times  the  music  also  gets  very  atmospheric  sounding  while  clean  guitars  are  also  used  quite  a  bit  throughout  the  recording  and  also  adds  in  elements  of  post  rock.  Some  of  the  tracks  also  add  in  a  small  amount  of  keyboards  as  well  as the songs  also  mixing  in  influences  of  alternative  rock.

  Most  of  the  tracks  sounds  very  different  from  each  other  along  with  some  spoken  word  parts  also  being  added  into  certain  sections  of  the  recording  while  an  instrumental  is  also  added  onto  the  recording  as  the  album  progresses.  The  production  sounds  very  professional  while  the  lyrics  cover  an  alternate  reality  regarding  World  War  II.

  In  my  opinion  Drontheim  are  a  very  great  sounding  mixture  of  industrial,  alternative  metal,  post rock,  cinematic  and  atmospheric  music  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Dark  Passage"  "House  Of  Horus"  and  "Fathom".  8  out  of  10.

http://www.wraithproductions.net/artists/drontheim
http://www.drontheim.no/
https://www.facebook.com/neudrontheim/

      

Monday, January 28, 2019

Autumn Tears Interview

1.Can you give us an update on what has been going on with the band since the recording and release of the new album?

In addition to promoting the new album as much as possible, we have actually been working on new music for the next album since and even before the release of the new album. We currently have close to 43 minutes of new music composed already. With luck we should have another album ready at the start of 2020 if all goes well.

2.Early this year you had released a new album, musically how does it differ from the stuff you have released in the past?

The two major differences are that unlike the earlier music which was more darkwave / gothic influenced and mainly supported with synth based music, the new music is more cinematic / classical in style rooted more in actual composition. The main difference, and this was always one of my goals with Autumn Tears, is that now all the music is recorded with all live classical instruments as opposed to keyboards or sound libraries / VST.

3.Before 2018 you had taken a 10 year hiatus from releasing music, do you feel their has been a lot of changes since then with the way people have changed in the music industry over the years?

Absolutely it has changed dramatically. For one, compact discs sales are nothing like they were 10 years ago. Everything is digital now. When we first started back in 1995, we were able to sell so many CDs back then, and even 10 years ago. Now it's all itunes, spotify, pandora, etc. I realize times change but I guess I'm old school where I still appreciate have the actual physical CD, or better yet, vinyl.

4.What are some of the lyrical topics and subjects you have explored with the newer music and also how would you describe your progress as a songwriter over the years?

The new album, and even the EP "The Origin of Sleep" before that, are part of a larger concept based on the idea of the universe and the birth and of the goddess Gaia. I wanted to write something more meaningful and mature than much of the older, darker themes that were the root on Autumn Tears philosophy back in the 90s. Back then it was more of a trend to try and be as dark and depressing as possible with music, but i'm 48 now and quite happy, and want to touch on concepts that are on a much deeper level. Same goes with the songwriting. I've pent the last 10 years studying music composition so when we finally did make a comeback, the music would be so much more than it had been in the past.

5.I remember in the mid 90's and early 2000's the band would get a lot of press in the metal scene while being of a complete different genre, do you feel their is a lot of similarities between goth, classical and the more darker forms of metal?

I definitely feel there are many similarities and a lot of crossover interest between the genres. Back then (and even still) I was very much into the underground metal scene so I decided to take a chance and promote Autumn Tears in that market. It seems nowadays there are a lot of classical / metal bands so I think they style still fits like a glove. I'm not sure how much of a goth scene there really is anymore compared to the 90s but I know Project records is still around and they were one of the giants of the scene back then.

6.Can you tell us a little bit more about the artwork that is presented on the new album cover?

The cover was painted by an amazing Polish artist that I discovered named Graszka Paulska (https://www.facebook.com/graszkapaulskaart). Her paintings are exquisite and I felt her style was the perfect visual representation for the music. The imagery captures exactly how I want the songs to be represented. Her artwork also graces the cover of the Autumn Tears - Convalescence: A Retrospective Official 2018 compilation CD that was released last year on Dark Vinyl Records.

7.On the new album you worked with 30 different musicians, can you tell us a little bit more about how you went with this process and also do you feel it made the music sound a lot more powerful?

From when I first began Autumn tears in 1995, It had always been my dream and goal to one day use real classical instruments instead of keyboards and sound libraries for the music. Back then it was never really feasible with our humble budget or experience. We slowly started to employ organic instruments for the first time on the 2004 album "Eclipse", with the introduction of woodwinds and Contrabass. Then in 2007 for 'The Hallowing", we added some violins. After our 10 year hiatus, our comeback offering "The Origin of Sleep" was our first fully organic release employing a full string, horn and woodwind section as well as orchestral production. With the new 2019 album "Colors Hidden Within the Gray", we took it a step further by adding some ethnic and world instruments to diversify our sound, yet still retain that cinematic, orchestral feel which is grander and more powerful than any music we have released previously. For example, the song "The Day of Wrath" on the new album has 64 individual instrument tracks, something that we have never attempted before.

8.At one you also ran the 'Dark Symphonies' label,is there anything going on with that label these days?

I actually still run the Dark Symphonies label 24 years later, although now we no longer run a mail order or distro, and we specialize exclusively in classic thrash and death metal reissues on CD, as well and continue to serve as a home for Autumn Tears. In 2009 we opened a sub label - "The Crypt" which specializes exclusively in vinyl reissues of classic metal titles.

9.On a worldwide level how have your long time fans reacted to the musical style that is presented on the new album?

I am extremely thankful that everyone seems to have embraced the new style wholeheartedly from what I have seen and heard so far. Essentially I feel that we are still the same project and have not changed so drastically to have forgotten our roots, rather have just have expanded and matured in our style and sound.  It's Autumn Tears 2.0!

10.Where do you see the band heading into musically during the future?

I definitely want to keep moving forward in the same direction, with fully orchestrated organic music, but if my ambition allows, I hope to make the scope of the project even more grand than it is now with even more musicians and vocalists. I suppose it is all a matter of how successful the project is and what the future budget will allow as we are still very much and independent act and self finance everything at this point.

11.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?

Most of the influences from the newest album come mainly from classical masters both old and new, including Vaughan Williams, Albonini, Arvo Pärt, Max Richter, Ólafur Arnalds, Mahler, Barber and of course Jóhann Jóhannsson. As far as what I listen to now, in addition to many of the great composers I still listen to  a lot of classic underground death and thrash metal, as well as a good healthy dose of Devin Townsend.

12.What are some of your non musical interests?

I love illustration, film, nature walks, reading, and bing watching netflix shows!

13.Before we wrap up this interview, do you have any final words or thoughts?

I want to thank you again for this interview and the opportunity to share words with our fans. We apologize for having been gone so long, but we are definitely back for good now!

Bandcamp
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Friday, January 18, 2019

Autumn Tears/Colors Hidden Within The Gray/2019 CD Review


  Autumn  Tears  are  a  band  from  Billerica,  Massachusetts  that  plays  a  mixture of  neo-classical,  cinematic  score  and  world  music  and  this  is  a  review  of  their  self  released  2019  album  "Colors  Hidden  Within  The  Gray".

  A  cinematic  orientated  intro  starts  off  the  album  while  also  introducing  stringed  and  ethnic  sounding  instruments  onto  the  recording.  On  the  second  track  operatic  female  vocals  are  also  introduced  onto  the  recording  as  well  as  mixing  in  elements  of  classical  music  and  the  first  3  songs  have  a  concept  to  them.

  Tragic  sounding  orchestras  can  also  be  heard  quite  a  bit  throughout  the  recording  while  the  music  also  gets  very  symphonic  at  times.  Elements  of  world  music  can  also  be  heard  quite  a  bit  throughout  the  recording  along  with  the  female  vocals  also  adding  in  a  touch  of  goth.All  of  the  songs  also  sound  very  different  from  each  other  which  also  gives  the  music  more  diversity.

  As  the  album  progresses  some  of  the  tracks  also  start  getting  more  long  and  epic  in  length.  Later  songs  also  introducing  percussion  onto  the  recording  as  well  as  the  cinematic  elements  making  the  music  sound  more  epic  and  one  song  also  adds  a  small  amount  of  classical  guitars  onto  the  recording,  a  later  track  is  also  all  instrumental.  The  production  sounds  very  dark  while  the  lyrics  cover  dark  and  depressive  themes.

  In  my  opinion  Autumn  Tears  are  a  very  great  sounding  mixture  of  neo-classical,  cinematic  score  and  world  music  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "The  Day  Of  Wrath"  "Rainlight  Ascension"  "The  Earth  Song"  and  "Another  Day".  8/5  out  of  10.

autumntears.bandcamp.com