Showing posts with label Temple Of Gnosis. Show all posts
Showing posts with label Temple Of Gnosis. Show all posts

Friday, June 12, 2015

Temple Of Gnosis Interview


1.For those that have never heard of you before, can you tell us a little bit about the musical project?

The best and most comprehensive way to present it is to use the introduction that stands on the official channels:

“Temple Of Gnosis is dark doom metal project founded in early 2015 by a person under the pseudonym H.M.T. If it is necessary to describe the music of this project with words and classify it in the subcategories of the genre, it could be said that the Temple of Gnosis are specifically playing "alchemical, occult death / doom metal". The concept is inspired by the Western esoteric tradition, especially the alchemical process of Enlightenment and within that, the first stage of the alchemical work called "deconstruction." Philosophically, this is the first process of transformation of mind and spirit, and it consists of catharsis (discharge and purification) and the destruction of the original structure in order for the new one to be built upon its ashes.

2.Recently you have released an ep, how would you describe the musical sound that is presented on the recording?

Although it’s impossible to describe in words something which can only be felt by your own senses, I can briefly say that on this release you can find a combination of dark ambient, sludge riffs and "growl" vocals, all supported by symphonic soundscapes, with the goal of creating a frightening and dark but in the same time majestic atmopshere, as if you entered the vast and secret interior of the Earth.

3.The musical project was formed early this year already has an ep out on a label, do you put a lot of time and effort in creating music?

Yes, I worked very hard on this release. Oftentimes I barely slept at night and ate. But I enjoyed every moment.

4.Our lyrics cove amount of Ceremonial Magick, Hermetic, and Alchemy topics, can you tell us a little bit more about your interest in the Occult and Esoteric Arts.

I must correct you, there are no references to Ceremonial Magick in the lyrics of Temple Of Gnosis. As for Hermeticism and Alchemy, I was always interested in the areas of esotericism. What especially drew me to Hermetic art of Alchemy was its spiritual and psychological foundation. Those teachings are of utmost value to anyone who wants to reach some higher level of understanding of the world, both profane and esoteric. And you must first understand your own Self.
5.What is the meaning and inspiration behind the name 'Temple Of Gnosis'?

The name represents a symbolical “place”, a metaphorical context through which the secret work is done and wisdom is transfered. Through this project I channel my own energy of my own Shadow-self and I introduce the secret symbols to both ignorant and wise eye. This is my own alchemical work and my own ‘temple’..

6.So far you have recorded everything by yourself with this musical project, are you open to working with other musicians or do you prefer to remain solo?

I prefer doing certain things, like creating, myself. Artistic work is the ultimate expression of self, and I think that it’s best to be done individually. It’s the only way for the creation to be powerful and true.

7.According to the Metal Archives page you also run 'Prometheus Art & Design', can you tell us a little bit more about this company?

Prometheus Art & Design is not exactly a company, it’s just a name under which I collect and offer my works in the area of graphic design and multimedia. I’m offering services to artists, webzines, figures, brands, etc. Services include logo & cover designs, digital artwork for online presentations, flyer design, website setting up and design, blog setting up and design and video editing services. Visual aspect is sometimes more important than anything. There are many people who create fantastic stuff but they present them in a visual package you don’t want to touch, because they are not proficient in design or don’t have money to pay for it. So I offer prices acceptable to the ordinary guy who wants his creations to look great but doesn’t have money to pay some burgeoise designers. I was in this position too a few years ago, so I know very good how it is. But then I took time and learned to do it myself.

8.On a worldwide level how has the feedback been to your ep by fans of extreme, dark and underground music?

I can say that the feedback is fantastic so far, I must admit I didn’t quite expect there would be so much interest in this kind of work, since it’s pretty underground, cryptic and dark. But I guess it’s heavy, archetypal symbolism and uniquely blended sounds that people react to. The music and concept reach to their core selves.

9.Are you also involved with any other bands or musical projects?

Yes, in a few, but nothing big.

10.When can we expect a full length album and also where do you see yourself heading into as a musician in the future?

I hope the full-length will be out before the end of this year. I constantly advance and evolve as a musician, there’s a constant flow and I honestly never know in what direction I will go.

11.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

There are no some special bands or albums that influence my music. I can be inspired by a few seconds of some melody I hear on the streets and it converts in my head into some haunting symphony. As for this work, it’s probable that I was subcosciounsly influenced by a constellation of creations in the “dark side”, and even by random details in the sound. I generally listen to all forms of metal (of course, I prefer “darker” side of metal), rock, classical music, ambiental, industrial, soundtrack music, sacred & religious music, and so forth.

12.Before we wrap up this interview, do you have any final words or thoughts?
Thank you for this interview and for the opportunity to speak about some more details of Temple Of Gnosis.

https://www.facebook.com/templeofgnosis/

Saturday, June 6, 2015

Temple Of Gnosis/Mysterivm Magnvm/Goathoarned Productions/2015 EP Review


  Temple  Of  Gnosis  are  a  solo  project  from  Serbia  that  plays  an  occult  mixture  of  sludge,  doom and  death  metal  with  a  touch  of  dark  ambient,  black  metal  and  symphonic  music  and  this  is  a  review  of  his  2015  ep  "Mysterivm Magnvm"  which  was  released  by  Goathorned  Productions.

  A  very dark,  occult  and  avant  garde  sound  starts  off  the  ep  along  with  some  ambient  soundscapes  that  also  gives  the  music  more  of  a  ritualistic  feeling  and  after  a  couple  of  minutes  the  music  starts  going  for  more  of  a  heavy  and  symphonic  style  of  doom  metal as  well  as  introducing  grim  growls  onto  the  recording.

  The  vocals  bring  in elements  of  both  death  and  black  metal  and  the  music  also  alternates  between  atmospheric  and  heavy  parts  as  well  as  mixing  them  together  at  times  and  all  4  of  the  tracks  are  very  long  and  epic  in  length  and  the  riffs  also  mix  in  a  touch  of  sludge  and  the  whole  ep sticks  to  a  very  slow  musical  direction  and  when  spoken  word  parts  are  added  in  the  music  starts  bringing  in  even  more  of  an  ritualistic  atmosphere.

  Temple  Of  Gnosis  plays  a  musical  style  that  is mostly  rooted  in  sludge,  doom  and  death  metal  but  also  mixes  it  elements  of  ritual  dark  ambient,  symphonic  music  and  black  metal  to  create  something  very  original,  the  production  sounds  very dark,  raw  and  heavy  while  the  lyrics  cover  Western  Esoteric  Traditions,  Alchemy  and  Hermeticism. 

  In  my  opinion  Temple  Of  Gnosis  are  a  very  great  sounding  mixture  of  dark  ambient,  sludge,  doom  and  death  metal  with  a  blackened  touch  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  solo  project.  RECOMMENDED  TRACKS INCLUDE  "Mysterivm Magnvm"  and  "Thoth-Mercvrivs".  8  out  of  10.

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